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Características del artículo

Estado
En buen estado: Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, ...
Book Title
The Documentary Film Reader: History, Theory, Criticism
ISBN
9780199739653

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Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
019973965X
ISBN-13
9780199739653
eBay Product ID (ePID)
7038266196

Product Key Features

Number of Pages
1056 Pages
Language
English
Publication Name
Documentary Film Reader : History, Theory, Criticism
Subject
Film / Genres / Documentary, Film / History & Criticism, Film & Video
Publication Year
2016
Type
Textbook
Author
Jonathan Kahana
Subject Area
Art, Performing Arts
Format
Trade Paperback

Dimensions

Item Height
1.9 in
Item Weight
63.2 Oz
Item Length
7 in
Item Width
9.9 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2015-013454
TitleLeading
The
Reviews
"The volume offers a rich and varied corpus of works that includes scholarly essays, film criticism, manifestos, interviews, letters, and personal recollections ... [the editors] have performed tremendous acts of scholarly service ... [presenting] a rich mosaic of writing on film form, politics, and practice that order the discursive field while still allowing the unruly documentary construct room to breathe." -- Tanya Goldman, Cinema Journal"This collection of crucial and often hard-to-find writings will be of immense help in identifying some of the key preoccupations of documentary and dispersing some of its most persistent myths." --David MacDougall, author of The Corporeal Image: Film, Ethnography, and the Senses"Kahana puts flesh to the bare bones of film history. These are essays that make the present vibrate with the steady drumbeat of a past we may not fully know but dare not entirely forget. It will serve as a standard reference for what has gone before and a powerful stimulus for what has yet to come well into the foreseeable future." --Bill Nichols, author of Introduction to Documentary, 2nd Edition"Gathering such a range of thought on non-fiction film theory and practice in one volume is simply phenomenal. This is a must-read book, giving precious insight into the ideologies, trends, and evolutions of the documentary genre throughout the world, from its emergence to the present." --Jean-Marie Teno, director of Africa, I Will Fleece You (Afrique, je te plumerai)"Kahana has curated a rambunctious oratorio of a reader, abundant with sharp discoveries and startling wisdom and surprising conversations across decades and borders. Every aspiring filmmaker should keep a copy in her backpack." --John Greyson, director of Fig Trees, "This collection of crucial and often hard-to-find writings will be of immense help in identifying some of the key preoccupations of documentary and dispersing some of its most persistent myths." --David MacDougall, author of The Corporeal Image: Film, Ethnography, and the Senses "Kahana puts flesh to the bare bones of film history. These are essays that make the present vibrate with the steady drumbeat of a past we may not fully know but dare not entirely forget. It will serve as a standard reference for what has gone before and a powerful stimulus for what has yet to come well into the foreseeable future." --Bill Nichols, author of Introduction to Documentary, 2nd Edition "Gathering such a range of thought on non-fiction film theory and practice in one volume is simply phenomenal. This is a must-read book, giving precious insight into the ideologies, trends, and evolutions of the documentary genre throughout the world, from its emergence to the present." --Jean-Marie Teno, director of Africa, I Will Fleece You (Afrique, je te plumerai) "Kahana has curated a rambunctious oratorio of a reader, abundant with sharp discoveries and startling wisdom and surprising conversations across decades and borders. Every aspiring filmmaker should keep a copy in her backpack." --John Greyson, director of Fig Trees, "The volume offers a rich and varied corpus of works that includes scholarly essays, film criticism, manifestos, interviews, letters, and personal recollections ... [the editors] have performed tremendous acts of scholarly service ... [presenting] a rich mosaic of writing on film form, politics, and practice that order the discursive field while still allowing the unruly documentary construct room to breathe." -- Tanya Goldman, Cinema Journal "This collection of crucial and often hard-to-find writings will be of immense help in identifying some of the key preoccupations of documentary and dispersing some of its most persistent myths." --David MacDougall, author of The Corporeal Image: Film, Ethnography, and the Senses "Kahana puts flesh to the bare bones of film history. These are essays that make the present vibrate with the steady drumbeat of a past we may not fully know but dare not entirely forget. It will serve as a standard reference for what has gone before and a powerful stimulus for what has yet to come well into the foreseeable future." --Bill Nichols, author of Introduction to Documentary, 2nd Edition "Gathering such a range of thought on non-fiction film theory and practice in one volume is simply phenomenal. This is a must-read book, giving precious insight into the ideologies, trends, and evolutions of the documentary genre throughout the world, from its emergence to the present." --Jean-Marie Teno, director of Africa, I Will Fleece You (Afrique, je te plumerai) "Kahana has curated a rambunctious oratorio of a reader, abundant with sharp discoveries and startling wisdom and surprising conversations across decades and borders. Every aspiring filmmaker should keep a copy in her backpack." --John Greyson, director of Fig Trees
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
070.1/8
Synopsis
The Documentary Film Reader brings together an expansive range of writing by scholars, critics, historians, and filmmakers to provide a stimulating foundational text for students and others who want to undertake study of nonfiction film. While documentary has long been a mainstay of universities and cinematheques, its popularity of late has grown tenfold as reality television has flourished and as the ranks of novice filmmakers have swelled. There are now dozens of film festivals dedicated exclusively to documentaries. This reader presents an international perspective on the most significant developments and debates from several decades of critical writing about documentary. It integrates historical and theoretical approaches, offering a collection that is particularly well suited to meet the needs of large undergraduate survey courses on nonfiction film, as well as providing sufficient depth for graduate classes., Bringing together an expansive range of writing by scholars, critics, historians, and filmmakers, The Documentary Film Reader presents an international perspective on the most significant developments and debates from several decades of critical writing about documentary. Each of the book's seven sections covers a distinct period in the history of documentary, collecting both contemporary and retrospective views of filmmaking in the era. And each section is prefaced by an introductory essay that explains its design and provides critical context. Painstakingly selected from the archives of more than a hundred years of cinema practice and theory, the essays, reviews, interviews, manifestos, and ephemera gathered in this volume suit the needs and interests of the beginning student, the advanced scholar, the casual reader, and the working documentarian., The Documentary Film Reader brings together an expansive range of writing by scholars, critics, historians, and filmmakers to provide a stimulating foundational text for students and others who want to undertake study of nonfiction film.
LC Classification Number
PN1995.9.D6D5755

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