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Revisiting the Elegy in the Black Lives Matter Era by Sequoia Maner (2019, TPB)

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“Book is in good condition. Cover has light wear along edges. There's a name written on the inside ...
Country/Region of Manufacture
United States
Item Weight
11.3 Oz
ISBN
9780367321581

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Product Identifiers

Publisher
Routledge
ISBN-10
0367321580
ISBN-13
9780367321581
eBay Product ID (ePID)
11038261358

Product Key Features

Number of Pages
268 Pages
Publication Name
Revisiting the Elegy in the Black Lives Matter Era
Language
English
Subject
American / African American, Modern / 21st Century, Poetry
Publication Year
2019
Type
Textbook
Subject Area
Literary Criticism
Author
Sequoia Maner
Series
Routledge Research in American Literature and Culture Ser.
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Length
9 in
Item Width
6.2 in

Additional Product Features

Intended Audience
College Audience
LCCN
2019-038577
Illustrated
Yes
Table Of Content
Table of Contents Chapter 1: Emily Ruth Rutter, "'Where will all that beauty go?': A Tribute to Poet-Scholar Tiffany Austin" Chapter 2: Emily Ruth Rutter, Tiffany Austin, Sequoia Maner, and darlene anita scott, "Elegiac Resistance: An Introduction to Revisiting the Elegy in the Black Lives Matter Era " I. "Elegiac Reconfigurations" Tony Medina, "Senryu for Trayvon Martin" and "From the Crushed Voice Box of Freddie Gray" Angela Jackson-Brown, "I Must Not Breathe" Anne Lovering Rounds, "American Diptych" Jerry Wemple, "Nickel Rides: For Freddie Gray " Chapter 3: Laura Vrana, "Denormativizing Elegy: Historical and Transnational Journeying in the Black Lives Matter Poetics of Patricia Smith, Aja Monet, and Shane McCrae" Chapter 4: Maureen Gallagher, "The Didactic and Elegiac Modes of Claudia Rankine's Citizen: An American Lyric " Chapter 5: Anne Rashid, "Lucille Clifton's and Claudia Rankine's Elegiac Poetics of Nature" Chapter 6: J. Peter Moore, "in terrible fruitfulness: Arthur Jafa's Love is the Message, The Message is Death and the Not-Lost Southern Accent" Emily Jo Scalzo, "After Charleston" Paula Bohince, "The Flint River" Lisa Norris, "Big-Beaked White Birds" Steffan Triplett, "Slumber Party" Sequoia Maner, "upon reading the autopsy of Sandra Bland" and "Black Boy Contrapuntal: For Trayvon Martin " II. "Hauntings and Reckonings" Danielle Legros Georges, "Poem of History" and "As Falling Star" darlene anita scott, "A Series of Survivals" Sean Murphy, "Bud Powell's Brain" Sarah Giragosian, "Nina" Chapter 7: Almas Khan, "Black Lives Matter and Legal Reconstructions of Elegiac Forms" Chapter 8: Sequoia Maner, "Anatomizing the Body, Diagnosing the Country: Reading the Elegies of Patricia Smith" Chapter 9: Deborah M. Mix, "'A diagnosis is an ending': Pathology and Presence in Bettina Judd's Patient ." Tiffany Austin, "Peaches" Charlie Braxton, "Strays in the Hood" Lauren K. Alleyne, "Poetry Workshop after the Verdict: For Trayvon " and "Elegy: For Tamir " III. "Elegists as Activists" Jacqueline Johnson, "Soul Memory (for Renisha McBride)" Chris Campanioni, "#IWokeUpLikeThis or: The Latest in Space-Age #PostInternet Pajamas" and " rendition " Cameron Barnett, "Uniform; or things I would paint if I were a painter" Chapter 10: Licia Morrow Hendriks, "'A Cause Divinely Spun': The Poet in an Age of Social Unrest" Chapter 11: Megan Feifer and Maia Butler, "Edwidge Danticat's Elegiac Project: A Transnational Historiography of U.S. Imperialist State Violence" Chapter 12: Brother Yao (Hoke S. Glover III), "Loving You Is Complicated: Empire of Language #4" Kimmika Williams-Witherspoon, "No Indictment (On the Death of Sandra Bland)" Nicholas Rianard Goodly, "Skin Tones" Jason Harris, "Appraisal (Elegy for As of a Now)" Tiffany Austin, "Dark Milk: After Basquiat" Chapter 13: Sequoia Maner, "An Interview with Amanda Johnston, Co-Founder of Black Poets Speak Out" Prompts for Further Discussion Appendix for Further Reading Contributor Bios Index
Synopsis
Revisiting the Elegy in the Black Lives Matter Era is an edited collection of critical essays and poetry that investigates contemporary elegy within the black diaspora. Scores of contemporary writers have turned to elegiac poetry and prose in order to militate against the white supremacist logic that has led to recent deaths of unarmed black men, women, and children. This volume combines scholarly and creative understandings of the elegy in order to discern how mourning feeds our political awareness in this dystopian time as writers attempt to see, hear, and say something in relation to the bodies of the dead as well as to living readers. Moreover, this book provides a model for how to productively interweave theoretical and deeply personal accounts to encourage discussions about art and activism that transgress disciplinary boundaries, as well as lines of race, gender, class, and nation.
LC Classification Number
PS309.N4R48 2020

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