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Walt Whitman and Emily Dickinson : Poetry of the Central Consciousness by Salska
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“Covers are clean light edge rubbing. No tears or chips. No spine creases. Binding is tight and ”... Más informaciónacerca del estado
En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Gratis USPS Media MailTM.
Ubicado en: Gwynedd Valley, Pennsylvania, Estados Unidos
Entrega:
Entrega prevista entre el jue. 16 oct. y el lun. 20 oct.
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N.º de artículo de eBay:226418702811
Características del artículo
- Estado
- En muy buen estado
- Notas del vendedor
- Country/Region of Manufacture
- United States
- ISBN
- 9780812212037
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Product Identifiers
Publisher
University of Pennsylvania Press
ISBN-10
0812212037
ISBN-13
9780812212037
eBay Product ID (ePID)
510192
Product Key Features
Number of Pages
256 Pages
Publication Name
Walt Whitman and Emily Dickinson : Poetry of the Central Consciousness
Language
English
Publication Year
1985
Subject
American / General, Poetry
Type
Textbook
Subject Area
Literary Criticism
Series
Anniversary Collection
Format
Trade Paperback
Dimensions
Item Weight
14.1 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
College Audience
LCCN
84-017286
Synopsis
Agnieszka Salska 's illuminating study of the patterns of consciousness in the poetry of two major nineteenth-century American poets borrows from Northrop Frye's phrase the structure of the poet's imagination. Walt Whitman and Emily Dickinson , the first extensive book comparing the two poets, builds on the shorter works by Karl Keller and Albert Gelpi and is further augmented by Salska's outside viewpoint from her native Poland. Her extensive research in the United States in 1984 ensures the timeliness of the work and makes the study truly valuable. That Dickinson and Whitman shared a common ground of aspiration for existential wholeness is made clearer to twentieth-century readers by Salska's argument, which traces the poets' heritage from Ralph Waldo Emerson. Although both poets begin with the same vision--that the artist's mind is solely responsible for the organization of the universe--their realizations of that image diverge radically. Salska's keen judicious observations add much to our understanding of the poets both as individuals and as contemporaries. Her book will be of great interest to students of Whitman and Dickinson, poetry and American literature. The clarity of style makes the book invaluable to undergraduates, graduate students, and scholars in general., Agnieszka Salska's keen judicious observations add much to our understanding of the poets both as individuals and as contemporaries. Her book will be of great interest to students of Whitman and Dickinson, poetry and American literature. The clarity of style makes the book invaluable to undergraduates, graduate students, and scholars in general., Agnieszka Salska 's illuminating study of the patterns of consciousness in the poetry of two major nineteenth-century American poets borrows from Northrop Frye's phrase "the structure of the poet's imagination." Walt Whitman and Emily Dickinson , the first extensive book comparing the two poets, builds on the shorter works by Karl Keller and Albert Gelpi and is further augmented by Salska's "outside" viewpoint from her native Poland. Her extensive research in the United States in 1984 ensures the timeliness of the work and makes the study truly valuable. That Dickinson and Whitman shared a common ground of aspiration for existential wholeness is made clearer to twentieth-century readers by Salska's argument, which traces the poets' heritage from Ralph Waldo Emerson. Although both poets begin with the same vision--that the artist's mind is solely responsible for the organization of the universe--their realizations of that image diverge radically. Salska's keen judicious observations add much to our understanding of the poets both as individuals and as contemporaries. Her book will be of great interest to students of Whitman and Dickinson, poetry and American literature. The clarity of style makes the book invaluable to undergraduates, graduate students, and scholars in general.
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