TABULA PICTA: PAINTING AND WRITING IN MEDIEVAL LAW By Marta Madero (2009 HC){K5}

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Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
Features
Dust Jacket
ISBN
9780812241860
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Product Identifiers

Publisher
University of Pennsylvania Press
ISBN-10
081224186X
ISBN-13
9780812241860
eBay Product ID (ePID)
15038673157

Product Key Features

Number of Pages
160 Pages
Language
English
Publication Name
Tabula Picta : Painting and Writing in Medieval Law
Publication Year
2009
Subject
General, Legal History, Europe / Medieval
Type
Textbook
Subject Area
Law, History
Author
Marta. Madero
Series
Material Texts
Format
Hardcover

Dimensions

Item Height
0.6 in
Item Weight
23.5 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
College Audience
LCCN
2009-023571
Dewey Edition
22
Reviews
"Madero's book is a contribution both to the history of the property rights to artistic works and to the history of ideas about material things. . . . Tabula Picta demonstrates, in effect, that the category of the materiality of the text is . . . subject to historical variations that depend not only on the availability of particular techniques or materials. Perhaps even more, it is subject to the variable and plural categories that enable us, in different registers of experience and practice, to provide names, order, and attributions to things."-from the Foreword, by Roger Chartier, "Madero's book is a contribution both to the history of the property rights to artistic works and to the history of ideas about material things. . . . Tabula Picta demonstrates, in effect, that the category of the materiality of the text is . . . subject to historical variations that depend not only on the availability of particular techniques or materials. Perhaps even more, it is subject to the variable and plural categories that enable us, in different registers of experience and practice, to provide names, order, and attributions to things."-from the Foreword by Roger Chartier, "Madero's book is a contribution both to the history of the property rights to artistic works and to the history of ideas about material things. . . . Tabula Picta demonstrates, in effect, that the category of the materiality of the text is . . . subject to historical variations that depend not only on the availability of particular techniques or materials. Perhaps even more, it is subject to the variable and plural categories that enable us, in different registers of experience and practice, to provide names, order, and attributions to things."--from the Foreword by Roger Chartier, Madero's book is a contribution both to the history of the property rights to artistic works and to the history of ideas about material things. . . . Tabula Picta demonstrates, in effect, that the category of the materiality of the text is . . . subject to historical variations that depend not only on the availability of particular techniques or materials. Perhaps even more, it is subject to the variable and plural categories that enable us, in different registers of experience and practice, to provide names, order, and attributions to things., "Madero's book is a contribution both to the history of the property rights to artistic works and to the history of ideas about material things. . . . Tabula Picta demonstrates, in effect, that the category of the materiality of the text is . . . subject to historical variations that depend not only on the availability of particular techniques or materials. Perhaps even more, it is subject to the variable and plural categories that enable us, in different registers of experience and practice, to provide names, order, and attributions to things."--from the Foreword, by Roger Chartier
Dewey Decimal
346.04/820902
Table Of Content
Foreword Introduction 1. Dominium and Object Extinction 2. Accessio 3. Specificatio 4. Form, Being, and Name 5. Ferruminatio , Adplumbatio 6. Factae and Infectae 7. Praevalentia 8. Pretium and Pretiositas 9. The Part and the Whole 10. Ornandi Causa 11. Qualitas and Substantia Conclusion Appendixes Notes Bibliography Index Acknowledgments
Synopsis
Who owns the tabula picta , the painted tablet? The owner of the tablet? Or to the person who painted it? This meticulous analysis of how medieval jurists responded to these questions is a major a contribution to the history of the proprietary rights to artistic works and to the history of ideas., To whom does a painted tablet--a tabula picta --belong? To the owner of the physical piece of wood on which an image is painted? Or to the person who made the painting on that piece of wood? By extension, one might ask, who is the owner of a text? Is it the person who has written the words, or the individual who possesses the piece of parchment or slab of stone on which those words are inscribed? In Tabula Picta Marta Madero turns to the extensive glosses and commentaries that medieval jurists dedicated to the above questions when articulating a notion of intellectual and artistic property radically different from our own. The most important goal for these legal thinkers, Madero argues, was to situate things--whatever they might be--within a logical framework that would allow for their description, categorization, and placement within a proper hierarchical order. Only juridical reasoning, they claimed, was capable of sorting out the individual elements that nature or human art had brought together in a single unit; by establishing sets of distinctions and taxonomies worthy of Borges, legal discourse sought to demonstrate that behind the deceptive immediacy of things, lie the concepts and arguments of what one might call the artifices of the concrete.
LC Classification Number
KJA2438.I58M3713

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