Docufictions: Essays On The Intersection Of Documentary And Fictional Filmmaking

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Como nuevo
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“Through most of the 20th century, the distinction between the fictional narrative film and the ...
ISBN
9780786421848

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Product Identifiers

Publisher
Mcfarland & Company, Incorporated Publishers
ISBN-10
0786421843
ISBN-13
9780786421848
eBay Product ID (ePID)
44123073

Product Key Features

Book Title
Docufictions : Essays on the Intersection of Documentary and Fictional Filmmaking
Number of Pages
304 Pages
Language
English
Publication Year
2005
Topic
Film / General, Journalism, Essays
Illustrator
Yes
Genre
Performing Arts, Language Arts & Disciplines, Literary Collections
Author
John Parris Springer
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
18.6 Oz
Item Length
10 in
Item Width
7 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2005-012767
Dewey Edition
22
Number of Volumes
1 vol.
Dewey Decimal
070.1/8
Table Of Content
Table of Contents Acknowledgments Introduction 1. Docudrama and Mock-Documentary: Defining Terms, Proposing Canons Steven N. Lipkin, Derek Paget and Jane Roscoe 11 2. The Newspaper Meets the Dime Novel: Docudrama in Early Cinema John Parris Springer 27 3. On the Edges of Fiction: Silent Actualités , City Symphonies and Early SF Movies Mark Bould 43 4. This Reality Which Is Not One: Flaherty, Buñuel and the Irrealism of Documentary Cinema Jared F. Green 64 5. Reconstructing Reality: The Industrial Film as Faux Documentary Donald Levin 88 6. "Documenting" Communist Subversion: The Case of I Was a Communist for the F.B.I. (1951) Reynold Humphries 102 7. Teaching Fear in 1950s Science Fiction Films Michael Lee 124 8. Mondo Barnum Doug Bentin 144 9. In Search of Questions, or, A New Age Film Odyssey Gary D. Rhodes 154 10. Artifice and Artificiality in Mockumentaries Gerd Bayer 164 11. "It Ain't the Movies! It's Real Life!" Cinematic Alchemy in Woody Allen's "Woody Allen" D(M)oc(k)umentary Oeuvre Robert Sickels 179 12. "That's Really the Title?" Deconstructing Deconstruction in The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom (1993) and Real Life (1978) Harvey O'Brien 191 13. Man Bites Dog : Deconstructing the Documentary Look Jane Roscoe 205 14. Stanley Kwan's Centre Stage (1992): Postmodern Reflections of the Mirror Within the Mirror Wayne Stein 216 15. Fool's Gold: New Zealand's Forgotten Silver , Myth and National Identity Ian Conrich and Roy Smith 230 16. Before Big Brother , There Was Blair Witch : The Selling of "Reality" Fincina Hopgood 237 17. Chasing the Real: Reality Television and Documentary Forms Leigh H. Edwards 253 18. The Future of Documentary? "Conditional Tense" Documentary and the Historical Record Paul Ward 270 About the Contributors Index
Synopsis
Through most of the 20th century, the distinction between the fictional narrative film and the documentary was vigorously maintained. The documentary tradition developed side by side with, but in the shadow of, the more commercially successful feature film. In the latter part of the century, however, the two forms merged on occasion, and mockumentaries (fictional works in a documentary format) and docudramas (reality-based works in a fictional format) became part of the film and television landscape. The 18 essays here examine the relationships between narrative fiction films and documentary filmmaking, focusing on how each influenced the other and how the two were merged in such diverse films and shows as Citizen Kane, M*A*S*H, This Is Spinal Tap, and Destination Moon. Topics include the docudrama in early cinema, the industrial film as faux documentary, the fear evoked in 1950s science fiction films, the selling of ?reality? in mockumentaries, and reality television and documentary forms. The essays provide a foundation for significant rethinking of film history and criticism, offering the first significant discussion of two emerging and increasingly important genres., Through most of the 20th century, the distinction between the fictional narrative film and the documentary was vigorously maintained. The documentary tradition developed side by side with, but in the shadow of, the more commercially successful feature film. In the latter part of the century, however, the two forms merged on occasion, and mockumentaries (fictional works in a documentary format) and docudramas (reality-based works in a fictional format) became part of the film and television landscape. The 18 essays here examine the relationships between narrative fiction films and documentary filmmaking, focusing on how each influenced the other and how the two were merged in such diverse films and shows as Citizen Kane, M*A*S*H, This Is Spinal Tap, and Destination Moon. Topics include the docudrama in early cinema, the industrial film as faux documentary, the fear evoked in 1950s science fiction films, the selling of "reality" in mockumentaries, and reality television and documentary forms. The essays provide a foundation for significant rethinking of film history and criticism, offering the first significant discussion of two emerging and increasingly important genres. Instructors considering this book for use in a course may request an examination copy here., These 18 essays examine the relationships between narrative fiction films and documentary filmmaking, focusing on how each influenced the other and how the two were merged in diverse films and shows.
LC Classification Number
PN1995.9.D62D63 2005

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