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Lessons in Perception: The Avant-Garde Filmmaker as... by Paul Taberham
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“Very good condition. Clean text without highlighting or underlining. Tight spine. Light wear to the ”... Más informaciónacerca del estado
En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Recogida local gratis en Ardmore, Pennsylvania, Estados Unidos.
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USD5,95 (aprox. 5,21 EUR) USPS Media MailTM.
Ubicado en: Ardmore, Pennsylvania, Estados Unidos
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Entrega prevista entre el mar. 5 ago. y el sáb. 9 ago.
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N.º de artículo de eBay:205570948457
Última actualización el 31 jul 2025 06:22:37 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- En muy buen estado
- Notas del vendedor
- ISBN
- 9781785336416
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Product Identifiers
Publisher
Berghahn Books, Incorporated
ISBN-10
178533641X
ISBN-13
9781785336416
eBay Product ID (ePID)
23038707221
Product Key Features
Number of Pages
226 Pages
Language
English
Publication Name
Lessons in Perception : the Avantgarde Filmmaker As Practical Psychologist
Subject
Film / General, Film / Genres / General, Cognitive Psychology & Cognition, Film & Video
Publication Year
2018
Type
Textbook
Subject Area
Art, Performing Arts, Psychology
Format
Hardcover
Dimensions
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2017-058327
Reviews
"This intense, compact book examines avant-garde and experimental film in an entirely new light...Armed with an authoritative grasp of the subject matter and aided by numerous frame grabs throughout the volume, Taberham ...[offers] something new: an exploration into the psychological terrain of the cinematic avant-garde, demonstrating how it completely abrogates the conventions of commercial cinema...Highly Recommended." * Choice "...precisely constructed, and effortlessly written... a very teachable book. Taberham has written an accessible and brilliant text, which can foster interest and passion for theory in others. And in this sense, LIP makes for an ideal source for satisfying a variety of curricular purposes from film theory courses, to courses on the history and theory of avant-garde and experimental cinema, to methodologies of film analysis. LIP is not only, then, a solid, intriguingly uncommon, and welcome new work in cognitive film theory; it is also a versatile and flexible pedagogical tool, which could successfully enrich, if properly framed, students' experiences in film studies." * Projections "This lucid, informative text allows readers to consider the ongoing relevance of--and perhaps the need for--avant-garde filmmaking in a world driven increasingly by the economic demands of mainstream spectacle." * William Brown, University of Roehampton, "This intense, compact book examines avant-garde and experimental film in an entirely new light...Armed with an authoritative grasp of the subject matter and aided by numerous frame grabs throughout the volume, Taberham ...[offers] something new: an exploration into the psychological terrain of the cinematic avant-garde, demonstrating how it completely abrogates the conventions of commercial cinema...Highly Recommended." * Choice "The author's desire to synthesize experimental artwork with psychology yields some fascinating insights and will hopefully inspire similar analyses of other avant-garde films." * FilmInt "...precisely constructed, and effortlessly written... a very teachable book. Taberham has written an accessible and brilliant text, which can foster interest and passion for theory in others. And in this sense, LIP makes for an ideal source for satisfying a variety of curricular purposes from film theory courses, to courses on the history and theory of avant-garde and experimental cinema, to methodologies of film analysis. LIP is not only, then, a solid, intriguingly uncommon, and welcome new work in cognitive film theory; it is also a versatile and flexible pedagogical tool, which could successfully enrich, if properly framed, students' experiences in film studies." * Projections "This lucid, informative text allows readers to consider the ongoing relevance of--and perhaps the need for--avant-garde filmmaking in a world driven increasingly by the economic demands of mainstream spectacle." * William Brown, University of Roehampton, "This intense, compact book examines avant-garde and experimental film in an entirely new light...Armed with an authoritative grasp of the subject matter and aided by numerous frame grabs throughout the volume, Taberham ...[offers] something new: an exploration into the psychological terrain of the cinematic avant-garde, demonstrating how it completely abrogates the conventions of commercial cinema...Highly Recommended." * Choice "This lucid, informative text allows readers to consider the ongoing relevance of--and perhaps the need for--avant-garde filmmaking in a world driven increasingly by the economic demands of mainstream spectacle." * William Brown, University of Roehampton, "This lucid, informative text allows readers to consider the ongoing relevance of--and perhaps the need for--avant-garde filmmaking in a world driven increasingly by the economic demands of mainstream spectacle." * William Brown, University of Roehampton
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.43611
Table Of Content
List of Illustrations Acknowledgements Introduction PART I: COGNITION Chapter 1. The Specter of Narrative Chapter 2. Ghost Films of the Avant-Garde PART II: VISUAL PERCEPTION Chapter 3. Bottom Up Processing, Entoptic Vision and the Innocent Eye in the Films of Stan Brakhage Chapter 4. Robert Breer and the Dialectic of Eye and Camera PART III: AUDIO-VISUAL PERCEPTION Chapter 5. Synaesthetic Film Reconsidered Chapter 6. Three Dimensions of Visual Music Conclusion Bibliography
Synopsis
Narrative comprehension, memory, motion, depth perception, synesthesia, hallucination, and dreaming have long been objects of fascination for cognitive psychologists. They have also been among the most potent sources of creative inspiration for experimental filmmakers. Lessons in Perception melds film theory and cognitive science in a stimulating investigation of the work of iconic experimental artists such as Stan Brakhage, Robert Breer, Maya Deren, and Jordan Belson. In illustrating how avant-garde filmmakers draw from their own mental and perceptual capacities, author Paul Taberham offers a compelling account of how their works expand the spectator's range of aesthetic sensitivities and open creative vistas uncharted by commercial cinema.
LC Classification Number
PN1995.9.E96 T33 201
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- r***g (379)- Votos emitidos por el comprador.Mes pasadoCompra verificadaFirst I must write that for being a vintage paperback, it was in excellent condition, which was true to the description and multiple pictures. Not a bad price either. The response was quick, shipping was fast and the book was very well wrapped and packaged. All around a great experience, highly recommend this seller. A++! Thank you!
- 1***a (22)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaI apologize for my tardiness in posting feedback. The seller did a superb job! I received my book five days after ordering, and it arrived in better condition than "very good"; along with its cd as advertised. The seller took care with packaging, which I appreciate:) They also priced this out of print book about pionus parrots very fairly in my opinion, and I deeply appreciate the chance to finally read it!
- l***l (9)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaThis edition of Wuthering Heights came securely wrapped in a bubble-lined manila envelope, well cushioned using a corrugated cardboard sleeve. The book is exquisite--as described-- and in fact, better than pictured. Shipping was fast and the price is comparable for an item of this age/condition. Thanks aFrolicOfTheirOwn!
aFrolicOfTheirOwn
100% de votos positivos•7,9 mil artículos vendidos
Registrado como vendedor particularPor tanto, no se aplican los derechos de los consumidores derivados de las leyes de protección de los consumidores de la UE. La Garantía al cliente de eBay sigue aplicando a la mayoría de compras. Más informaciónMás información
Votos de vendedor (2.760)
- r***g (379)- Votos emitidos por el comprador.Mes pasadoCompra verificadaFirst I must write that for being a vintage paperback, it was in excellent condition, which was true to the description and multiple pictures. Not a bad price either. The response was quick, shipping was fast and the book was very well wrapped and packaged. All around a great experience, highly recommend this seller. A++! Thank you!
- 1***a (22)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaI apologize for my tardiness in posting feedback. The seller did a superb job! I received my book five days after ordering, and it arrived in better condition than "very good"; along with its cd as advertised. The seller took care with packaging, which I appreciate:) They also priced this out of print book about pionus parrots very fairly in my opinion, and I deeply appreciate the chance to finally read it!
- l***l (9)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaThis edition of Wuthering Heights came securely wrapped in a bubble-lined manila envelope, well cushioned using a corrugated cardboard sleeve. The book is exquisite--as described-- and in fact, better than pictured. Shipping was fast and the price is comparable for an item of this age/condition. Thanks aFrolicOfTheirOwn!