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A Rose Has No Teeth: Bruce Nauman in the 1960s [Hardcover] Lewallen, Constance..
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Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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N.º de artículo de eBay:265903241624
Última actualización el 21 feb 2025 05:29:03 H.EspVer todas las actualizacionesVer todas las actualizaciones
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- Como nuevo
- Notas del vendedor
- ISBN
- 9780520250857
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Product Identifiers
Publisher
University of California Press
ISBN-10
0520250850
ISBN-13
9780520250857
eBay Product ID (ePID)
57214887
Product Key Features
Number of Pages
256 Pages
Publication Name
Rose Has No Teeth : Bruce Nauman in the 1960s
Language
English
Publication Year
2007
Subject
Conceptual, History / Modern (Late 19th Century to 1945), Collections, Catalogs, Exhibitions / General, American / General, Film & Video
Type
Textbook
Subject Area
Art
Format
Hardcover
Dimensions
Item Height
0.1 in
Item Weight
36.9 Oz
Item Length
0.9 in
Item Width
0.9 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2006-030512
Dewey Edition
22
TitleLeading
A
Illustrated
Yes
Dewey Decimal
700.92
Table Of Content
Director's Foreword Kevin E. Consey Acknowledgments Funders and Lenders Introduction A Rose Has No Teeth Constance M. Lewallen Nauman's Body of Sculpture Anne M. Wagner Please Pay Attention, Please Robert Storr Bruce Nauman's Philosophical and Material Explorations in Film and Video Robert R. Riley Chronology, 1964-1969 Elizabeth Allison Ferrell Selected Bibliography List of Illustrations Index About the Contributors University of California, Berkeley Art Museum and Pacific Film Archive Board of Trustees
Synopsis
One of the most innovative, provocative, and influential of America's contemporary artists, Bruce Nauman spent his formative years in Northern California-first as a graduate student at the University of California, Davis, then living in and around San Francisco. This splendidly illustrated book explores Nauman's relationship to the place where he created his earliest and most strikingly original works during the mid to late 1960s. A Rose Has No Teeth demonstrates that Nauman established much of his artistic vocabulary during this period and that he laid the groundwork for fundamental ideas he addressed throughout his oeuvre, such as the role of the artist, the function of art, and the primacy of the idea over its form. Curator Constance M. Lewallen describes how the late 1960s were not only a time of political and social change in the San Francisco Bay Area; this was also a watershed period in art internationally, when Minimalism gave way to Post-minimalism and Conceptual Art, expanding into performance, film and video, installation, text works, and the photographic documents. This book shows that Nauman was at the forefront of these revolutionary changes and almost single-handedly redefined what it meant to be an artist. Copub: University of California, Berkeley Art Museum and Pacific Film Archive, One of the most innovative, provocative, and influential of America's contemporary artists, Bruce Nauman spent his formative years in Northern California--first as a graduate student at the University of California, Davis, then living in and around San Francisco. This splendidly illustrated book explores Nauman's relationship to the place where he created his earliest and most strikingly original works during the mid to late 1960s. A Rose Has No Teeth demonstrates that Nauman established much of his artistic vocabulary during this period and that he laid the groundwork for fundamental ideas he addressed throughout his oeuvre, such as the role of the artist, the function of art, and the primacy of the idea over its form. Curator Constance M. Lewallen describes how the late 1960s were not only a time of political and social change in the San Francisco Bay Area; this was also a watershed period in art internationally, when Minimalism gave way to Post-minimalism and Conceptual Art, expanding into performance, film and video, installation, text works, and the photographic documents. This book shows that Nauman was at the forefront of these revolutionary changes and almost single-handedly redefined what it meant to be an artist. Copub: University of California, Berkeley Art Museum and Pacific Film Archive, One of the most innovative, provocative, and influential of America's contemporary artists, Bruce Nauman spent his formative years in Northern California--first as a graduate student at the University of California, Davis, then living in and around San Francisco. This splendidly illustrated book explores Nauman's relationship to the place where he created his earliest and most strikingly original works during the mid to late 1960s. A Rose Has No Teeth demonstrates that Nauman established much of his artistic vocabulary during this period and that he laid the groundwork for fundamental ideas he addressed throughout his oeuvre, such as the role of the artist, the function of art, and the primacy of the idea over its form. Curator Constance M. Lewallen describes how the late 1960s were not only a time of political and social change in the San Francisco Bay Area; this was also a watershed period in art internationally, when Minimalism gave way to Post-mini-malism and Conceptual Art, expanding into performance, film and video, installation, text works, and the photographic documents. This book shows that Nauman was at the forefront of these revolutionary changes and almost single-handedly redefined what it meant to be an artist. Copub: University of California, Berkeley Art Museum and Pacific Film Archive, One of the most innovative, provocative, and influential of America's contemporary artists, Bruce Nauman spent his formative years in Northern California--first as a graduate student at the University of California, Davis, then living in and around San Francisco. This splendidly illustrated book explores Nauman's relationship to the place where he created his earliest and most strikingly original works during the mid to late 1960s. "A Rose Has No Teeth "demonstrates that Nauman established much of his artistic vocabulary during this period and that he laid the groundwork for fundamental ideas he addressed throughout his oeuvre, such as the role of the artist, the function of art, and the primacy of the idea over its form. Curator Constance M. Lewallen describes how the late 1960s were not only a time of political and social change in the San Francisco Bay Area; this was also a watershed period in art internationally, when Minimalism gave way to Post-minimalism and Conceptual Art, expanding into performance, film and video, installation, text works, and the photographic documents. This book shows that Nauman was at the forefront of these revolutionary changes and almost single-handedly redefined what it meant to be an artist. "Copub: University of California, Berkeley Art Museum and Pacific Film Archive"
LC Classification Number
N6537.N38A4 2007
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