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The Devils Topographer by Robert Owens about Ambrose Bierce
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Ubicado en: Los Angeles, California, Estados Unidos
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N.º de artículo de eBay:265254091424
Última actualización el 03 may 2023 07:04:50 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- En buen estado
- Notas del vendedor
- “See photos.”
- Narrative Type
- Nonfiction
- Subject
- Books
- ISBN
- 9781572334649
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Product Identifiers
Publisher
University of Tennessee Press
ISBN-10
1572334649
ISBN-13
9781572334649
eBay Product ID (ePID)
48641903
Product Key Features
Number of Pages
192 Pages
Publication Name
Devil's Topographer : Ambrose Bierce and the American War Story
Language
English
Publication Year
2006
Subject
United States / Civil War Period (1850-1877), Subjects & Themes / Historical events, Literary
Type
Textbook
Subject Area
Literary Criticism, Biography & Autobiography, History
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
14.4 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2005-025946
Dewey Edition
22
TitleLeading
The
Illustrated
Yes
Dewey Decimal
813/.4
Synopsis
H. L. Mencken wrote in 1927 that Ambrose Bierce was "the first writer of fiction ever to treat war realistically." This realism was based in large part on his experiences as a Union soldier in the Civil War. First as an infantryman and then a cartographer, Bierce was a veteran of epic battles: Shiloh, Chickamauga, Stone's River, and Pickett's Mill, among others. While many critics have noted a strong link between Bierce's military career and his literary work, none have traced this connection in great detail.In this provocative new book, David M. Owens shows how Bierce's involvement in the war specifically influenced his fiction. By identifying and examining the actual terrain in which Bierce's stories are set in conjunction with his militaryexperience and the historical record, this study demonstrates that the storiesdocument Bierce's personal pilgrimage through the conflict and contends that thematic concerns in them reflect his development as a soldier rather than as a writer.Owens considers Bierce's twenty-two war stories chronologically according to the time of the action of the story. Arranging the pieces in such an order andplotting the locations of their settings yield an accurate chart of Bierce's own progress through the war. Thus, The Devil's Topographer uncovers and explores a crucially important autobiographical context in Bierce's Civil War fiction.By bringing under careful scrutiny the biography, history, and geography of Bierce's settings, a geography never wholly fictional but seldom entirely factual, the book analyzes the variety of techniques that Bierce employs to create the verisimilitude and reader complicity that are characteristic of his best work. Owens breaks new ground by demonstrating the importance of considering the "testimony of landscape," or the input of the physical world.The Devil's Topographer explores the wider implications of Bierce's contribution to war short fiction and the significance of the war story as a subgenre in American literature. This innovative volume is a significant contribution to the body of literary commentary on Ambrose Bierce and to the study of the development of the American short story., H. L. Mencken wrote in 1927 that Ambrose Bierce was "the first writer of fiction ever to treat war realistically." This realism was based in large part on his experiences as a Union soldier in the Civil War. First as an infantryman and then a cartographer, Bierce was a veteran of epic battles: Shiloh, Chickamauga, Stone's River, and Pickett's Mill, among others. While many critics have noted a strong link between Bierce's military career and his literary work, none have traced this connection in great detail. In this provocative new book, David M. Owens shows how Bierce's involvement in the war specifically influenced his fiction. By identifying and examining the actual terrain in which Bierce's stories are set in conjunction with his militaryexperience and the historical record, this study demonstrates that the storiesdocument Bierce's personal pilgrimage through the conflict and contends that thematic concerns in them reflect his development as a soldier rather than as a writer. Owens considers Bierce's twenty-two war stories chronologically according to the time of the action of the story. Arranging the pieces in such an order andplotting the locations of their settings yield an accurate chart of Bierce's own progress through the war. Thus, The Devil's Topographer uncovers and explores a crucially important autobiographical context in Bierce's Civil War fiction. By bringing under careful scrutiny the biography, history, and geography of Bierce's settings, a geography never wholly fictional but seldom entirely factual, the book analyzes the variety of techniques that Bierce employs to create the verisimilitude and reader complicity that are characteristic of his best work. Owens breaks new ground by demonstrating the importance of considering the "testimony of landscape," or the input of the physical world. The Devil's Topographer explores the wider implications of Bierce's contribution to war short fiction and the significance of the war story as a subgenre in American literature. This innovative volume is a significant contribution to the body of literary commentary on Ambrose Bierce and to the study of the development of the American short story., H. L. Mencken wrote in 1927 that Ambrose Bierce was "the first writer of fiction ever to treat war realistically." This realism was based in large part on his experiences as a Union soldier in the Civil War. First as an infantryman and then a cartographer, Bierce was a veteran of epic battles: Shiloh, Chickamauga, Stone's River, and Pickett's Mill, among others. While many critics have noted a strong link between Bierce's military career and his literary work, none have traced this connection in great detail. In this provocative new book, David M. Owens shows how Bierce's involvement in the war specifically influenced his fiction. By identifying and examining the actual terrain in which Bierce's stories are set in conjunction with his military experience and the historical record, this study demonstrates that the stories document Bierce's personal pilgrimage through the conflict and contends that thematic concerns in them reflect his development as a soldier rather than as a writer. Owens considers Bierce's twenty-two war stories chronologically according to the time of the action of the story. Arranging the pieces in such an order and plotting the locations of their settings yield an accurate chart of Bierce's own progress through the war. Thus, The Devil's Topographer uncovers and explores a crucially important autobiographical context in Bierce's Civil War fiction. By bringing under careful scrutiny the biography, history, and geography of Bierce's settings, a geography never wholly fictional but seldom entirely factual, the book analyzes the variety of techniques that Bierce employs to create the verisimilitude and reader complicity that are characteristic of his best work. Owens breaks new ground by demonstrating the importance of considering the "testimony of landscape," or the input of the physical world. The Devil's Topographer explores the wider implications of Bierce's contribution to war short fiction and the significance of the war story as a subgenre in American literature. This innovative volume is a significant contribution to the body of literary commentary on Ambrose Bierce and to the study of the development of the American short story. David M. Owens is an associate professor of English at Valparaiso University in Indiana. His articles have appeared in Modern Fiction Studies and American Literary Realism.
LC Classification Number
PS1097.Z5O95 2006
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