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Post-Theory : Reconstructing Film Studies, David Bordwell & Noel Carroll, 1966
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Libro con un desgaste evidente. La tapa puede tener algunos desperfectos, pero el libro está entero. La encuadernación puede estar ligeramente deteriorada, pero mantiene su integridad. Es posible que tenga anotaciones en los márgenes, texto subrayado o resaltado, pero conserva todas las páginas y no tiene ningún desperfecto que dificulte su lectura o comprensión. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Ubicado en: Four Corners, Wyoming, Estados Unidos
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N.º de artículo de eBay:266806308957
Características del artículo
- Estado
- Aceptable
- Notas del vendedor
- Book Title
- Post-Theory : Reconstructing Film Studies Paperback
- Subject
- Film Studies
- ISBN
- 9780299149444
Acerca de este producto
Product Identifiers
Publisher
University of Wisconsin Press
ISBN-10
0299149447
ISBN-13
9780299149444
eBay Product ID (ePID)
83843
Product Key Features
Number of Pages
582 Pages
Language
English
Publication Name
Post-Theory : Reconstructing Film Studies
Publication Year
1996
Subject
Film / General, Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts
Series
Wisconsin Studies in Film Ser.
Format
Trade Paperback
Dimensions
Item Height
1.3 in
Item Weight
28.8 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
95-037052
Dewey Edition
20
Reviews
" Post-Theory is absolutely timely as a call to reform the field of film studies. Bordwell and Carroll-two of the most prominent names in the field-advocate pluralism, open mindedness, film theories over film Theory, and the need for an ongoing critical dialogue. There is no other book like it."-Andrew Horton, author of Writing the Character-Centered Screenplay, " Post-Theory is absolutely timely as a call to reform the field of film studies. Bordwell and Carroll--two of the most prominent names in the field--advocate pluralism, open mindedness, film theories over film Theory, and the need for an ongoing critical dialogue. There is no other book like it."--Andrew Horton, author of Writing the Character-Centered Screenplay, " Post-Theory is absolutely timely as a call to reform the field of film studies. Bordwell and Carroll--two of the most prominent names in the field--advocate pluralism, open mindedness, film theories over film Theory, and the need for an ongoing critical dialogue. There is no other book like it."--Andrew Horton, author of Writing the Character-Centered Screenplay
Illustrated
Yes
Dewey Decimal
791.43
Synopsis
With Post-Theory , David Bordwell and Noel Carroll challenge the prevailing practices of film scholarship. Since the 1970s, film scholars have been searching for a unified theory that will explain all sorts of films, their production, and their reception; the field has been dominated by structuralist Marxism, varieties of cultural theory, and the psychoanalytic ideas of Freud and Lacan. Bordwell and Carroll ask, why not employ many theories tailored to specific goals, rather than searching for a unified theory? Post-Theory offers fresh directions for understanding film, presenting new essays by twenty-seven scholars on topics as diverse as film scores, audience response, and the national film industries of Russia, Scandinavia, the U.S., and Japan. They use historical, philosophical, psychological, and feminist methods to tackle such basic issues as: What goes on when viewers perceive a film? How do filmmakers exploit conventions? How do movies create illusions? How does a film arouse emotion? Bordwell and Carroll have given space not only to distinguished film scholars but to non-film specialists as well, ensuring a wide variety of opinions and ideas on virtually every topic on the current agenda of film studies. Full of stimulating essays published here for the first time, Post-Theory promises to redefine the study of cinema., With Post-Theory , David Bordwell and No l Carroll challenge the prevailing practices of film scholarship. Since the 1970s, film scholars have been searching for a unified theory that will explain all sorts of films, their production, and their reception; the field has been dominated by structuralist Marxism, varieties of cultural theory, and the psychoanalytic ideas of Freud and Lacan. Bordwell and Carroll ask, why not employ many theories tailored to specific goals, rather than searching for a unified theory? Post-Theory offers fresh directions for understanding film, presenting new essays by twenty-seven scholars on topics as diverse as film scores, audience response, and the national film industries of Russia, Scandinavia, the U.S., and Japan. They use historical, philosophical, psychological, and feminist methods to tackle such basic issues as: What goes on when viewers perceive a film? How do filmmakers exploit conventions? How do movies create illusions? How does a film arouse emotion? Bordwell and Carroll have given space not only to distinguished film scholars but to non-film specialists as well, ensuring a wide variety of opinions and ideas on virtually every topic on the current agenda of film studies. Full of stimulating essays published here for the first time, Post-Theory promises to redefine the study of cinema., With Post-Theory , David Bordwell and Noël Carroll challenge the prevailing practices of film scholarship. Since the 1970s, film scholars have been searching for a unified theory that will explain all sorts of films, their production, and their reception; the field has been dominated by structuralist Marxism, varieties of cultural theory, and the psychoanalytic ideas of Freud and Lacan. Bordwell and Carroll ask, why not employ many theories tailored to specific goals, rather than searching for a unified theory? Post-Theory offers fresh directions for understanding film, presenting new essays by twenty-seven scholars on topics as diverse as film scores, audience response, and the national film industries of Russia, Scandinavia, the U.S., and Japan. They use historical, philosophical, psychological, and feminist methods to tackle such basic issues as: What goes on when viewers perceive a film? How do filmmakers exploit conventions? How do movies create illusions? How does a film arouse emotion? Bordwell and Carroll have given space not only to distinguished film scholars but to non-film specialists as well, ensuring a wide variety of opinions and ideas on virtually every topic on the current agenda of film studies. Full of stimulating essays published here for the first time, Post-Theory promises to redefine the study of cinema.
LC Classification Number
PN1994.P6565 1996
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- r***h (27)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaAs described! Reasonable shipping time. Excellent packaging! Good Value! Beautifully crafted piece! Easy communication! Honest easy transaction! THANK YOU!Stained Glass Peace Sign, 6 x 6, Orange Glass, Handmade..... SG16 (#267210395417)
- a***g (429)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaGreat Seller, book exactly as described. It was well packed and arrived quickly. Thanks! A+ And yes, it did make my day!Pink Floyd: Behind the Wall, Hugh Fielder, HC, 2023 (#266939823130)
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