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ART OF THE ODSGE by Garrick Bailey and Daniel C. Swan (2004 Hardcover){U9}

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There is a small hole in the dust jacket in the top left corner and a 2 inch tear on the top right ... Más informaciónacerca del estado
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“There is a small hole in the dust jacket in the top left corner and a 2 inch tear on the top right ...
Features
Dust Jacket
ISBN
9780295983875

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Product Identifiers

Publisher
University of Washington Press
ISBN-10
0295983876
ISBN-13
9780295983875
eBay Product ID (ePID)
30213553

Product Key Features

Book Title
Art of the Osage
Number of Pages
232 Pages
Language
English
Topic
Ethnic Studies / Native American Studies
Publication Year
2004
Illustrator
Yes
Genre
Social Science
Author
Garrick Bailey, Daniel C. Swan
Format
Hardcover

Dimensions

Item Height
0.6 in
Item Weight
23.5 Oz
Item Length
9.8 in
Item Width
5.9 in

Additional Product Features

Intended Audience
Trade
LCCN
2003-105591
Reviews
Though Art of the Osage s is a beautifully illustrated compendium of images representing both traditional and modern Osage artworks, its greater contribution lies in the guidance it provides to an appreciation of the cultural context in which those materials were produced. Perhaps the most important feature of the book is that it succeeds in getting this information across to general audiences even as it stimulates the interests of specialists.
Dewey Edition
0
Dewey Decimal
745/.089/975254
Table Of Content
Foreword--Brent R. BenjaminAcknowledgments--John W. NunleyIntroduction--Garrick Bailey1. Early Osage Art and History--Garrick Bailey2. Osage Cosmology--Garrick Bailey3. Osage Daily Life: Living Life as a Prayer--Garrick Bailey4. The Osage Peyote Religion--Daniel C. Swan5. The Richest People in the World--Garrick Bailey6. Osage Dancing Societies and Organizations7. Osage Aethetics--A Curatorial View--John W. Nunley, E. Sean StandingBearNotesReferencesIndexPhotography Credits
Synopsis
The Osage people, who have flourished in several locations and within a multiplicity of environments in the American Midwest, have infused their arts with an aesthetic vigor bound to an exquisite simplicity. Art of the Osage , the first comprehensive presentation of the art of the Osage people, explores the interconnections among their material culture, social organization, cosmology, aesthetics, and rituals. This volume draws together over two centuries' worth of Osage art, tracing the patterns of Osage life and culture as they existed from contact to the present. The Osage people thrived in the central Mississippi Valley fur trade from the late seventeenth through the early nineteenth centuries, were forcibly relocated into northern Oklahoma in the nineteenth century, and prospered again from mineral and oil wealth in the twentieth century. As with other civilizations that have balanced abundance with hardship, the Osage experience yielded a highly refined artistic tradition, rich in meaning and complex in its commitment to utility. Cradle boards, headdresses, riding quirts and war clubs, beadwork and ribbon work, blankets, peyote fans, rattles, wedding garments, and dance costumes display the range and beauty of Osage material culture. In contrast to many other Native American artistic traditions, Osage art has never been commercialized: artisans have typically made items only for members of their families or other members of the Osage community. Although contemporary Osage art shows direct continuity in decorative motifs and basic forms with early historic Osage art, it is still a dynamic and evolving artistic tradition. Uninfluenced by external market forces, it represents one of a declining number of true indigenous living artistic traditions. The works illustrated here reveal the bold yet subtle aesthetic of Osage art, one of the most distinctive and significant Native artistic traditions in the United States., The Osage people, who have flourished in several locations and within a multiplicity of environments in the American Midwest, have infused their arts with an aesthetic vigor bound to an exquisite simplicity. Art of the Osage , the first comprehensive presentation of the art of the Osage people, explores the interconnections among their material culture, social organization, cosmology, aesthetics, and rituals. This volume draws together over two centuries? worth of Osage art, tracing the patterns of Osage life and culture as they existed from contact to the present. The Osage people thrived in the central Mississippi Valley fur trade from the late seventeenth through the early nineteenth centuries, were forcibly relocated into northern Oklahoma in the nineteenth century, and prospered again from mineral and oil wealth in the twentieth century. As with other civilizations that have balanced abundance with hardship, the Osage experience yielded a highly refined artistic tradition, rich in meaning and complex in its commitment to utility. Cradle boards, headdresses, riding quirts and war clubs, beadwork and ribbon work, blankets, peyote fans, rattles, wedding garments, and dance costumes display the range and beauty of Osage material culture. In contrast to many other Native American artistic traditions, Osage art has never been commercialized: artisans have typically made items only for members of their families or other members of the Osage community. Although contemporary Osage art shows direct continuity in decorative motifs and basic forms with early historic Osage art, it is still a dynamic and evolving artistic tradition. Uninfluenced by external market forces, it represents one of a declining number of true indigenous living artistic traditions. The works illustrated here reveal the bold yet subtle aesthetic of Osage art, one of the most distinctive and significant Native artistic traditions in the United States.
LC Classification Number
E99.O8
As told to
Standingbear, E. Sean, Nunley, John W.

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