Album of Fences - Omar Pimienta

Tex and Edna
(2040)
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“Trade-sized paperback. Cover shows very light wear around edges. Spine is strong and uncreased. No ...
ISBN
9781945720123

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Product Identifiers

Publisher
Cardboard House Press
ISBN-10
1945720123
ISBN-13
9781945720123
eBay Product ID (ePID)
5038650406

Product Key Features

Book Title
Album of Fences
Topic
Caribbean & Latin American, General
Publication Year
2018
Number of Pages
136 Pages
Language
English
Genre
Poetry
Author
Omar. Pimienta
Format
Trade Paperback

Dimensions

Item Weight
10 oz

Additional Product Features

Synopsis
Poetry. California Interest. Latinx Studies. Translated from the Spanish by Jose Antonio Villar n. Omar Pimienta documents what living on either side of a militarized border does to a community, how it distorts, breeding suspicion and lies. Here a father brags he has always crossed using a false ID, never through the desert, and a son crosses easily once he has (or claims to have?) a job building destroyers. Here a guard demands that a woman breastfeed an infant she's carrying to prove that it's hers. Pimienta allows ironies and horrors to speak for themselves -- and they do. Loud and clear.--Rae Armantrout In ALBUM OF FENCES, Omar Pimienta writes the membranes that thrive between the sensed-real of the culturally residual and the liminally sensed hyper-real of the culturally emergent. His vision isn't of an epiphany variety, but rather is borne of a subtle constructivist process of cultural shiftaramas. Writ large into being are alter-selves that get marked up to what Guillermo Gomez Pe a has called, 'the mainstream bizarre.' Nimbly threading History's objects ('nation', 'family', 'selfhood', 'city', 'work world' 'friends'), Pimienta guides us into and out of a Borderland Capture-Zone. The result is a transnational, infra-biographical holography that sets the stage for a lived-life poetics. The creative tension between 'biography' and public myth--is nothing short of dazzling.--Rodrigo Toscano Pimienta is an alchemist of memory, turning simple snapshots into legends, fathers into brothers, heroes and ghosts. His Tijuana is not a wall but a magic portal.--Mike Davis, Poetry. California Interest. Latinx Studies. Translated from the Spanish by Jose Antonio Villar n. "Omar Pimienta documents what living on either side of a militarized border does to a community, how it distorts, breeding suspicion and lies. Here a father brags he has always crossed using a false ID, never through the desert, and a son crosses easily once he has (or claims to have?) a job building destroyers. Here a guard demands that a woman breastfeed an infant she's carrying to prove that it's hers. Pimienta allows ironies and horrors to speak for themselves -- and they do. Loud and clear."--Rae Armantrout "In ALBUM OF FENCES, Omar Pimienta writes the membranes that thrive between the sensed-real of the culturally residual and the liminally sensed hyper-real of the culturally emergent. His vision isn't of an epiphany variety, but rather is borne of a subtle constructivist process of cultural shiftaramas. Writ large into being are alter-selves that get marked up to what Guillermo Gomez Pe a has called, 'the mainstream bizarre.' Nimbly threading History's objects ('nation', 'family', 'selfhood', 'city', 'work world' 'friends'), Pimienta guides us into and out of a Borderland Capture-Zone. The result is a transnational, infra-biographical holography that sets the stage for a lived-life poetics. The creative tension between 'biography' and public myth--is nothing short of dazzling."--Rodrigo Toscano "Pimienta is an alchemist of memory, turning simple snapshots into legends, fathers into brothers, heroes and ghosts. His Tijuana is not a wall but a magic portal."--Mike Davis, Poetry. California Interest. Latinx Studies. Translated from the Spanish by Jose Antonio Villarán. "Omar Pimienta documents what living on either side of a militarized border does to a community, how it distorts, breeding suspicion and lies. Here a father brags he has always crossed using a false ID, never through the desert, and a son crosses easily once he has (or claims to have?) a job building destroyers. Here a guard demands that a woman breastfeed an infant she's carrying to prove that it's hers. Pimienta allows ironies and horrors to speak for themselves -- and they do. Loud and clear."--Rae Armantrout "In ALBUM OF FENCES, Omar Pimienta writes the membranes that thrive between the sensed-real of the culturally residual and the liminally sensed hyper-real of the culturally emergent. His vision isn't of an epiphany variety, but rather is borne of a subtle constructivist process of cultural shiftaramas. Writ large into being are alter-selves that get marked up to what Guillermo Gomez Peña has called, 'the mainstream bizarre.' Nimbly threading History's objects ('nation', 'family', 'selfhood', 'city', 'work world' 'friends'), Pimienta guides us into and out of a Borderland Capture-Zone. The result is a transnational, infra-biographical holography that sets the stage for a lived-life poetics. The creative tension between 'biography' and public myth--is nothing short of dazzling."--Rodrigo Toscano "Pimienta is an alchemist of memory, turning simple snapshots into legends, fathers into brothers, heroes and ghosts. His Tijuana is not a wall but a magic portal."--Mike Davis

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Tex and Edna

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