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Themes of Contemporary Art Visual Art After 1980 5th Edition McDaniel Robertson
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Ubicado en: Deltona, Florida, Estados Unidos
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N.º de artículo de eBay:256935084933
Características del artículo
- Estado
- En muy buen estado
- Notas del vendedor
- Personalized
- No
- Educational Level
- Adult & Further Education
- Country/Region of Manufacture
- United States
- ISBN
- 9780190078331
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Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0190078332
ISBN-13
9780190078331
eBay Product ID (ePID)
24050024797
Product Key Features
Number of Pages
464 Pages
Language
English
Publication Name
Themes of Contemporary Art : Visual Art after 1980
Publication Year
2021
Subject
History / Contemporary (1945-), General
Type
Textbook
Subject Area
Art
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
45.5 Oz
Item Length
10 in
Item Width
7 in
Additional Product Features
Edition Number
5
Intended Audience
College Audience
LCCN
2020-056514
Reviews
"Themes of Contemporary Art, Fifth Edition, is one of the best introductions to the thematic artistic concepts that continue to create the varied field we call "contemporary art." The chapters on identity, memory, and time are peerless in an introductory text such as this." - Jae Emerling, University of North Carolina, Charlotte"This is the best textbook for contemporary art, because it is up to date, and is thematic. Its strong points include the summaries of dense post-structuralist and art theories; the artist profiles; and discussion of key works in a chapter. The book has been useful for students by providing a theoretical and historical context for contemporary works since 1980." - Lisa Lipinski, George Washington University, "Themes of Contemporary Art, Fifth Edition, is one of the best introductions to the thematic artistic concepts that continue to create the varied field we call "contemporary art." The chapters on identity, memory, and time are peerless in an introductory text such as this." - Jae Emerling, University of North Carolina, Charlotte "This is the best textbook for contemporary art, because it is up to date, and is thematic. Its strong points include the summaries of dense post-structuralist and art theories; the artist profiles; and discussion of key works in a chapter. The book has been useful for students by providing a theoretical and historical context for contemporary works since 1980." - Lisa Lipinski, George Washington University
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
709.04/8
Table Of Content
Contents PREFACE INTRODUCTION Themes of Contemporary Art: What, Why, and How A Brief Orientation CHAPTER ONE The World Changes, The Art World Expands Overview of History and Art History: 1980-2020 Traditions Survive, New Trends Arrive Globalization Theory Flexes Its Muscles Impact of the Digital* Social Experience as Art Art Meets Contemporary Culture Artists Respond to the Anthropocene PROFILE: Hito Steyerl* CHAPTER TWO: Identity A Focus on Identity in Art History Identity Is Collective and Relational Identity Politics Otherness and Representation Essentialism Versus Diversity Authenticity and Hybridity Identity Is Constructed Deconstructing Difference The Fluidity of Identity Synthetic Identities Fictional Identities Are We Post-Identity? PROFILE: Shirin Neshat PROFILE: Ryan Trecartin and Lizzie Fitch CHAPTER THREE: The Body Past Figurative Art Performing Bodies The Body Beautiful Grotesque Bodies The Body Is a Battleground Sexual Bodies Gazing at Bodies Mortal Bodies Classifying Humans in the Genomic Age Posthuman Bodies PROFILE: Renée Cox PROFILE: Zhang Huan CHAPTER FOUR: Time Changing Views of Time Time and Art History Time as a Medium Live Art Film and Video Process Art Exploring the Structure of Time Counting and Measuring Time Reordering Time PROFILE: Hiroshi Sugimoto PROFILE: Ragnar Kjartansson CHAPTER FIVE: Memory Memory and Art History The Texture of Memory Memory Is Emotional Memory Is Unreliable Memory Is Multisensory Strategies for Representing the Past Displaying Evidence Reenacting the Past Fracturing Narratives and Reshuffling Memories Storehouses of Memory Revisiting the Past Recovering History Rethinking History Reframing the Present Commemorating the Past PROFILE: Christian Boltanski PROFILE: Brian Tolle CHAPTER SIX: Place Places Have Meanings Places Have Value Looking Out for Places Art History''s Influence Representations of Space (Most) Works of Art Exist in a Place What''s Public? What''s Private? Dislocation Fictionalized Places PROFILE: Turbine Hall at Tate Modern PROFILE: Andrea Zittel CHAPTER SEVEN: Language Art and Words: A Quick History Recent Theories of Language Reasons for Using Language Language Makes Meaning Language Takes Form Transparency and Translucency Spatiality and Physicality Books Made by Artists Wielding the Power of Language Confronting the Challenge of Translation Communication in the Digital Age* Text and Power Text as Digital Material PROFILE: Nina Katchadourian PROFILE: Janet Cardiff and George Bures Miller CHAPTER EIGHT: Science What Is Science? Artists as Amateur Scientists Artists Adopt Scientific Tools and Materials Creole Technologies Bio Art The Visual Culture of Science Scientific Imaging and Art Deconstructing the Visual Culture of Science Scientific Displays and Archives Science in Popular Culture The Ideology of Science Changing Paradigms of Science Is Science Running Amok? Activist Art Responds Is Nature Natural? The Anthropocene: Climate Change and More PROFILE: Patricia Piccinini PROFILE: Eduardo Kac CHAPTER NINE: Spirituality Spirituality and Religion Enchantment A Short History Religious Iconography Spiritual Forms and Materials Mingling the Sacred and the Profane Sacred Spaces and Rituals Finding Faith and Harboring Doubt Facing Death, Doom, and Destruction Art and Transcendence PROFILE: Bill Viola PROFILE: José Bedia Selected Bibliography Credits Index *Sections authored by Scott Contreras-Koterbay
Synopsis
Themes of Contemporary Art: Visual Art after 1980, Fifth Edition, offers students and readers an introduction to recent art. The primary focus is an examination of themes that are widespread in contemporary artistic practice. Individual chapters analyze thematic content in eight groupings: Identity, The Body, Time, Memory, Place, Language, Science, and Spirituality. These eight thematic categories provide a significant sample from which readers can grasp influential concepts that stretch across much of the art of our time. Profiles of key artists and works enhance student understanding of these major themes and the individual approaches and key movements in the world of contemporary art.
LC Classification Number
N6490.R5487 2022
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