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Mexican Suite : A History of Photography in Mexico by Olivier Debroise 1st Ed
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Ubicado en: Austin, Texas, Estados Unidos
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N.º de artículo de eBay:267473448944
Características del artículo
- Estado
- Country of Origin
- Mexico
- ISBN
- 9780292716117
Acerca de este producto
Product Identifiers
Publisher
University of Texas Press
ISBN-10
0292716117
ISBN-13
9780292716117
eBay Product ID (ePID)
1683541
Product Key Features
Book Title
Mexican Suite : a History of Photography in Mexico
Number of Pages
300 Pages
Language
English
Topic
Latin America / Mexico, Individual Photographers / General, General, History
Publication Year
2001
Illustrator
Yes
Genre
Photography, History
Format
Hardcover
Dimensions
Item Height
1.2 in
Item Weight
64.1 Oz
Item Length
12.2 in
Item Width
9.2 in
Additional Product Features
Intended Audience
Trade
LCCN
00-039295
Dewey Edition
21
Reviews
"This book will become the most complete and useful English-language text on its subject, and will be the essential starting point for anyone wishing to incorporate Mexican material into a photographic survey course, to add photography to a course on Mexican culture, or to do more research in the field."-Martha A. Sandweiss, Associate Professor of American Studies and History, Amherst College
Dewey Decimal
770/.972
Table Of Content
Translator's Preface 1. Overture Histories of HistoryIllustrated History The Latin American Colloquia Historical Images Those Vast Cemeteries of Images 2. Ritornello Daguerreotypomania The Last Alchemist: Théodore Tiffereau 3. Canon Technology at the Service of a New Class: Portraiture in Mexico The Creation of a Profession The Profession of Photographer: First Phase In the Photographer's Studio An Art of Representation Prisoners and Prostitutes, Masters and Servants New Photographers, New Styles A Profession in Crisis: Helios Magazine 4. Pastorale The Natural Landscape and the Sublime Hugo Brehme's Picturesque Mexico The Photographer's Paradise The Cult of Landscape Pierre Verger: Mexico George Hoyningen-Huene: Mexican Heritage Eliot Porter: Mexican Celebrations Recuerdos de la Media Luna 5. Oratorio Landscape and the Culture of Progress Pál Rojti Inventories and Commemorations William Henry Jackson Abel Briquet and Charles B. Waite The Vogue for Stereographs 6. Requiem The Lost Cities Désiré Charnay and the American Cities Alice Dixon and Mr. Le Plongeon La Commission Scientifique du Mexique Xlabpak: The Old Walls The Pyramid of the Sun Laura Gilpin: Solitary Photographer The Last Adventurer: Armando Salas Portugal In the Archive of Professor Retus 7. CaprichoVanishing Mexico Guillermo Kahlo: Colonial Churches 8. ToccataIndian Woman . . . Skin Nearly Black Mexicans: A Self-Portrait Tipos mexicanos: Albums of Mexican Popular Types The Tlachiquero Photography and Ethnology The Scientific Expeditions of Léon Diguet Frederick Starr: Indians of Southern Mexico Carl Lumholtz's Unknown Mexico Sumner W. Matteson Founding Fathers Paul Strand or the Creation of an Aesthetic Anton Bruehl Fritz Henle Luis Márquez: Mexican Folklore Agustín Jiménez and Ricardo Razetti For 25 Cents . . . Women of Juchitán Graciela in Juchitán Detritus Federal Nuevas grandezas mexicanasn Borders 9. Counterpoint Daguerreotypists at War François Aubert and Company, Imperial Reporters Before the Revolution With or without Tripod: The Technical (R)evolution The Revolution The Profession of Photographer: Second Phase Agustín Víctor Casasola Ezequiel Alvarez Tostado, Businessman Rotofoto: Visual Journalism and Nothing More Palpitaciones de la vida nacional Days to Remember Nacho López: Photojournalist 10. Danzón11. Fantasía Essays Emilio Amero Carlos Jurado and the Revelation of the Unicorn Montages Siqueiros, Renau, Kahlo Artifice Notes Bibliography Index
Synopsis
Best History Book, Maine Photographic Workshops, 2001 Western Books Exhibition, The Rounce & Coffin Club The history of photography in Mexico was a largely untold story until the 1994 publication of Olivier Debroise's Fuga Mexicana, un recorrido por la fotografía en México. Based on ten years' research in public and private photographic archives in Mexico, the United States, Guatemala, and Europe, Fuga Mexicana provided the first comprehensive survey of Mexican photography from the advent of the daguerreotype in 1839 to the present. Now this benchmark publication is available in English as Mexican Suite. Olivier Debroise and Stella de Sá Rego have revised this edition to include more current material and explanatory notes for an audience less familiar with Mexican history. They have also eliminated some of the general history of photography and added more of the early history of photography in Mexico, as well as many new, previously unpublished images.The book is organized both chronologically and thematically, which allows viewer/readers to follow the evolution of major photographic genres and styles. Debroise also examines the role of photography in the development of modern Mexico and the influence of prominent foreign photographers such as Edward Weston, Tina Modotti, and Henri Cartier-Bresson. In its totality, Mexican Suite constitutes an extended essay on Mexican culture as a whole and on how this culture has been read, interpreted, and imagined., Winner, Best History Book, Maine Photographic Workshops, 2001Western Books Exhibition, The Rounce & Coffin Club The history of photography in Mexico was a largely untold story until the 1994 publication of Olivier Debroise's Fuga Mexicana, un recorrido por la fotografia en Mexico. Based on ten years' research in public and private photographic archives in Mexico, the United States, Guatemala, and Europe, Fuga Mexicana provided the first comprehensive survey of Mexican photography from the advent of the daguerreotype in 1839 to the present. Now this benchmark publication is available in English as Mexican Suite. Olivier Debroise and Stella de Sa Rego have revised this edition to include more current material and explanatory notes for an audience less familiar with Mexican history. They have also eliminated some of the general history of photography and added more of the early history of photography in Mexico, as well as many new, previously unpublished images.The book is organized both chronologically and thematically, which allows viewer/readers to follow the evolution of major photographic genres and styles. Debroise also examines the role of photography in the development of modern Mexico and the influence of prominent foreign photographers such as Edward Weston, Tina Modotti, and Henri Cartier-Bresson. In its totality, Mexican Suite constitutes an extended essay on Mexican culture as a whole and on how this culture has been read, interpreted, and imagined., Best History Book, Maine Photographic Workshops, 2001 Western Books Exhibition,The Rounce & Coffin Club The history of photography in Mexico was a largely untold story until the 1994 publication of Olivier Debroise's Fuga Mexicana, un recorrido por la fotografía en México. Based on ten years' research in public and private photographic archives in Mexico, the United States, Guatemala, and Europe, Fuga Mexicana provided the first comprehensive survey of Mexican photography from the advent of the daguerreotype in 1839 to the present. Now this benchmark publication is available in English as Mexican Suite. Olivier Debroise and Stella de Sá Rego have revised this edition to include more current material and explanatory notes for an audience less familiar with Mexican history. They have also eliminated some of the general history of photography and added more of the early history of photography in Mexico, as well as many new, previously unpublished images.The book is organized both chronologically and thematically, which allows viewer/readers to follow the evolution of major photographic genres and styles. Debroise also examines the role of photography in the development of modern Mexico and the influence of prominent foreign photographers such as Edward Weston, Tina Modotti, and Henri Cartier-Bresson. In its totality, Mexican Suite constitutes an extended essay on Mexican culture as a whole and on how this culture has been read, interpreted, and imagined.
LC Classification Number
TR28.D4313 2001
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