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La Panadería: 1994-2002
USD24,50
Aproximadamente21,10 EUR
Estado:
- ¡Cómpralo ya!La Panadería: 1994-2002
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Envío:
USD5,97 (aprox. 5,14 EUR) USPS Media MailTM.
Ubicado en: Cathedral City, California, Estados Unidos
Entrega:
Entrega prevista entre el sáb. 25 oct. y el mié. 29 oct. a 94104
Devoluciones:
30 días para devoluciones. El comprador paga el envío de la devolución..
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N.º de artículo de eBay:235333932323
Características del artículo
- Estado
- Binding
- Paperback
- Product Group
- Book
- Weight
- 4 lbs
- IsTextBook
- No
- ISBN
- 9788475066493
Acerca de este producto
Product Identifiers
Publisher
Turner Publicaciones S.L.
ISBN-10
8475066496
ISBN-13
9788475066493
eBay Product ID (ePID)
30775316
Product Key Features
Book Title
Panadería: 1994-2002
Number of Pages
350 Pages
Language
English
Topic
Caribbean & Latin American, Collections, Catalogs, Exhibitions / General
Publication Year
2004
Illustrator
Yes
Genre
Art
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
65.8 Oz
Item Length
12.1 in
Item Width
9.9 in
Additional Product Features
Intended Audience
Trade
TitleLeading
La
Grade From
College Freshman
Number of Volumes
1 vol.
Grade To
UP
Synopsis
Throughout eight years of existence, La Panaderia served Mexico City as a vibrant non-profit space for exhibitions, residencies, and cultural events involving local and international artists. This retrospective catalogue exists as a collective testimony on the artistic productions and exhibitions that resulted from the space, which was founded in 1994 in a former bakery by local artists Yoshua Okon and Miguel Calderon. Here young artists were invited to exhibit video, photography, installation, and performance based works, but the space was also characterized by parties and concerts, reflecting a lifestyle and a social dynamic that opposed a rigid set of paradigms which dictated how art should be. "La Panaderia: 1994-2002 presents a selection of 60 exhibitions by foreign and Mexican contemporary artists via photographic documentation, brief descriptive texts, and ephemera such as invitations. Critical texts consider the relevance of the space, while anecdotes from artists and visitors pay testimony to it. Artists represented here include Carlos Amorales, Chris Johanson, Emily Jacir, Francis Alyuml; s, Gelatin, Kirsten Stoltmann, Las ultrasonicas, Minerva Cuevas, Semefo, Shepard Fairy, and Uri Tzaig. The book is accompanied by a CD with music by Silverio., Throughout eight years of existence, La Panader a served Mexico City as a vibrant non-profit space for exhibitions, residencies, and cultural events involving local and international artists. This retrospective catalogue exists as a collective testimony on the artistic productions and exhibitions that resulted from the space, which was founded in 1994 in a former bakery by local artists Yoshua Okon and Miguel Calder n. La Panader a emphasized, by way of its inherent nature, the integration of eclectic marginal practices. Young artists were invited to exhibit video, photography, installation and performance-based works, but the space was also characterized by parties and concerts, reflecting a lifestyle and a social dynamic that opposed a rigid set of paradigms which dictated how art should be. La Panader a: 1994-2002 is a visual and theoretical digest representative of the national and international art scene, presenting a selection of 60 exhibitions by foreign and Mexican contemporary artists via photographic documentation, a brief descriptive text, and ephemera such as invitations. Six critical texts consider the relevance of the space, while anecdotes from artists and the visiting public pay testimony to it. Dozens of artists are represented here, including Carlos Amorales, Chris Johanson, Emily Jacir, Francis Alys, Gelatin, Kirsten Stoltmann, Las ultras nicas, Luis Felipe Ortega, Miguel Calder n, Minerva Cuevas, Semefo, Shepard Fairey and Uri Tzaig. The book is accompanied by a CD with music by Silverio., Throughout eight years of existence, La Panadería served Mexico City as a vibrant non-profit space for exhibitions, residencies, and cultural events involving local and international artists. This retrospective catalogue exists as a collective testimony on the artistic productions and exhibitions that resulted from the space, which was founded in 1994 in a former bakery by local artists Yoshua Okon and Miguel Calderón. La Panadería emphasized, by way of its inherent nature, the integration of eclectic marginal practices. Young artists were invited to exhibit video, photography, installation and performance-based works, but the space was also characterized by parties and concerts, reflecting a lifestyle and a social dynamic that opposed a rigid set of paradigms which dictated how art should be. La Panadería: 1994-2002 is a visual and theoretical digest representative of the national and international art scene, presenting a selection of 60 exhibitions by foreign and Mexican contemporary artists via photographic documentation, a brief descriptive text, and ephemera such as invitations. Six critical texts consider the relevance of the space, while anecdotes from artists and the visiting public pay testimony to it. Dozens of artists are represented here, including Carlos Amorales, Chris Johanson, Emily Jacir, Francis Alÿs, Gelatin, Kirsten Stoltmann, Las ultrasónicas, Luis Felipe Ortega, Miguel Calderón, Minerva Cuevas, Semefo, Shepard Fairey and Uri Tzaig. The book is accompanied by a CD with music by Silverio., Throughout eight years of existence, La Panadera served Mexico City as a vibrant non-profit space for exhibitions, residencies, and cultural events involving local and international artists. This retrospective catalogue exists as a collective testimony on the artistic productions and exhibitions that resulted from the space, which was founded in 1994 in a former bakery by local artists Yoshua Okon and Miguel Caldern. La Panadera emphasized, by way of its inherent nature, the integration of eclectic marginal practices. Young artists were invited to exhibit video, photography, installation and performance-based works, but the space was also characterized by parties and concerts, reflecting a lifestyle and a social dynamic that opposed a rigid set of paradigms which dictated how art should be. La Panadera: 1994-2002 is a visual and theoretical digest representative of the national and international art scene, presenting a selection of 60 exhibitions by foreign and Mexican contemporary artists via photographic documentation, a brief descriptive text, and ephemera such as invitations. Six critical texts consider the relevance of the space, while anecdotes from artists and the visiting public pay testimony to it. Dozens of artists are represented here, including Carlos Amorales, Chris Johanson, Emily Jacir, Francis Als, Gelatin, Kirsten Stoltmann, Las ultrasnicas, Luis Felipe Ortega, Miguel Caldern, Minerva Cuevas, Semefo, Shepard Fairey and Uri Tzaig. The book is accompanied by a CD with music by Silverio.
Text by
Medina, Cuauhtémoc
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MrBearsbookstore
100% de votos positivos•27 mil artículos vendidos
Registrado como vendedor particularPor tanto, no se aplican los derechos de los consumidores derivados de las leyes de protección de los consumidores de la UE. La Garantía al cliente de eBay sigue aplicando a la mayoría de compras. Más informaciónMás información
Votos de vendedor (8.527)
- 4***4 (120)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaGreat seller! Had a question about two items I wanted to purchase. Sent an email to seller at 8:35 pm, they answered me an hour later the same evening! Prompt shipping, secure packaging, very reasonable and polite to deal with. Items were in even better condition than described on seller listing. I wouldn’t hesitate to buy from this seller again. Most highly recommended!!Lot 18 Geoffrey Household Red Anger, Time To Kill Arabesque The Third Hour (#236023838283)
- 4***m (5104)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaOutstanding quality, even better condition than described, shipping was OUTSTANDING with a heavy cardboard box to prevent against in-transit damage. I truly wish more sellers packaged books the way Mr Bears Bookstore does, because flimsy plastic mailers used by others almost guarantee damage. This seller did an absolutely exemplary job and I appreciate their care. I wish I could give them more than 5 stars, but I can recommend this seller wholeheartedly. THANK YOU!
- o***r (1878)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaThese books arrived quickly, and just as described. They are actually in decent condition for their age. The seller packed them tightly to protect them, which I was thankful for. This is about what I expected to pay, so I felt like the value was good. Oh, and all, the experience with the seller was very positive.