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Louis Armstrong and Paul Whiteman: Two Kings of Jazz by Joshua Berret Brand New!
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Ubicado en: Cambria, California, Estados Unidos
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Entrega prevista entre el lun. 24 nov. y el sáb. 29 nov. a 94104
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N.º de artículo de eBay:267198289989
Características del artículo
- Estado
- Pages
- 256
- Publication Date
- 2004-10-11
- ISBN
- 9780300103847
Acerca de este producto
Product Identifiers
Publisher
Yale University Press
ISBN-10
0300103840
ISBN-13
9780300103847
eBay Product ID (ePID)
2542874
Product Key Features
Book Title
Louis Armstrong and Paul Whiteman : Two Kings of Jazz
Number of Pages
256 Pages
Language
English
Publication Year
2004
Topic
Composers & Musicians, General
Illustrator
Yes
Genre
Biography & Autobiography
Format
Hardcover
Dimensions
Item Height
0.1 in
Item Weight
20.4 Oz
Item Length
0.9 in
Item Width
0.6 in
Additional Product Features
Intended Audience
Trade
LCCN
2004-004217
Dewey Edition
22
Reviews
"Two Kings of Jazz sheds invaluable light on the life and work of both Armstrong and Whiteman by the deceptively simple device of discussing the two men together. The result is a major contribution to jazz scholarship-the best thing I've ever read about Whiteman, and one of the best about Armstrong."-Terry Teachout, author of The Skeptic: A Life of H.L. Mencken, "This happy confluence of critical intelligence and formidable scholarship is especially welcome for its convincing assertion of the importance of the much-maligned and misunderstood Paul Whiteman."-Alfred Appel, Jr. author of Jazz Modernism: From Ellington and Armstrong to Matisse and Joyce, "Two Kings of Jazz sheds invaluable light on the life and work of both Armstrong and Whiteman by the deceptively simple device of discussing the two men together. The result is a major contribution to jazz scholarship--the best thing I've ever read about Whiteman, and one of the best about Armstrong."--Terry Teachout, author of The Skeptic: A Life of H.L. Mencken, "This happy confluence of critical intelligence and formidable scholarship is especially welcome for its convincing assertion of the importance of the much-maligned and misunderstood Paul Whiteman."--Alfred Appel, Jr. author of Jazz Modernism: From Ellington and Armstrong to Matisse and Joyce
Dewey Decimal
781.65/092/2 B
Synopsis
A dual biography of two great innovators in the history of jazz. One was black, one was white--one is now legendary, the other nearly forgotten. In Louis Armstrong and Paul Whiteman the jazz scholar Joshua Berrett offers a provocative revision of the history of early jazz by focusing on two of its most notable practitioners--Whiteman, legendary in his day, and Armstrong, a legend ever since. Paul Whiteman's fame was unmatched throughout the twenties. Bix Beiderbecke, Bing Crosby, and Jimmy and Tommy Dorsey honed their craft on his bandstand. Celebrated as the "King of Jazz" in 1930 in a Universal Studios feature film, Whiteman's imperium has declined considerably since. The legend of Louis Armstrong, in contrast, grows ever more lustrous: for decades it has been Armstrong, not Whiteman, who has worn the king's crown. This dual biography explores these diverging legacies in the context of race, commerce, and the history of early jazz. Early jazz, Berrett argues, was not a story of black innovators and white usurpers. In this book, a much richer, more complicated story emerges--a story of cross-influences, sidemen, sundry movers and shakers who were all part of a collective experience that transcended the category of race. In the world of early jazz, Berrett contends, kingdoms had no borders., A dual biography of two great innovators in the history of jazz. One was black, one was white--one is now legendary, the other nearly forgotten. In Louis Armstrong and Paul Whiteman thejazz scholar Joshua Berrett offers a provocative revision of the history of early jazz by focusing on two of its most notable practitioners--Whiteman, legendary in his day, and Armstrong, a legend ever since. Paul Whiteman's fame was unmatched throughout the twenties. Bix Beiderbecke, Bing Crosby, and Jimmy and Tommy Dorsey honed their craft on his bandstand. Celebrated as the "King of Jazz" in 1930 in a Universal Studios feature film, Whiteman's imperium has declined considerably since. The legend of Louis Armstrong, in contrast, grows ever more lustrous: for decades it has been Armstrong, not Whiteman, who has worn the king's crown. This dual biography explores these diverging legacies in the context of race, commerce, and the history of early jazz. Early jazz, Berrett argues, was not a story of black innovators and white usurpers. In this book, a much richer, more complicated story emerges--a story of cross-influences, sidemen, sundry movers and shakers who were all part of a collective experience that transcended the category of race. In the world of early jazz, Berrett contends, kingdoms had no borders.
LC Classification Number
ML419.A75B46 2004
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- u***s (266)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaCD was shipped quickly and very well packed, and seller's communication was prompt and friendly. CD was described as "new," but was actually "like new," since there was no factory wrapping and the case was scratched with a bit of wear and tear. However, the disc and inserts were mint/like new, which is all that matters to me.BARBER: Adagio/Symphony No. 1 ~ Baltimore Symphony Orchestra /Zinman CD 1992 NEW (#266736353442)
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- 4***n (16)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaItem was listed as NEW but arrived in a smashed jewelcase (which fell apart) and more importantly, not factory-sealed. The seller contacted me immediately after purchase to say that it was not factory-sealed, asking "if that was OK." This is tantamount to an admission--without being explicit--that the listing as NEW was fraudulent. When I contacted seller after receiving the item, the seller said that I could return it (presumably at my own expense). This is simply unacceptable.

