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Eurojazzland : Jazz and European Sources, Dynamics, and Contexts by Laurent...
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En muy buen estado
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USD5,97 (aprox. 5,11 EUR) USPS Media MailTM.
Ubicado en: Jacksonville, Illinois, Estados Unidos
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Entrega prevista entre el vie. 5 sep. y el mar. 9 sep. a 94104
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N.º de artículo de eBay:236267043684
Última actualización el 15 ago 2025 01:44:57 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- ISBN
- 9781584658641
Acerca de este producto
Product Identifiers
Publisher
Northeastern University Press
ISBN-10
1584658649
ISBN-13
9781584658641
eBay Product ID (ePID)
111386869
Product Key Features
Number of Pages
456 Pages
Publication Name
Eurojazzland : Jazz and European Sources, Dynamics, and Contexts
Language
English
Publication Year
2012
Subject
History & Criticism, Genres & Styles / Jazz
Type
Textbook
Subject Area
Music
Format
Hardcover
Dimensions
Item Height
1.3 in
Item Weight
31.3 Oz
Item Length
9.5 in
Item Width
6.6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2012-014094
Dewey Edition
23
Reviews
"This volume fills a notable gap in jazz literature and provides some most worthwhile and needed contributions to illuminate the topic. Eurojazzland should lead to much stimulating and productive discussion of the fascinating history of jazz in Europe."--Dan Morgenstern, Director, Institute of Jazz Studies, Rutgers University
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
781.65094
Table Of Content
Naomi Eilan, Rosaleen McCarthy, and Bill Brewer: General IntroductionI. FRAMES OF REFERENCEBill Brewer Brewer and Julian Pears: Introduction1. Herbert L. Pick Jr.: Organization of spatial knowledge in children2. John O'Keefe: Kant and the sea-horse: An essay in the neurophilosophy of space3. John Campbell: The role of physical objects in spatial thinkingII. INTUITIVE PHYSICSNaomi Eilan: Introduction4. Lynn A. Cooper and Margaret P. Munger: Extrapolating and remembering positions along cognitive trajectories: Uses and limitations of analogies to physical motion5. Elizabeth S. Spelke and Gretchen A. Van de Walle: Perceiving and reasoning about objects: Insights from infants6. Christopher Peacocke: Intuitive mechanics, psychological reality and the idea of a material objectIII. SPATIAL REPRESENTATION IN THE SENSORY MODALITIESNaomi Eilan: Introduction7. Roberta L. Klatzky and Susan J. Lederman: Spatial and nonspatial avenues to object recognition by the human haptic system
Synopsis
It is often said that jazz is America's great gift to the world, but while true, this belies the surprising, often crucial role that Europe has played in the development and popularity of jazz throughout the world. Based on a series of symposia attracting leading scholars, critics, and musicians from throughout Europe and the United States, Eurojazzland first addresses the impact of European musical traditions and instruments on the formation and development of American jazz. Part two details the vital experiences of American musicians on European soil, from black minstrels to such jazz greats as Benny Carter and Duke Ellington, and deals with European jazzmen and their developments of American jazz styles. The final part chronicles the importance of European critics and musicologists in jazz criticism and offers essays on European contributions to jazz musicianship and production. Eurojazzland proves that jazz is simply too rich and varied for one country to claim, define, or contain. This groundbreaking collection will appeal to jazz aficionados, scholars, musicologists, and musicians., It is often said that jazz is America's great gift to the world, but while true, this belies the surprising, often crucial role that Europe has played in the development and popularity of jazz throughout the world. Based on a series of symposia attracting leading scholars, critics, and musicians from throughout Europe and the United States, Eurojazzland first addresses the impact of European musical traditions and instruments on the formation and development of American jazz. Part two details the vital experiences of American musicians on European soil, from black minstrels to such jazz greats as Benny Carter and Duke Ellington, and deals with European jazzmen and their developments of American jazz styles. The final part chronicles the importance of European critics and musicologists in jazz criticism and offers essays on European contributions to jazz musicianship and production.Eurojazzland proves that jazz is simply too rich and varied for one country to claim, define, or contain. This groundbreaking collection will appeal to jazz aficionados, scholars, musicologists, and musicians.
LC Classification Number
ML3509.E9E97 2012
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