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Audio-Vision : Sound on Screen Paperback Michel Chion VERY GOOD

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Book Title
Audio-Vision : Sound on Screen Paperback Michel Chion
ISBN
9780231078993
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Product Identifiers

Publisher
Columbia University Press
ISBN-10
0231078994
ISBN-13
9780231078993
eBay Product ID (ePID)
76097

Product Key Features

Number of Pages
270 Pages
Language
English
Publication Name
Audio-Vision : Sound on Screen
Subject
Film / General, Media Studies, Film / Direction & Production
Publication Year
1994
Type
Textbook
Subject Area
Performing Arts, Social Science
Author
Michel Chion
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
10.9 Oz
Item Length
8.1 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
93-023982
Reviews
"Chion is the leading French cinema scholar to study the sound track. I know of no writer in any language to have published as much in this area, and of such uniformly high quality as he." -- Alan Williams
Dewey Edition
20
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
791.43/024
Table Of Content
The Audiovisual Contract Projections of Sound on Image The Three Listening Modes Beyond Sounds and Images Lines and Points: Horizontal and Vertical Perspectives on Audiovisual Relations The Audiovisual Scene The Real and the Rendered Phantom Audio-Vision Sound Film--Worthy of the Name Television, Video Art, Music Video Toward an Audiologovisual Poetics Introduction to Audiovisual Analysis
Synopsis
In Audio-Vision: Sound on Screen , French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception. Chion argues that sound film qualitatively produces a new form of perception: we don't see images and hear sounds as separate channels, we audio-view a trans-sensory whole. Expanding on arguments made in his influential books The Voice in Cinema and Sound in Cinema , Chion provides lapidary insight into the functions and aesthetics of sound in film and television. He considers the effects of such evolving technologies as widescreen, multitrack, and Dolby; the influences of sound on the perception of space and time; and the impact of such contemporary forms of audio-vision as music videos, video art, and commercial television. Chion concludes with an original and useful model for the audiovisual analysis of film., In Audio-Vision: Sound on Screen, French critic and composer Michel Chion reassesses audiovisual media since the revolutionary 1927 debut of recorded sound in cinema, shedding crucial light on the mutual relationship between sound and image in audiovisual perception. Chion argues that sound film qualitatively produces a new form of perception: we don't see images and hear sounds as separate channels, we audio-view a trans-sensory whole. Expanding on arguments made in his influential books The Voice in Cinema and Sound in Cinema, Chion provides lapidary insight into the functions and aesthetics of sound in film and television. He considers the effects of such evolving technologies as widescreen, multitrack, and Dolby; the influences of sound on the perception of space and time; and the impact of such contemporary forms of audio-vision as music videos, video art, and commercial television. Chion concludes with an original and useful model for the audiovisual analysis of film., n Audio-Vision, the French composer-filmmaker-critic Michel Chion presents a reassessment of the audiovisual media since sound's revolutionary debut in 1927 and sheds light on the mutual influences of sound and image in audiovisual perception. Chion expands on the arguments from his influential trilogy on sound in cinema-- Las Voix au cinema, Le Son au cinema, and La Toile trouee--while providing an overview of the functions and aesthetics of sound in film and television. He considers the effects of evolving audiovisual technologies such as widescreen, multi-track sound, and Dolby stereo on audio-vision, influences of sound on the perception of space and time, and contemporary forms of audio-vision embodied in music videos, video art, and commercial television. His final chapter presents a model for audiovisual analysis of film.
LC Classification Number
PN1995.7.C4714 1994

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