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Radical Artifice: Writing Poetry in the Age of Media by
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Gratis USPS Media MailTM.
Ubicado en: Jonesborough, Tennessee, Estados Unidos
Entrega:
Entrega prevista entre el lun. 27 oct. y el lun. 3 nov. a 94104
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N.º de artículo de eBay:257026348730
Última actualización el 28 jul 2025 20:31:44 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- ISBN
- 9780226657349
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Product Identifiers
Publisher
University of Chicago Press
ISBN-10
0226657345
ISBN-13
9780226657349
eBay Product ID (ePID)
65427
Product Key Features
Book Title
Radical Artifice : Writing Poetry in the Age of Media
Number of Pages
264 Pages
Language
English
Topic
Political Ideologies / Radicalism, Media Studies, Aesthetics, Poetry, American / General
Publication Year
1994
Illustrator
Yes
Genre
Literary Criticism, Philosophy, Political Science, Poetry, Social Science
Format
Trade Paperback
Dimensions
Item Height
1.2 in
Item Weight
11.1 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
21
Dewey Decimal
811.5/4/09
Table Of Content
List of Illustrations Preface Acknowledgments 1: Avant-Garde or Endgame? 2: The Changing Face of Common Intercourse: Talk Poetry, Talk Show, and the Scene of Writing 3: Against Transparency: From the Radiant Cluster to the Word as Such 4: Signs Are Taken for Wonders: The Billboard Field as Poetic Space 5: The Return of the (Numerical) Repressed: From Free Verse to Procedural Play 6: How It Means: Making Poetic Sense in Media Society 7: cage: chance: change Notes Index
Synopsis
How the negotiation between poetic and media discourses takes place is the subject of Marjorie Perloff's groundbreaking study. Radical Artifice considers what happens when the "natural speech" model inherited from the great Modernist poets comes up against the "natural speech" of the Donahue "talk show," or again, how visual poetics and verse forms are responding to the languages of billboards and sound bytes. Among the many poets whose works are discussed are John Ashbery, George Oppen, Susan Howe, Clark Coolidge, Lyn Hejinian, Leslie Scalapino, Charles Bernstein, Johanna Drucker, and Steve McCaffery. But the strongest presence in Perloff's book is John Cage, a "poet" better known as a composer, a philosopher, a printmaker, and one who understood, almost half a century ago, that from now on no word, musical note, painted surface, or theoretical statement could ever again escape "contamination" from the media landscape in which we live. It is under his sign that Radical Artifice was composed.
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