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Stanislavsky in the World: The System and Its Transformation
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Ubicado en: Milwaukee, Wisconsin, Estados Unidos
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N.º de artículo de eBay:235838989596
Última actualización el 12 jul 2025 22:34:50 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Book Title
- Stanislavsky in the World: The System and Its Transformations Acr
- ISBN
- 9781472587886
Acerca de este producto
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
147258788X
ISBN-13
9781472587886
eBay Product ID (ePID)
25038364250
Product Key Features
Number of Pages
480 Pages
Publication Name
Stanislavsky in the World : the System and Its Transformations Across Continents
Language
English
Subject
General, Acting & Auditioning
Publication Year
2017
Type
Textbook
Subject Area
Drama, Performing Arts
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
23.4 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
College Audience
LCCN
2017-000052
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
792.028
Table Of Content
Contents Acknowledgements Notes on transliteration Figures INTRODUCTIONS AND CONTEXT 1 AND 2 'Well-trodden Paths: US, UK, Russian and Soviet Perspectives on Stanislavsky's Transmission' by Stefan Aquilina 'A System for all Nations? Stanislavsky in the World' by Jonathan Pitches PART 1: EUROPE Introduction by Stefan Aquilina 'Three Periods of Stanislavsky in Italy' by Franco Ruffini 'Stanislavsky and French Theatre: Selected Affinities' by Marie-Christine Autant-Mathieu 'Between Nationalism and Ideology: Stanislavsky in Lithuania' by Ina Pukelyte 'An Amateur Processing of the System: Stanislavsky in Malta' by Stefan Aquilina 'Moments of Transition: Stanislavsky in Greece' by Maria Gaitanidi PART 2: CHINA AND JAPAN Introduction by Jonathan Pitches 'Towards a Chinese School of Performance and Directing: Jiao Juyin' by Siyuan Liu 'Stanislavsky with Chinese Characteristics: How the System was introduced into China' by Jonathan Pitches and Ruru Li 'A Producer's Perspective: Stanislavsky in Contemporary Japan' by Kaori Nakayama PART 3: LATIN AMERICA Introduction by Stefan Aquilina 'Stanislavsky in Brazil: Territories and Frontiers' by Arlete Cavaliere 'Stanislavsky's Legacy in Cuba' by Yana Elsa Brugal 'A Teacher's Perspective: Stanislavsky at the Escuela de Teatro de Buenos Aires in Argentina' by Raul Serrano PART 4: AFRICA Introduction by Stefan Aquilina 'Stanislavsky in Nigeria: Convergences and Counterpoints in Actor Training and Practice' by Kene Igweonu 'Stanislavsky in Tunisian Theatre: a Heritage in Progress' by Moez Mrabet 'A Director's Perspective: Stanislavsky in South Africa' by David Peimer PART 5: AUSTRALASIA Introduction by Jonathan Pitches 'Theatrical Bowerbirds: Received Stanislavsky and the Tyranny of Distance in Australian Actor Training' by Ian Maxwell 'Acting Idealism and Emotions: Hayes Gordon, The Ensemble Theatre and Acting Studios in Australia' by Peta Tait 'Stanislavsky in Aotearoa: The System Experienced through the Maori World' by Hilary Halba PART 6: INDIA AND BANGLADESH Introduction by Jonathan Pitches 'Between Stanislavsky and Bharata: Actor training at the National School of Drama in New Delhi' by Jooyeoul Ryu 'Stanislavsky in the Modern Theatre of Bangladesh: A Mapping of Postcolonial Appropriation and Assimilation' by Syed Jamil Ahmed Notes on Contributors Index
Synopsis
Stanislavsky in the World is an ambitious and ground-breaking work charting a fascinating story of the global dissemination and transformation of Stanislavsky's practices. Case studies written by local experts, historians and practitioners are brought together to introduce the reader to new routes of Stanislavskian transmission across the continents of Europe, Asia, Africa, Australasia and South (Latin) America. Such a diverse set of stories moves radically beyond linear understandings of transmission to embrace questions of transformation, translation, hybridisation, appropriation and resistance. This important work not only makes a significant contribution to Stanislavsky studies but also to recent research on theatre and interculturalism, theatre and globalisation, theatre and (post)colonialism and to the wider critical turn in performer training historiographies. This is a unique examination of Stanislavsky's work presenting a richly diverse range of examples and an international perspective on Stanislavsky's impact that has never been attempted before.
LC Classification Number
PN2062
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- o***3 (137)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaFast shipping! Item as described! A+ seller!We the Black Jews Ben-Jochannan, Yosef (#235939181089)
- p***a (710)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaGreat seller, awesome packaging, and a very timely and prompt delivery.Bible Translations for Everyone: A Guide Wildsmith, Tim Paperback (#235853415630)