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BILL TRAYLOR by Debra Purden and Valerie Rousseau (2018 Hardcover){B7}

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En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección. Ver todas las definiciones de estadose abre en una nueva ventana o pestaña
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“The top edges of the book cover are bumped, please see photos, this is a new book damaged in the ...
ISBN
9788874398218

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Product Identifiers

Publisher
5 Continents
ISBN-10
8874398212
ISBN-13
9788874398218
eBay Product ID (ePID)
242841094

Product Key Features

Book Title
Bill Traylor
Number of Pages
192 Pages
Language
English
Topic
American / African American, History / Modern (Late 19th Century to 1945), Folk & Outsider Art
Publication Year
2018
Illustrator
Yes
Genre
Art
Author
Debra Purden, Valerie Rousseau
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
46.2 Oz
Item Length
12.5 in
Item Width
8 in

Additional Product Features

Intended Audience
Trade
LCCN
2018-377499
Dewey Edition
23
Dewey Decimal
970.980
Synopsis
Born into slavery around 1853-4 on a cotton plantation in Benton, Alabama, Traylor has become one of the most important self-taught artists of the twentieth century, and certainly one of the most celebrated African-American artists, along with Thorton Dial and William Edmondson. The story of Bill Traylor's life and work is a remarkable one. It is a story that deserves attention both nationally and internationally. This publication, generously illustrated with full-page high-quality reproductions, provides a close examination of Traylor's recurrent themes, composition schemes, favoured iconography, and contextual information related to the artist's biography, creative process and tools, visual environment, and artistic mindset. Each artwork is considered in a context beyond that of an isolated image and in response to one another, forming a series of intricate and consistent narratives, intriguingly cinematic in its development. The elements of Traylor's biography are the anchors of an individual mythology. Instead of merely being a basic depiction, the subject becomes a visual statement structuring Traylor's mind, bringing together hidden symbols from Kongo Vodou, Hoodoo, Southern Baptist, Freemasonry, and Blues sources, as well as layers of references: slavery, uncensored violence in the Jim Crow era, and turbulence within the black enclave known as 'Dark Town' in Montgomery, Alabama. Text in English and French., Richly illustrated with full-page stunning reproductions, this is a unique and original approach to the work of Bill Traylor. Born into slavery around 1853/4 on a cotton plantation in Benton, Alabama, Traylor, who died in 1949, is one of the most celebrated self-taught American artists. A sharecropper until around 1930, he moved to then-segregated Montgomery in his 80s and began to create art, layering references to religion, politics, and African American life in his many drawings and paintings. Here, Traylor specialists Val rie Rousseau and Debra Purden consider his artworks in response to one another, forming a series of intricate and consistent narratives, intriguingly cinematic in their development, to present a fresh picture of the artist. Published in collaboration with the American Folk Art Museum, New York . Note: a major exhibition, "Between Worlds: The Art of Bill Traylor," is on view at the Smithsonian American Art Museum, Washington, DC, Sept 28, 2018-Mar 17, 2019., Richly illustrated with full-page stunning reproductions, this is a unique and original approach to the work of Bill Traylor. Born into slavery around 1853/4 on a cotton plantation in Benton, Alabama, Traylor, who died in 1949, is one of the most celebrated self-taught American artists. A sharecropper until around 1930, he moved to then-segregated Montgomery in his 80s and began to create art, layering references to religion, politics, and African American life in his many drawings and paintings. Here, Traylor specialists Valérie Rousseau and Debra Purden consider his artworks in response to one another, forming a series of intricate and consistent narratives, intriguingly cinematic in their development, to present a fresh picture of the artist. Published in collaboration with the American Folk Art Museum, New York . Note: a major exhibition, "Between Worlds: The Art of Bill Traylor," is on view at the Smithsonian American Art Museum, Washington, DC, Sept 28, 2018-Mar 17, 2019.
LC Classification Number
NC139.T69B55 2018

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