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Idols of Perversity by Bram Dijkstra (1986, Hardcover)
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Ubicado en: Grand Rapids, Michigan, Estados Unidos
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Entrega prevista entre el sáb. 20 dic. y el lun. 29 dic. a 94104
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N.º de artículo de eBay:280567505825
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Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0195037790
ISBN-13
9780195037791
eBay Product ID (ePID)
60175
Product Key Features
Book Title
Idols of Perversity : Fantasies of Feminine Evil in Fin-De-Siècle Culture
Number of Pages
480 Pages
Language
English
Publication Year
1986
Topic
Women, Life Sciences / Botany, Women's Studies
Illustrator
Yes
Genre
Social Science, Science, History
Format
Hardcover
Dimensions
Item Height
1.2 in
Item Weight
40 oz
Item Length
10.3 in
Item Width
7.3 in
Additional Product Features
Intended Audience
Trade
LCCN
85-031076
Dewey Edition
21
Dewey Decimal
704.9/424/09034
Synopsis
This is a book filled with the dangerous fantasies of the Beautiful People of a century ago. It contains a few scenes of exemplary virtue and many more of lurid sin., In the years around 1900, an unprecedented attack on women erupted in virtually every aspect of culture: literary, artistic, scientific, philosophic. Many of the anti-feminine platitudes that today still constrain women's potential were formulated during this period, as intellectuals banded together to picture women as static and unindividuated beings whose sole function was sexual and reproductive. This book explores the nature and development of turn-of-the-century misogyny in the works of hundreds of writers, artists, and scientists, including such figures as Zola, Strindberg, Wedekind, Henry James, Rossetti, Renoir, Maurois, Klimt, Darwin and Spencer. "A provocative and absorbing book."--The New York Times, In the years around 1900, an unprecendented attack on women erupted in virtually every aspect of culture: literary, artistic, scientific, and philosophic. Many of the anti-feminine platitudes that today still constrain women's potential were first formulated during this period, as intellectuals of every stripe throughout Europe and America banded together to picture women as static and unindividuated beings whose sole function was sexual and reproductive. Idols of Perversity explores the nature and development of turn-of-the-century misogyny in the works of hundreds of writers, artists, and scientists, including such figures as Zola, Strindberg, Wedekind, Henry James, Rossetti, Renoir, Maurois, Klimt, Darwin, and Spencer, not to mention a host of now-forgotten others. As Bram Dijkstra shows, justification for this wave of anti-feminine sentiment was sought in the most prejudicial aspects of Evolutionary Theory. It was held that the female of the species had not been able to participate in the great evolutionary process that was guiding the intellectual male, nature's chosen "superman," to his ultimate, predistined role as a disembodied spiritual essence. Women were seen as a hindrance to the smooth unfolding of this process, ready at any moment to lure men back to a sham paradise of erotic materiality. To protect the male's continued evolution, there came a flood of pseudo-scientific tracts, novels, and paintings in which artists and intellectuals sought to warn the world's males of the evils lying beneath the surface elegance of woman's tempting skin. Reproducing hundreds of pictures from the period and including in-depth discussions of such key works as Dracula and Venus in Furs, this fascinating book not only exposes the crucial links between misogyny then and now but connects it to the racism and anti-semitism that led to catastrophic genocidal delusions in the first half of the twentieth century. Crossing the conventional boundaries of art history, sociology, the history of scientific theory, and literary analysis, Dijkstra unveils a startling view of women--a war whose battles are still being fought. About the Author: Bram Dijkstra is Professor of Comparative Literature at the University of California, San Diego, and author of The Hieroglyphics of a New Speech, A Recognizable Image, and other works on literature and the visual arts., In the years around 1900, an unprecendented attack on women erupted in virtually every aspect of culture: literary, artistic, scientific, and philosophic. Many of the anti-feminine platitudes that today still constrain women's potential were first formulated during this period, as intellectuals of every stripe throughout Europe and America banded together to picture women as static and unindividuated beings whose sole function was sexual and reproductive. Idols of Perversity explores the nature and development of turn-of-the-century misogyny in the works of hundreds of writers, artists, and scientists, including such figures as Zola, Strindberg, Wedekind, Henry James, Rossetti, Renoir, Maurois, Klimt, Darwin, and Spencer, not to mention a host of now-forgotten others. As Bram Dijkstra shows, justification for this wave of anti-feminine sentiment was sought in the most prejudicial aspects of Evolutionary Theory. It was held that the female of the species had not been able to participate in the great evolutionary process that was guiding the intellectual male, nature's chosen "superman," to his ultimate, predistined role as a disembodied spiritual essence. Women were seen as a hindrance to the smooth unfolding of this process, ready at any moment to lure men back to a sham paradise of erotic materiality. To protect the male's continued evolution, there came a flood of pseudo-scientific tracts, novels, and paintings in which artists and intellectuals sought to warn the world's males of the evils lying beneath the surface elegance of woman's tempting skin. Reproducing hundreds of pictures from the period and including in-depth discussions of such key works as Dracula and Venus in Furs , this fascinating book not only exposes the crucial links between misogyny then and now but connects it to the racism and anti-semitism that led to catastrophic genocidal delusions in the first half of the twentieth century. Crossing the conventional boundaries of art history, sociology, the history of scientific theory, and literary analysis, Dijkstra unveils a startling view of women--a war whose battles are still being fought. About the Author: Bram Dijkstra is Professor of Comparative Literature at the University of California, San Diego, and author of The Hieroglyphics of a New Speech, A Recognizable Image, and other works on literature and the visual arts.
LC Classification Number
NX652.W6D55 1986
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