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The Mysticism of Money
USD15,95
Aproximadamente13,69 EUR
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Estado:
“Paperback book,”
En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Recogida:
Recogida local gratis en Fresno, Texas, Estados Unidos.
Envío:
Gratis USPS Media MailTM.
Ubicado en: Fresno, Texas, Estados Unidos
Entrega:
Entrega prevista entre el jue. 23 oct. y el mié. 29 oct. a 94104
Devoluciones:
30 días para devoluciones. El vendedor paga el envío de la devolución.
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N.º de artículo de eBay:257112391454
Características del artículo
- Estado
- En muy buen estado
- Notas del vendedor
- “Paperback book,”
- ISBN
- 9781934772805
Acerca de este producto
Product Identifiers
Publisher
Periscope Publishing
ISBN-10
1934772801
ISBN-13
9781934772805
eBay Product ID (ePID)
71756041
Product Key Features
Book Title
Mysticism of Money
Number of Pages
260 Pages
Language
English
Publication Year
2013
Topic
Business Aspects, Criticism & Theory, American / General, European, History / General
Illustrator
Yes
Genre
Art
Format
Trade Paperback
Dimensions
Item Length
8.1 in
Item Width
11.5 in
Additional Product Features
Intended Audience
Trade
TitleLeading
The
Dewey Edition
23
Dewey Decimal
759.130904
Synopsis
In this much-anticipated book, acclaimed art historian Andrew Hemingway overturns orthodox views of Precisionist art and, more generally, of American Modernism. A trio of neglected artists--Stefan Hirsch, Louis Lozowick, and George C. Ault--are finally accorded in-depth analysis; and, drawing on an unrivaled knowledge of left-leaning politics, Hemingway connects Precisionism to a milieu in which experimental theater, a wave of "little magazines," and engagement with communist politics stirred debate and conflict. Ault, Lozowick, and Hirsch, though exhibited and reviewed during the 1920s, were relegated to the margins of history in the wake of efforts to restrict Modernism to the development of an asocial, apolitical formalism that provided a complement to the anti-communism of the Cold War years. By contrast, Hemingway demonstrates that in the 1920s, before Stalin had fully consolidated his power, various strains of socialism attracted US intellectuals and activists from Sherwood Anderson to John Dos Passos and artists such as Lozowick. The dehumanizing impact of the capitalist system was the chief target of critique that, in some of the most memorable passages in this book, is shown to inform Lozowick's as well as Hirsch's and Ault's choice and handling of industrial and city scenes. Based on meticulous scholarship, broad understanding of twentieth-century history, and brilliant insight into art's surfaces and structures, The Mysticism of Money is a masterwork that will be consulted and discussed for decades. It opens new pathways for the study of American Modernism even as it corrects our skewed understanding of a momentous alliance of art and politics., In this much-anticipated book, acclaimed art historian Andrew Hemingway overturns orthodox views of Precisionist art and, more generally, of American Modernism. A trio of neglected artists--Stefan Hirsch, Louis Lozowick, and George C. Ault--are finally accorded in-depth analysis; and, drawing on an unrivaled knowledge of left-leaning politics, Hemingway connects Precisionism to a milieu in which experimental theater, a wave of "little magazines," and engagement with communist politics stirred debate and conflict. Ault, Lozowick, and Hirsch, though exhibited and reviewed during the 1920s, were relegated to the margins of history in the wake of efforts to restrict Modernism to the development of an asocial, apolitical formalism that provided a complement to the anti-communism of the Cold War years. By contrast, Hemingway demonstrates that in the 1920s, before Stalin had fully consolidated his power, various strains of socialism attracted US intellectuals and activists from Sherwood Anderson to John Dos Passos and artists such as Lozowick. The dehumanizing impact of the capitalist system was the chief target of critique that, in some of the most memorable passages in this book, is shown to inform Lozowick's as well as Hirsch's and Ault's choice and handling of industrial and city scenes. Based on meticulous scholarship, broad understanding of twentieth-century history, and brilliant insight into art's surfaces and structures,The Mysticism of Money is a masterwork that will be consulted and discussed for decades. It opens new pathways for the study of American Modernism even as it corrects our skewed understanding of a momentous alliance of art and politics.
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