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Theatre : Collaborative Acts by Kathy Fletcher and Ronald Wainscott 4e
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Ubicado en: Anaconda, Montana, Estados Unidos
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Entrega prevista entre el vie. 28 nov. y el mié. 3 dic. a 94104
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N.º de artículo de eBay:226946574426
Última actualización el 23 oct 2025 17:53:02 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- ISBN
- 9780205118021
Acerca de este producto
Product Identifiers
Publisher
Pearson Education
ISBN-10
020511802X
ISBN-13
9780205118021
eBay Product ID (ePID)
17038262196
Product Key Features
Number of Pages
384 Pages
Language
English
Publication Name
Theatre : Collaborative Acts
Subject
Theater / General, Theater / History & Criticism
Publication Year
2012
Features
Revised
Type
Textbook
Subject Area
Performing Arts
Format
Trade Paperback
Dimensions
Item Height
0.8 in
Item Weight
28.8 Oz
Item Length
10.8 in
Item Width
8.5 in
Additional Product Features
Edition Number
4
Intended Audience
College Audience
LCCN
2011-043278
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
792
Edition Description
Revised edition
Table Of Content
ACT ONE Theatre and Its Audience CHAPTER 1 CULTURAL COLLABORATION: Theatre and Society Theatre as Entertainment and Art The Social Functions of Theatre Social Control of Theatre Theatrical Choice in North America Cultural Context and Personal Experience CHAPTER 2 EXPERIENCING THEATRE: Collaboration of Actor, Audience, and Space The Audience The Nature of Acting From Play to Production Space Theatre and Transformation C HAPTER 3 ANALYZING THEATRE: Thinking and Writing About Live Performance Theatre, Film, and Television Analyzing Production Thinking About Actor Performances Thinking About Space and Design Understanding Style Evaluating Production The Role of the Critic Writing About Production When It All Works CHAPTER 4 UNDERSTANDING THE PLAY: A Theatrical Blueprint Plot Character Thought Language Music Spectacle CHAPTER 5 INTERPRETING THE PLAY: Understanding Genre, Reading, and Writing Dramatic Genre Reading a Play Writing About a Play ACT TWO Collaboration in Art and Practice CHAPTER 6 THE DIRECTOR: Vision and Leadership Has Someone Always Been in Charge? Interpretation Developing Concept Communicating and Managing the Artistic Vision Collaborating with the Playwright Directors and Absent Playwrights Collaborating with Designers Collaborating with Actors Collaborating with the Stage Manager The Rehearsal Process Opening the Production CHAPTER 7 THE ACTOR: From Mask to Contemporary Performance Development of the Actor Acting Styles and Methods The Actor's Work CHAPTER 8 THE PLAYWRIGHT: Imagination and Expression The Changing Position of the Playwright The Playwright and Production Development of New Plays CHAPTER 9 THE DESIGNER: Materializing Conception and the World of the Play The Development of the Designer The Designers' Choices The Scenic Designer's Work The Lighting Designer's Work The Costume Designer's Work The Sound Designer's Work Integrating All the Designs CHAPTER 10 THE PRODUCER: Coordination, Promotion, Economics Early Producers The Role of the Producer The Economics of Theatre ACT THREE Collaboration in History CHAPTER 11 FOUNDATIONS: Classical Theatrical Forms Classical Greece Classical Rome Medieval Europe Classical India Classical China Classical Japan CHAPTER 12 REINTERPRETATIONS: Europe Rediscovers the Western Classics The Italian Renaissance Elizabethan England The Spanish Golden Age Seventeenth-Century France Restoration England Eighteenth-Century Europe and the Americas CHAPTER 13 REVOLUTIONS: Romanticism to Postmodern Experiment Romanticism Nineteenth-Century Melodrama Nineteenth-Century Realism and Naturalism The Avant-Garde from the Late Nineteenth Century to the 1960s Modern and Contemporary Popular Theatre The Recent Avant-Garde and Postmodern Experiment
Synopsis
Updated in its 4th edition Theatre: Collaborative Acts stimulates creative thinking and discussions of artistic, social, and ethical questions through its interwoven themes of theatre as culture, collaboration, spatial art, and a fusion of the past and present. It emphasizes the diversity of purpose and effect of theatre, and the collaborative nature of the theatrical process., Theatre: Collaborative Acts stimulates creative thinking and discussions of artistic, social, and ethical questions through its interwoven themes of theatre as culture, collaboration, spatial art, and a fusion of the past and present. The central premise of Theatre: Collaborative Acts is that theatre is collaboration or co-labor , which exists on many levels. To participate in theatre, as either audience member or practitioner, means to be at once an individual and part of a larger whole. It allows us to escape, relax, and refocus. Through the study of theatre, students develop an informed perspective for a lifetime of theatre-going in appreciation to help them enjoy, analyse, understand, read, visualise, and get the most out of many different types of theatre experiences. The Fourth Edition continues to emphasise the diversity of purpose and effect of theatre, and the collaborative nature of the theatrical process., Updated in its 4th edition Theatre: Collaborative Actsstimulates creative thinking and discussions of artistic, social, and ethical questions through its interwoven themes of theatre as culture, collaboration, spatial art, and a fusion of the past and present. It emphasizes the diversity of purpose and effect of theatre, and the collaborative nature of the theatrical process.
LC Classification Number
PN2049.W26 2011
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