Out/Lines : Gay Underground Erotic Graphics from Before Stonewall by Thomas Waug

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Características del artículo

Estado
En buen estado: Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, ...
ISBN
9781551521237

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Product Identifiers

Publisher
Arsenal Pulp Press
ISBN-10
1551521237
ISBN-13
9781551521237
eBay Product ID (ePID)
2253879

Product Key Features

Book Title
Out/Lines : Gay Underground Erotic Graphics from before Stonewall
Number of Pages
304 Pages
Language
English
Topic
Subjects & Themes / Erotica, General, Lgbt Studies / Gay Studies, Subjects & Themes / General
Publication Year
2002
Illustrator
Yes
Genre
Art, Social Science
Author
Thomas Waugh
Format
Trade Paperback

Dimensions

Item Height
0.4 in
Item Weight
24.8 Oz
Item Length
9.7 in
Item Width
8 in

Additional Product Features

Intended Audience
Trade
LCCN
2003-428509
Reviews
With a charming combination of learned art-theory essays introducing each chapter and amusing captions situating each drawing, Waugh honors the iconic erotic power of fleshy graphic fantasties with discerning zeal and un-ironic relish. -Reviewed by Richard Labonte, [A] must-read. . . The book features 200 beautifully documented erotic drawings. . . from an era where pornography—much less gay pornography—was not tolerated. —Hour Magazine, [A] must-read. . . The book features 200 beautifully documented erotic drawings. . . from an era where pornography-much less gay pornography-was not tolerated. -Hour Magazine, Waugh is rather like a demented DeMille, assembling an epic cast of beefcake and bikers, soldiers and sailors for our viewing pleasures. The fact that such material was perfected at the time of its creation—and still a bit raunchy by some standards, even todays;makes the whole effort all that more delicious. —Outlooks, [Thomas Waugh's] Out/Lines and Lust Unearthed are ravishing, titillating, and theoretically engaged; a pair of joyfully written reflections on the hardcore, the softcore, and everything in between. And while the world of leather daddies, swishy bellhops, and precocious sailors-on-leave might seem a far cry from the lofty theoretical debates that coloured my meeting with Waugh, a careful reading of this wonderfully depraved stash lends it an unexpected and, I think, timely, political gravity. - Art Threat, With a charming combination of learned art-theory essays introducing each chapter and amusing captions situating each drawing, Waugh honors the iconic erotic power of fleshy graphic fantasties with discerning zeal and un-ironic relish. -Richard Labonte, Out/Lines is a pleasure for those who like porn and enjoy thinking about its significance. —XTRA! West, Waugh's tone throughout his writing. . . is perfectly pitched. . . It's a delicate balancing act of serious history, the risibility of lust and the tenderness of desire. -BorderCrossings, With a charming combination of learned art-theory essays introducing each chapter and amusing captions situating each drawing, Waugh honors the iconic erotic power of fleshy graphic fantasties with discerning zeal and un-ironic relish. --Richard Labonte, Out/Lines is a pleasure for those who like porn and enjoy thinking about its significance. -XTRA! West, It is a coffee-table book for most readers, although for students of queer history and art it should be a valuable and treasured resource. It's a gorgeous volume. . . -Gay People's Chronicle, Out/Lines is a pleasure for those who like porn and enjoy thinking about its significance. _XTRA! West, [Waugh's] sense of fun and and exitement is never far from the surface, and the pictures reproduced are by turns funny, hot, strikingly composed and historically fascinating: . . . the crème de la crème, so to speak. -Frontiers, Waugh is rather like a demented DeMille, assembling an epic cast of beefcake and bikers, soldiers and sailors for our viewing pleasures. The fact that such material was perfected at the time of its creation #8211 and still a bit raunchy by some standards, even today #8211 makes the whole effort all that more delicious. -Outlooks, With a charming combination of learned art-theory essays introducing each chapter and amusing captions situating each drawing, Waugh honors the iconic erotic power of fleshy graphic fantasties with discerning zeal and un-ironic relish. —Richard Labonte, Out/Lines is a pleasure for those who like porn and enjoy thinking about its significance. --XTRA! West, [A] must-read. . . The book features 200 beautifully documented erotic drawings. . . from an era where pornography #8211 much less gay pornography #8211 was not tolerated. -Hour Magazine, Waugh is rather like a demented DeMille, assembling an epic cast of beefcake and bikers, soldiers and sailors for our viewing pleasures. The fact that such material was perfected at the time of its creation--and still a bit raunchy by some standards, even today̵s;makes the whole effort all that more delicious. --Outlooks, Waugh is rather like a demented DeMille, assembling an epic cast of beefcake and bikers, soldiers and sailors for our viewing pleasures. The fact that such material was perfected at the time of its creation-and still a bit raunchy by some standards, even today̵s;makes the whole effort all that more delicious. -Outlooks, [Waugh's] sense of fun and and exitement is never far from the surface, and the pictures reproduced are by turns funny, hot, strikingly composed and historically fascinating: . . . the crème de la crème, so to speak. - Frontiers
Synopsis
OUT/LINES features a resurrection of erotic gay images that circulated in clandestine communities during the 100 years before Stonewall - including 200 previously unpublished 'obscene' images, which will both broaden and tantalise our view of queer culture with their surprising range of historical styles and motifs, including the work of legendary erotic artist Tom of Finland. Complemented by 8 pages in full-colour, Waugh's historical rigorous narrative explores the cultural and erotic dynamics and the social context in which these secret, sexual images were created., Gay male representation of sexuality has a long history of varied visibility and acceptance, but the 100 or so years of queer life before Stonewall were a period of unprecedented self-identification as well as renewed pressure to hide and suppress the erotic imagery of gay men in western culture. Out/Lines features a resurrection of erotic gay images, once virtually buried and invisible, that circulated in clandestine communities whose sexualized visibility was a potentially devastating risk--a wealth of approximately 200 previously unpublished "obscene" images from the queer pre-Stonewall underground. Drawn mainly from American, German, Italian, and French sources, these images will both broaden and tantalize our view of queer culture with a surprising range of historical styles and motifs. While many of the artists remain anonymous or unknown, some have begun to have increasing notoriety on the erotic gay market. Works include images from a 1945 booklet of 20 unofficial illustrations for Jean Genet's Our Lady of the Flowers ; the British artist known as "Hank," whose steamy couplets called "Homo Hotel" featured hot, horny sailors and Cliff Richards haircuts; the increasingly well-known American artist Neel Bate, whose nom de crayon was "Blade"; and numerous contemporaries and admirers of the legendary erotic artist Tom of Finland. Waugh's narrative considers both fantasy and history by exploring the cultural and erotic dynamics and the social context in which these secret, sexualized images were created and collected. Historically rigorous and aesthetically explicit, Out/Lines is sure to shock and astonish. Thomas Waugh teaches film studies at Montreal's Concordia University. He is a critic, public lecturer, and festival programmer, and is the author of Hard to Imagine: Gay Male Eroticism in Photography and Film from their Beginnings to Stonewall .
LC Classification Number
N8217.H67

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