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Charles Ethan Porter: African-Americ an Master of Still Life / New Britain Museum
USD39,00
Aproximadamente33,46 EUR
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En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Recogida:
Recogida local gratis en Vernon-Rockville, Connecticut, Estados Unidos.
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Gratis USPS Media MailTM.
Ubicado en: Vernon-Rockville, Connecticut, Estados Unidos
Entrega:
Entrega prevista entre el jue. 23 oct. y el lun. 27 oct. a 94104
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30 días para devoluciones. El vendedor paga el envío de la devolución.
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N.º de artículo de eBay:205780991897
Características del artículo
- Estado
- Release Year
- 2008
- ISBN
- 9780972449762
Acerca de este producto
Product Identifiers
Publisher
New Britain Oils Museum of American Art
ISBN-10
0972449760
ISBN-13
9780972449762
eBay Product ID (ePID)
64258252
Product Key Features
Book Title
Charles Ethan Porter : African-American Master of Still Life
Number of Pages
112 Pages
Language
English
Topic
Collections, Catalogs, Exhibitions / General, American / General
Publication Year
2008
Illustrator
Yes
Genre
Art
Format
Perfect
Dimensions
Item Height
0.3 in
Item Weight
24.9 Oz
Item Length
9.5 in
Item Width
11 in
Additional Product Features
Intended Audience
Trade
LCCN
2007-943359
Reviews
"Porter's work of the 1880s reveals rich, subtle color and sensitive brushwork as well as a wonderful sense of composition and visual balance . . . Porter's compositions are masterly."--Magazine Antiques, "Porter's work of the 1880s reveals rich, subtle color and sensitive brushwork as well as a wonderful sense of composition and visual balance . . . Porter's compositions are masterly."ÑMagazine Antiques, Of all the notable artists who have lived and worked in Connecticut over the years, few of the most deserving have received less public recognition than Charles Ethan Porter (1847-1923). An academically trained African American painter, championed by Frederic Church and Mark Twain and admired by other influential figures, he overcame perpetual obstacles of poverty, prejudice andthe notion that blacks were incapable of making art of lasting importance . . .In recent years, with the surge of scholarship about African American art, there has been renewed interest in Porter and his oeuvre, culminating in a welcome and rewarding exhibition at the New Britain Museum of American Art, "Charles Ethan Porter: African-American Master of Still Life," on view through March16."- Antiques and the Arts Weekly, Of all the notable artists who have lived and worked in Connecticut over the years, few of the most deserving have received less public recognition than Charles Ethan Porter (1847-1923). An academically trained African American painter, championed by Frederic Church and Mark Twain and admired by other influential figures, he overcame perpetual obstacles of poverty, prejudice andthe notion that blacks were incapable of making art of lasting importance . . .In recent years, with the surge of scholarship about African American art, there has been renewed interest in Porter and his oeuvre, culminating in a welcome and rewarding exhibition at the New Britain Museum of American Art, "Charles Ethan Porter: African-American Master of Still Life," on view through March16."--Antiques and the Arts Weekly, Porter's work of the 1880s reveals rich, subtle color and sensitive brushwork as well as a wonderful sense of composition and visual balance . . . Porter's compositions are masterly., Of all the notable artists who have lived and worked in Connecticut over the years, few of the most deserving have received less public recognition than Charles Ethan Porter (1847-1923). An academically trained African American painter, championed by Frederic Church and Mark Twain and admired by other influential figures, he overcame perpetual obstacles of poverty, prejudice and\Rthe notion that blacks were incapable of making art of lasting importance . . .\RIn recent years, with the surge of scholarship about African American art, there has been renewed interest in Porter and his oeuvre, culminating in a welcome and rewarding exhibition at the New Britain Museum of American Art, "Charles Ethan Porter: African-American Master of Still Life," on view through March\R16."--Antiques and the Arts Weekly, Of all the notable artists who have lived and worked in Connecticut over the years, few of the most deserving have received less public recognition than Charles Ethan Porter (1847-1923). An academically trained African American painter, championed by Frederic Church and Mark Twain and admired by other influential figures, he overcame perpetual obstacles of poverty, prejudice andthe notion that blacks were incapable of making art of lasting importance . . .In recent years, with the surge of scholarship about African American art, there has been renewed interest in Porter and his oeuvre, culminating in a welcome and rewarding exhibition at the New Britain Museum of American Art, "Charles Ethan Porter: African-American Master of Still Life," on view through March16.", "Porter's work of the 1880s reveals rich, subtle color and sensitive brushwork as well as a wonderful sense of composition and visual balance . . . Porter's compositions are masterly."- Magazine Antiques, Of all the notable artists who have lived and worked in Connecticut over the years, few of the most deserving have received less public recognition than Charles Ethan Porter (1847-1923). An academically trained African American painter, championed by Frederic Church and Mark Twain and admired by other influential figures, he overcame perpetual obstacles of poverty, prejudice andthe notion that blacks were incapable of making art of lasting importance . . .In recent years, with the surge of scholarship about African American art, there has been renewed interest in Porter and his oeuvre, culminating in a welcome and rewarding exhibition at the New Britain Museum of American Art, "Charles Ethan Porter: African-American Master of Still Life," on view through March16."-Antiques and the Arts Weekly, "Porter's work of the 1880s reveals rich, subtle color and sensitive brushwork as well as a wonderful sense of composition and visual balance . . . Porter's compositions are masterly."-Magazine Antiques
Dewey Edition
22
Photographed by
Kopp, James
Dewey Decimal
759.13
Table Of Content
Introduction - Douglas Hyland Charles Ethan Porter: African-American Master of Still Life - Hildegard Cummings Acknowledgments - Hildegard Cummings Checklist
Synopsis
This full color catalogue celebrates the works of Connecticut-born, African-American artist Charles Ethan Porter that documents a special exhibition of fifty-two paintings. Written by well-known scholar Hildegard Cummings, the catalogue documents the first major display of works by Porter. Porter painted mainly portraits, flowers, insects, fruit, and landscapes--subjects that became his signature style. He was well-regarded among critics and the public, and his work caught the eye of Samuel Clemens who introduced Porter and his work to influential circles both in the U.S. and abroad. Charles Ethan Porter was born in the late 1840s in Rockville, Connecticut. In 1871, he was accepted into the prestigious National Academy of Design in New York. He gave art lessons to support himself through school, then eventually opened a small studio in New York City. In the late 1870s, Porter moved back to Hartford, and his work began showing up in local exhibitions and art galleries. At this time he produced some of his better-known paintings. Porter died in 1923 having moved back to Rockville.
LC Classification Number
ND237
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