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Darden Asbury Pyron. Southern Daughter : The Life of Margaret Mitchell.

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Características del artículo

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Como nuevo
Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección. Ver todas las definiciones de estadose abre en una nueva ventana o pestaña
Notas del vendedor
“Book and dust jacket are in near fine condition.”
Book Title
Southern Daughter: The Life of Margaret Mitchell
Narrative Type
Nonfiction
Topic
Margaret Mitchell
Features
1st Edition, Dust Jacket, Illustrated
Author
Darden Asbury Pyron
Intended Audience
Adults
Publisher
Oxford University Press
Genre
Biographies & True Stories
ISBN
9780195052763

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Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0195052765
ISBN-13
9780195052763
eBay Product ID (ePID)
1361869

Product Key Features

Book Title
Southern Daughter : the Life of Margaret Mitchell
Number of Pages
576 Pages
Language
English
Topic
General
Publication Year
1991
Illustrator
Yes
Genre
Biography & Autobiography
Author
Darden Asbury Pyron
Format
Hardcover

Dimensions

Item Height
1.6 in
Item Weight
40.6 Oz
Item Length
9.6 in
Item Width
6.4 in

Additional Product Features

Intended Audience
Trade
LCCN
90-020833
Dewey Edition
20
Reviews
"Riveting reading....Pyron offers a compelling portrait of the spirited,complex author of Gone With the Wind, a perceptive psychological analysis of thenovel, and an examination of the work's changing critical fortunes as the Southhas been transformed....The reader is swept right along....A fascinatingportrait."--Kirkus Reviews, "Riveting reading....Pyron offers a compelling portrait of the spirited, complex author of Gone With the Wind , a perceptive psychological analysis of the novel, and an examination of the work's changing critical fortunes as the South has been transformed....The reader is swept right along....A fascinating portrait."-- Kirkus Reviews "Not just a biography of an interesting woman (although it certainly is that). It is also a fascinating portrait of the 'smart set' of the interwar South, a class itself now gone with the wind, yet one that in its time produced a remarkable outpouring of literary and journalistic talent. Pyron's account deserves the attention of anyone interested in twentieth-century Southern letters--or twentieth-century Southern life."--John Shelton Reed, University of North Carolina, Chapel Hill, "Riveting reading....Pyron offers a compelling portrait of the spirited, complex author ofGone With the Wind, a perceptive psychological analysis of the novel, and an examination of the work's changing critical fortunes as the South has been transformed....The reader is swept right along....A fascinating portrait."--Kirkus Reviews "Not just a biography of an interesting woman (although it certainly is that). It is also a fascinating portrait of the 'smart set' of the interwar South, a class itself now gone with the wind, yet one that in its time produced a remarkable outpouring of literary and journalistic talent. Pyron's account deserves the attention of anyone interested in twentieth-century Southern letters--or twentieth-century Southern life."--John Shelton Reed,University of North Carolina, Chapel Hill, "Not just a biography of an interesting woman (although it certainly is that). It is also a fascinating portrait of the 'smart set' of the interwar South, a class itself now gone with the wind, yet one that in its time produced a remarkable outpouring of literary and journalistic talent.Pyron's account deserves the attention of anyone interested in twentieth-century Southern letters--or twentieth-century Southern life."--John Shelton Reed, University of North Carolina, Chapel Hill, "Not just a biography of an interesting woman (although it certainly isthat). It is also a fascinating portrait of the 'smart set' of the interwarSouth, a class itself now gone with the wind, yet one that in its time produceda remarkable outpouring of literary and journalistic talent. Pyron's accountdeserves the attention of anyone interested in twentieth-century Southernletters--or twentieth-century Southern life."--John Shelton Reed, University ofNorth Carolina, Chapel Hill, "Riveting reading....Pyron offers a compelling portrait of the spirited, complex author of Gone With the Wind, a perceptive psychological analysis of the novel, and an examination of the work's changing critical fortunes as the South has been transformed....The reader is swept right along....Afascinating portrait."--Kirkus Reviews, "Riveting reading....Pyron offers a compelling portrait of the spirited, complex author of Gone With the Wind, a perceptive psychological analysis of the novel, and an examination of the work's changing critical fortunes as the South has been transformed....The reader is swept right along....A fascinating portrait."--Kirkus Reviews "Not just a biography of an interesting woman (although it certainly is that). It is also a fascinating portrait of the 'smart set' of the interwar South, a class itself now gone with the wind, yet one that in its time produced a remarkable outpouring of literary and journalistic talent. Pyron's account deserves the attention of anyone interested in twentieth-century Southern letters--or twentieth-century Southern life."--John Shelton Reed, University of North Carolina, Chapel Hill, "Riveting reading....Pyron offers a compelling portrait of the spirited, complex author of Gone With the Wind, a perceptive psychological analysis of the novel, and an examination of the work's changing critical fortunes as the South has been transformed....The reader is swept right along....A fascinating portrait."--Kirkus Reviews"Not just a biography of an interesting woman (although it certainly is that). It is also a fascinating portrait of the 'smart set' of the interwar South, a class itself now gone with the wind, yet one that in its time produced a remarkable outpouring of literary and journalistic talent. Pyron's account deserves the attention of anyone interested in twentieth-century Southern letters--or twentieth-century Southern life."--John Shelton Reed, University of North Carolina, Chapel Hill
Dewey Decimal
813/.52 B
Synopsis
Gone With the Wind is an American phenomenon. Arguably the most popular American novel of all time, it sold over a million copies in its first six months (in the heart of the Depression), won a Pulitzer Prize for its author, and more remarkable still, returned to the New York Times Best Seller list fifty years after its first appearance. Crowning its glory, David O. Selznick transformed the novel into one of the great films of all time, lifting its characters--especially the unforgettable Scarlett O'Hara and her lover-antagonist Rhett Butler--to the pinnacle of American popular culture. Now, in Southern Daughter , Darden Pyron provides an absorbing biography of Margaret Mitchell, the author of this American classic. In a solidly researched, sprightly narrative informed by a deep knowledge of Southern culture, Pyron reveals a woman of unconventional beauty, born into one of Atlanta's most prominent families, and imbued from childhood with tales of the Civil War. Mitchell was a rebellious child, an independent woman who wanted a career and not a family (children made her wince), and a Catholic who defiantly left the Church, divorced her first husband, Red Upshaw (a ne'er-do-well and sometime bootlegger), and married John Marsh (who had been Upshaw's best man). Fans of Gone With the Wind will find several chapters in Southern Daughter that trace how these elements in Mitchell's biography made their way into her fiction, including the most surprising identity for the fictional Rhett Butler. As a further surprise to most Americans who know only the film version of Gone With the Wind , Pyron reveals how Mitchell intended her book as a repudiation of the then popular "moonlight on the magnolias" genre of Civil War romance. Equally interesting is his portrait of Mitchell after the novel's success: the incredible flood of letters (in the 13 years before her death, Mitchell wrote at least ten thousand letters, an astonishing number of which ran pages and pages); the filming of Gone With the Wind , whose script ultimately required seventeen writers, including F. Scott Fitzgerald and Ben Hecht; and the lavish film premier in Atlanta. Whether describing Mitchell's earliest writing (such as The Cow Puncher and Phil Kelley, Detective , in which she played Zara the female crook), or discussing her final years, which were marred by constant pain and illness, wrangles with agents and publisher, and her increasing affection for litigation, this perceptive, sympathetic, and engagingly written biography illuminates the life of a major writer and the book she created, a work peopled with characters who still loom large in the American imagination., An American phenomenon, Gone with the Wind is one of the most popular American novels of all time, winning a Pulitzer Prize and amazingly returning to the New York Times bestseller list 50 years after its first appearance. Now comes an absorbing biography of its author, Margaret Mitchell, revealing how elements of her life made their way into this classic. 25 halftones., "Riveting reading....Pyron offers a compelling portrait of the spirited, complex author of Gone With the Wind, a perceptive psychological analysis of the novel, and an examination of the work's changing critical fortunes as the South has been transformed....The reader is swept right along....A fascinating portrait."--Kirkus Reviews In this deeply researched, absorbingly written biography, Darden Pyron provides a brilliant look at the life of Margaret Mitchell, author of Gone With the Wind. Ranging from her childhood in a prominent Atlanta family through her tumultuous young adulthood to her astonishing success and life-long fame (she spent much of her time answering each of her thousands of fan letters herself), Pyron tells a gripping story, even as he provides psychological insights into the book that has fascinated generations of Americans., Gone With the Wind is an American phenomenon. Arguably the most popular American novel of all time, it sold over a million copies in its first six months (in the heart of the Depression), won a Pulitzer Prize for its author, and more remarkable still, returned to the New York Times Best Seller list fifty years after its first appearance. Crowning its glory, David O. Selznick transformed the novel into one of the great films of all time, lifting its characters--especially the unforgettable Scarlett O'Hara and her lover-antagonist Rhett Butler--to the pinnacle of American popular culture. Now, in Southern Daughter, Darden Pyron provides an absorbing biography of Margaret Mitchell, the author of this American classic. In a solidly researched, sprightly narrative informed by a deep knowledge of Southern culture, Pyron reveals a woman of unconventional beauty, born into one of Atlanta's most prominent families, and imbued from childhood with tales of the Civil War. Mitchell was a rebellious child, an independent woman who wanted a career and not a family (children made her wince), and a Catholic who defiantly left the Church, divorced her first husband, Red Upshaw (a ne'er-do-well and sometime bootlegger), and married John Marsh (who had been Upshaw's best man). Fans of Gone With the Wind will find several chapters in Southern Daughter that trace how these elements in Mitchell's biography made their way into her fiction, including the most surprising identity for the fictional Rhett Butler. As a further surprise to most Americans who know only the film version of Gone With the Wind, Pyron reveals how Mitchell intended her book as a repudiation of the then popular "moonlight on the magnolias" genre of Civil War romance. Equally interesting is his portrait of Mitchell after the novel's success: the incredible flood of letters (in the 13 years before her death, Mitchell wrote at least ten thousand letters, an astonishing number of which ran pages and pages); the filming of Gone With the Wind, whose script ultimately required seventeen writers, including F. Scott Fitzgerald and Ben Hecht; and the lavish film premier in Atlanta. Whether describing Mitchell's earliest writing (such as The Cow Puncher and Phil Kelley, Detective, in which she played Zara the female crook), or discussing her final years, which were marred by constant pain and illness, wrangles with agents and publisher, and her increasing affection for litigation, this perceptive, sympathetic, and engagingly written biography illuminates the life of a major writer and the book she created, a work peopled with characters who still loom large in the American imagination.
LC Classification Number
PS3525.I972Z82 1991

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