Lumen Naturae : Visions of the Abstract in Art and Mathematics by Matilde Marcolli (2020, Hardcover)

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Published by The MIT Press.

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Product Identifiers

PublisherMIT Press
ISBN-100262043904
ISBN-139780262043908
eBay Product ID (ePID)17038284013

Product Key Features

Number of Pages400 Pages
LanguageEnglish
Publication NameLumen Naturae : Visions of the Abstract in Art and Mathematics
Publication Year2020
SubjectPhilosophy & Social Aspects, History / Contemporary (1945-), General, Physics / Mathematical & Computational, History / General
TypeTextbook
AuthorMatilde Marcolli
Subject AreaMathematics, Art, Science
FormatHardcover

Dimensions

Item Height0.9 in
Item Weight31 Oz
Item Length9.3 in
Item Width6.2 in

Additional Product Features

Intended AudienceTrade
LCCN2019-030795
IllustratedYes
SynopsisExploring common themes in modern art, mathematics, and science, including the concept of space, the notion of randomness, and the shape of the cosmos. This is a book about art-and a book about mathematics and physics. In Lumen Naturae (the title refers to a purely immanent, non-supernatural form of enlightenment), mathematical physicist Matilde Marcolli explores common themes in modern art and modern science-the concept of space, the notion of randomness, the shape of the cosmos, and other puzzles of the universe-while mapping convergences with the work of such artists as Paul Cezanne, Mark Rothko, Sol LeWitt, and Lee Krasner. Her account, focusing on questions she has investigated in her own scientific work, is illustrated by more than two hundred color images of artworks by modern and contemporary artists. Thus Marcolli finds in still life paintings broad and deep philosophical reflections on space and time, and connects notions of space in mathematics to works by Paul Klee, Salvador Dali, and others. She considers the relation of entropy and art and how notions of entropy have been expressed by such artists as Hans Arp and Fernand Leger; and traces the evolution of randomness as a mode of artistic expression. She analyzes the relation between graphical illustration and scientific text, and offers her own watercolor-decorated mathematical notebooks. Throughout, she balances discussions of science with explorations of art, using one to inform the other. (She employs some formal notation, which can easily be skipped by general readers.) Marcolli is not simply explaining art to scientists and science to artists; she charts unexpected interdependencies that illuminate the universe., Exploring common themes in modern art, mathematics, and science, including the concept of space, the notion of randomness, and the shape of the cosmos. This is a book about art--and a book about mathematics and physics. In Lumen Naturae (the title refers to a purely immanent, non-supernatural form of enlightenment), mathematical physicist Matilde Marcolli explores common themes in modern art and modern science--the concept of space, the notion of randomness, the shape of the cosmos, and other puzzles of the universe--while mapping convergences with the work of such artists as Paul Cezanne, Mark Rothko, Sol LeWitt, and Lee Krasner. Her account, focusing on questions she has investigated in her own scientific work, is illustrated by more than two hundred color images of artworks by modern and contemporary artists. Thus Marcolli finds in still life paintings broad and deep philosophical reflections on space and time, and connects notions of space in mathematics to works by Paul Klee, Salvador Dal , and others. She considers the relation of entropy and art and how notions of entropy have been expressed by such artists as Hans Arp and Fernand L ger; and traces the evolution of randomness as a mode of artistic expression. She analyzes the relation between graphical illustration and scientific text, and offers her own watercolor-decorated mathematical notebooks. Throughout, she balances discussions of science with explorations of art, using one to inform the other. (She employs some formal notation, which can easily be skipped by general readers.) Marcolli is not simply explaining art to scientists and science to artists; she charts unexpected interdependencies that illuminate the universe.
LC Classification NumberN72.S3M37 2020

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