Posible Vincenzo Ciappa, Venecia 371/2 pulgadas x 27 in. sin marco 361/2 pulg. 231/2 pulg.-

Texto original
Possible Vincenzo Ciappa, Venice 37½ in. x 27 in. without frame 36½ in. 23½ in.
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Recogida local gratis en Great Neck, New York, Estados Unidos.
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Entrega prevista entre el sáb. 27 sep. y el vie. 3 oct. a 94104
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N.º de artículo de eBay:254844262003
Última actualización el 25 feb 2024 20:50:32 H.EspVer todas las actualizacionesVer todas las actualizaciones

Características del artículo

Type
Painting
Framing
Framed
Artist
Vincenzo Ciappa
Original/Licensed Reproduction
Original
Color
Multi-Color
Date of Creation
Unknown
Style
Realism
Painting Surface
Canvas
Features
Framed
Material
Oil
Subject
Landscape

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Product Identifiers

Publisher
General Books LLC
ISBN-10
1156557933
ISBN-13
9781156557938
eBay Product ID (ePID)
122464279

Product Key Features

Book Title
Paints : Acrylic Paint, Paint, Tempera, Oil Paint, Anti-Graffiti Coating, Lead Paint, Primer, Stain Blocking Primers, Luminous Paint
Publication Year
2010
Number of Pages
104 Pages
Language
English
Author
Not Available
Format
Trade Paperback

Dimensions

Item Height
0.2 in
Item Weight
5.9 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Synopsis
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 40. Chapters: Acrylic paint, Anti-climb paint, Anti-fouling paint, Anti-graffiti coating, Biomimetic antifouling coating, Blacklight paint, Chemical resistance, Chempol, Enamel paint, Fingerpaint, Glue-size, Hammer paint, Hyperseal, Insulative paint, Japan black, Lacquer, Lead paint, Luminous paint, Metallic paint, Milk paint, Oil paint, Painterwork, Pontypool japan, Poster paint, Primer (paint), Soy paint, Stain blocking primers, Tempera, Undark, Water miscible oil paint. Excerpt: Paint is any liquid, liquefiable, or mastic composition which, after application to a substrate in a thin layer, is converted to a solid film. It is most commonly used to protect, color or provide texture to objects. In 2011, South African archeologists reported finding a 100,000 year old human-made ochre-based mixture which could have been used like paint. Cave paintings drawn with red or yellow ochre, hematite, manganese oxide, and charcoal may have been made by early Homo sapiens as long as 40,000 years ago. Ancient colored walls at Dendera, Egypt, which were exposed for years to the elements, still possess their brilliant color, as vivid as when they were painted about 2,000 years ago. The Egyptians mixe their colors with a gummy substance, and applied them separate from each other without any blending or mixture. They appeared to have used six colors: white, black, blue, red, yellow, and green. They first covered the area entirely with white then traced the design in black, leaving out the lights of the ground color. They used minium for red, and generally of a dark tinge. Pliny mentions some painted ceilings in his day in the town of Ardea, which had been done prior to the foundation of Rome. He expresses great surprise and admiration at their freshness, after the lapse of so many centuries. Paint was made with the yolk of eggs and therefore, the substance would harden and adhere to the surface it is applied to. Pigment was made from plants, sand, and different soils. Most paints used either oil or water as a base. A still extant example of 17th century house oil painting is Ham House in Surrey, England, where a primer was used along with several undercoats and an elaborate decorative overcoat; the pigment and oil mixture would have been pounded into a paste with a mortar and pestle. The process was done by hand by the painter and exposed them to lead poisoning due to the white-lead powder. In 1718, Marshall Smith invented a "Machine or Engine for the Grinding

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Ely Collections

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