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N.º de artículo de eBay:235477995540
Última actualización el 19 abr 2025 12:37:57 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- ISBN
- 9781469662312
Acerca de este producto
Product Identifiers
Publisher
University of North Carolina Press
ISBN-10
1469662310
ISBN-13
9781469662312
eBay Product ID (ePID)
23050415186
Product Key Features
Number of Pages
262 Pages
Publication Name
Staging Indigeneity : Salvage Tourism and the Performance of Native American History
Language
English
Subject
Theater / History & Criticism, Ethnic Studies / Native American Studies, United States / General, Native American
Publication Year
2021
Type
Textbook
Subject Area
Performing Arts, Social Science, History
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
13.6 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2020-038250
Reviews
"An excellent study of conquest or settler tourism. . . . I learned a great deal from reading this book."-- American Indian Culture and Research Journal, Phillips deftly demonstrates how tourism based on loose interpretations of historical events both builds cultural memory and elides concrete classification into categories like 'authentic' or 'exploitative'."-- Western Historical Quarterly, This is an important study about playing Indian and the complexities of American Indian identity.-- CHOICE, "This is an important study about "playing Indian" and the complexities of American Indian identity."-- CHOICE, This is an important study about "playing Indian" and the complexities of American Indian identity."-- CHOICE, A powerful demonstration of the importance of Indian pageants in the historical and continued commodification of Indians and Indianness by white America for economic benefit. . . . [R]elevant and timely. . . . Staging Indigeneity is not just for Native American and Indigenous performance studies scholars interested in the construction of Indigeneity through performance but for anyone interested in US American identities. Phillips has provided a great example of how to uphold Native sovereignty and explore Indigenous identity within the confines of settler-colonial cultural productions and performances.-- Theatre History, Thoroughly researched and well-written. . . . Phillips rejects simple narratives and, instead . . . brings a nuanced understanding of these varied motivations as well as the shifting meanings that the pageants hold for American Indians over time.-- North Carolina Historical Review, Nuanced. . . . [Phillips] situates the dramas she has come to watch in the context of each town's economic ambitions and its fraught history with Indigenous people."-- Journal of American History, "Phillips's excellent book forces us to consider how we depict our history--who creates it, who controls it, and for what purposes. . . . In an age when some Americans are calling for us to sanitize our history--to revere and celebrate it rather than to think critically about it--[ Staging Indigeneity ] could not be more appropriate, useful, or relevant."-- Journal of American Ethnic History, Thoroughly researched and well-written . . . Phillips rejects simple narratives and, instead . . . brings a nuanced understanding of these varied motivations as well as the shifting meanings that the pageants hold for American Indians over time." -- The North Carolina Historical Review, This is an important study about 'playing Indian' and the complexities of American Indian identity."-- Choice, An excellent study of conquest or settler tourism. . . . I learned a great deal from reading this book.-- American Indian Culture and Research Journal, "Nuanced. . . . [Phillips] situates the dramas she has come to watch in the context of each town's economic ambitions and its fraught history with Indigenous people."-- Journal of American History, A compelling story of how Native American history is quite literally staged, why its staging persists as a tourist attraction across the United States, and what the complex conditions for its production and performance were and are.-- American Indian Quarterly, "This is an important study about 'playing Indian' and the complexities of American Indian identity."-- CHOICE, An excellent study of conquest or settler tourism. . . . I learned a great deal from reading this book."-- American Indian Culture and Research Journal, Phillips's excellent book forces us to consider how we depict our history--who creates it, who controls it, and for what purposes. . . . In an age when some Americans are calling for us to sanitize our history--to revere and celebrate it rather than to think critically about it--[ Staging Indigeneity ] could not be more appropriate, useful, or relevant."-- Journal of American Ethnic History, This is an important study about 'playing Indian' and the complexities of American Indian identity.-- CHOICE, "Phillips deftly demonstrates how tourism based on loose interpretations of historical events both builds cultural memory and elides concrete classification into categories like 'authentic' or 'exploitative'."-- Western Historical Quarterly, This is an important study about "playing Indian" and the complexities of American Indian identity." - CHOICE, "Thoroughly researched and well-written. . . . Phillips rejects simple narratives and, instead . . . brings a nuanced understanding of these varied motivations as well as the shifting meanings that the pageants hold for American Indians over time."-- North Carolina Historical Review, Phillips's excellent book forces us to consider how we depict our history--who creates it, who controls it, and for what purposes. . . . In an age when some Americans are calling for us to sanitize our history--to revere and celebrate it rather than to think critically about it--[ Staging Indigeneity ] could not be more appropriate, useful, or relevant.-- Journal of American Ethnic History, An exciting first book . . . [that] contributes important historical and methodological interventions for how one can engage the history of the past and present."-- H-AmIndian, Nuanced. . . . [Phillips] situates the dramas she has come to watch in the context of each town's economic ambitions and its fraught history with Indigenous people.-- Journal of American History, Thoroughly researched and well-written . . . Phillips rejects simple narratives and, instead . . . brings a nuanced understanding of these varied motivations as well as the shifting meanings that the pageants hold for American Indians over time."-- The North Carolina Historical Review, "A compelling story of how Native American history is quite literally staged, why its staging persists as a tourist attraction across the United States, and what the complex conditions for its production and performance were and are."-- American Indian Quarterly, Phillips deftly demonstrates how tourism based on loose interpretations of historical events both builds cultural memory and elides concrete classification into categories like 'authentic' or 'exploitative'.-- Western Historical Quarterly, A compelling story of how Native American history is quite literally staged, why its staging persists as a tourist attraction across the United States, and what the complex conditions for its production and performance were and are."-- American Indian Quarterly, Thoroughly researched and well-written. . . . Phillips rejects simple narratives and, instead . . . brings a nuanced understanding of these varied motivations as well as the shifting meanings that the pageants hold for American Indians over time."-- North Carolina Historical Review
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
970.00497
Synopsis
Argues that tourism, nostalgia, and authenticity converge in the creation of 'salvage tourism', which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development., As tourists increasingly moved across the United States in the late nineteenth and early twentieth centuries, a surprising number of communities looked to capitalize on the histories of Native American people to create tourist attractions. From the Happy Canyon Indian Pageant and Wild West Show in Pendleton, Oregon, to outdoor dramas like Tecumseh! in Chillicothe, Ohio, and Unto These Hills in Cherokee, North Carolina, locals staged performances that claimed to honor an Indigenous past while depicting that past on white settlers' terms. Linking the origins of these performances to their present-day incarnations, this incisive book reveals how they constituted what Katrina Phillips calls "salvage tourism"--a set of practices paralleling so-called salvage ethnography, which documented the histories, languages, and cultures of Indigenous people while reinforcing a belief that Native American societies were inevitably disappearing.Across time, Phillips argues, tourism, nostalgia, and authenticity converge in the creation of salvage tourism, which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development., As tourists increasingly moved across the United States in the late nineteenth and early twentieth centuries, a surprising number of communities looked to capitalize on the histories of Native American people to create tourist attractions. From the Happy Canyon Indian Pageant and Wild West Show in Pendleton, Oregon, to outdoor dramas like Tecumseh! in Chillicothe, Ohio, and Unto These Hills in Cherokee, North Carolina, locals staged performances that claimed to honor an Indigenous past while depicting that past on white settlers' terms. Linking the origins of these performances to their present-day incarnations, this incisive book reveals how they constituted what Katrina Phillips calls salvage tourism--a set of practices paralleling so-called salvage ethnography, which documented the histories, languages, and cultures of Indigenous people while reinforcing a belief that Native American societies were inevitably disappearing. Across time, Phillips argues, tourism, nostalgia, and authenticity converge in the creation of salvage tourism, which blends tourism and history, contestations over citizenship, identity, belonging, and the continued use of Indians and Indianness as a means of escape, entertainment, and economic development.
LC Classification Number
E98.P99P47 2021
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- l***l (51)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaPurchased and quickly cancelled order. The seller monitors messages and cancelled the order before it shipped with a full refund. Honest seller, good prices, and excellent customer service. I would reconsider purchasing from this seller. A++
- b***r (56)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaUnfortunately the book I received was in bad shape and was a different edition than was shown in the listing, however, my experience with the seller was excellent! I reached out requesting a refund and very quickly received a very professional and friendly reply and an immediate refund. Based on this experience I would recommend buying from this seller!Fahrenheit 451 by Ray Bradbury (#335858773063)
- o***z (12)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaMy idea of “good” may have differed from the seller’s, but that’s on me, not them! I got exactly what was advertised and it does meet my needs, so I got value for my money. The seller reached out to me to make sure that I was good with my purchase. They offered a couple of solutions to make it right for me and promptly carried out what we agreed on. They didn’t ask me for a quid pro quo arrangement, they just wanted to ensure that I was happy. I’d definitely do business with them again!Respuesta de textbooks_source- Votos a los que ha respondido el vendedor textbooks_source.- Votos a los que ha respondido el vendedor textbooks_source.We are very sorry for the inconvenience! We have sent a message regarding your order.Cosmic Perspective, The by Bennett, Jeffrey, Donahue, Megan, Schneider, Nichola (#235823615061)