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Damien Hirst the Complete Spot Paintings - Brand new, Factory Sealed.

the..fine..arts..collection
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Ubicado en: Providence, Rhode Island, Estados Unidos
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N.º de artículo de eBay:205606979466

Características del artículo

Estado
Nuevo: Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin ...
Personalize
No
Era
2010s
Signed
No
Ex Libris
No
Personalized
No
Inscribed
No
Edition
First Edition
Vintage
No
ISBN
9781906967482

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Product Identifiers

Publisher
Other Criteria
ISBN-10
1906967482
ISBN-13
9781906967482
eBay Product ID (ePID)
110677943

Product Key Features

Book Title
Damien Hirst: the Complete Spot Paintings, 1986-2011
Number of Pages
954 Pages
Language
English
Publication Year
2014
Topic
Individual Artists / Monographs, Artists, Architects, Photographers, European
Illustrator
Yes
Genre
Art, Biography & Autobiography
Author
Damien Hirst
Format
Hardcover

Dimensions

Item Height
3.3 in
Item Weight
208.4 Oz
Item Length
12 in
Item Width
9.6 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
23
Grade From
Eighth Grade
Grade To
College Graduate Student
Dewey Decimal
759.2
Synopsis
The first and most significant documentation of Damien Hirst's iconographic spot paintings documented in this comprehensive publication spanning the years 1986-2011. Every spot painting Hirst has produced is included in this substantial publication with over 99% of them illustrated.The Complete Spot Paintings includes essays by Museum of Modern Art curator Ann Tempkin, cultural critic Michael Bracewell and art historian Robert Pincus-Witten as well as a conversation between Damien Hirst, Ed Ruscha and John Baldessari. Hirst has said, "I started them as an endless series like a sculptural idea of a painter (myself). A scientific approach to painting in a similar way to the drug companies scientific approach to life. Art doesn't purport to have all the answers; drug companies do. Hence the individual titles themselves: Acetaldehyde (1991), Albumin Human Glycated (1992), Androstanolone (1993), Arabinitol (1994), etc. . . .In the spot paintings the grid-like structure creates the beginningof the system. On each painting no two colours are the same.This ends the system; it's a simple system. No matter how I feel as an artist or painter, the paintings end up looking happy. I can still make all the emotional decisions about colour that I need to as an artist, but in the end they are lost. The end of painting. And I'm still painting; am I a painter? Or a sculptor who paints? Or justan artist? I don't know. It's not important. But it is very important that there is an endless series or enough to imply an endless series. In January 2012 the Gagosian Gallery hosted 'The Complete Spot Paintings 1986-2011,' which saw an extensive selection of Hirst's Spot Paintings shown in all 11 locations of the Gagosian Gallery including New York, London, Paris, Los Angeles, Rome, Athens, Geneva and Hong Kong.The same year Tate Modern, London exhibited the most comprehensive survey of Hirst's work to be held in the UK to date. In 2013 the artist held his largest retrospective so far in Doha, Qatar, curated by Francesco Bonami. Hirst lives and works in London, Gloucestershire and Devon., The first and most significant documentation of Damien Hirst's iconographic spot paintings documented in this comprehensive publication spanning the years 1986-2011. Every spot painting Hirst has produced is included in this substantial publication with over 99% of them illustrated.The Complete Spot Paintings includes essays by Museum of Modern Art curator Ann Tempkin, cultural critic Michael Bracewell and art historian Robert Pincus-Witten as well as a conversation between Damien Hirst, Ed Ruscha and John Baldessari. Hirst has said, "I started them as an endless series like a sculptural idea of a painter (myself). A scientific approach to painting in a similar way to the drug companies scientific approach to life. Art doesn't purport to have all the answers; drug companies do. Hence the individual titles themselves: Acetaldehyde (1991), Albumin Human Glycated (1992), Androstanolone (1993), Arabinitol (1994), etc. . . .In the spot paintings the grid-like structure creates the beginningof the system. On each painting no two colours are the same.This ends the system; it's a simple system. No matter how I feel as an artist or painter, the paintings end up looking happy. I can still make all the emotional decisions about colour that I need to as an artist, but in the end they are lost. The end of painting. And I'm still painting; am I a painter? Or a sculptor who paints? Or justan artist? I don't know. It's not important. But it is very important that there is an endless series or enough to imply an endless series. In January 2012 the Gagosian Gallery hosted 'The Complete Spot Paintings 1986-2011, ' which saw an extensive selection of Hirst's Spot Paintings shown in all 11 locations of the Gagosian Gallery including New York, London, Paris, Los Angeles, Rome, Athens, Geneva and Hong Kong.The same year Tate Modern, London exhibited the most comprehensive survey of Hirst's work to be held in the UK to date. In 2013 the artist held his largest retrospective so far in Doha, Qatar, curated by Francesco Bonami. Hirst lives and works in London, Gloucestershire and Devon, The first and most significant documentation of Damien Hirst's iconographic spot paintings documented in this comprehensive publication spanning the years 1986-2011. Every spot painting Hirst has produced is included in this substantial publication with over 99% of them illustrated.The Complete Spot Paintings includes essays by Museum of Modern Art curator Ann Tempkin, cultural critic Michael Bracewell and art historian Robert Pincus-Witten as well as a conversation between Damien Hirst, Ed Ruscha and John Baldessari. Hirst has said, "I started them as an endless series like a sculptural idea of a painter (myself). A scientific approach to painting in a similar way to the drug companies scientific approach to life. Art doesn't purport to have all the answers; drug companies do. Hence the individual titles themselves: Acetaldehyde (1991), Albumin Human Glycated (1992), Androstanolone (1993), Arabinitol (1994), etc. . . .In the spot paintings the grid-like structure creates the beginningof the system. On each painting no two colours are the same.This ends the system; it's a simple system. No matter how I feel as an artist or painter, the paintings end up looking happy. I can still make all the emotional decisions about colour that I need to as an artist, but in the end they are lost. The end of painting. And I'm still painting; am I a painter? Or a sculptor who paints? Or justan artist? I don't know. It's not important. But it is very important that there is an endless series or enough to imply an endless series. In January 2012 the Gagosian Gallery hosted 'The Complete Spot Paintings 1986-2011, ' which saw an extensive selection of Hirst's Spot Paintings shown in all 11 locations of the Gagosian Gallery including New York, London, Paris, Los Angeles, Rome, Athens, Geneva and Hong Kong.The same year Tate Modern, London exhibited the most comprehensive survey of Hirst's work to be held in the UK to date. In 2013 the artist held his largest retrospective so far in Doha, Qatar, curated by Francesco Bonami. Hirst lives and works in London, Gloucestershire and Devon.
LC Classification Number
ND497

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