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The Invention of Pastel Painting, Hardcover by Burns, Thea Excellent Condition
USD67,99
Aproximadamente60,02 EUR
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Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Ubicado en: Pleasant Garden, North Carolina, Estados Unidos
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Entrega prevista entre el sáb. 31 may. y el jue. 5 jun. a 94104
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N.º de artículo de eBay:205254126785
Características del artículo
- Estado
- ISBN
- 9781904982128
Acerca de este producto
Product Identifiers
Publisher
Archetype Publications
ISBN-10
1904982123
ISBN-13
9781904982128
eBay Product ID (ePID)
62279233
Product Key Features
Book Title
Invention of Pastel Painting
Number of Pages
244 Pages
Language
English
Publication Year
2008
Topic
Techniques / Painting, General, Subjects & Themes / Human Figure
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
0.8 in
Item Weight
30.2 Oz
Item Length
10.1 in
Item Width
7.4 in
Additional Product Features
Intended Audience
Trade
TitleLeading
The
Dewey Edition
22
Dewey Decimal
741.235
Synopsis
Chalks and pastels are particularly appropriate materials for portraits because they appear effortlessly to convey the warm tones and soft, matte velvety surface of skin. Portraits and head studies therefore figure prominently in histories of pastel. The Invention of Pastel Painting describes the relatively sudden emergence in the later seventeenth century of sets of friable pastel sticks and a new artistic practice of painting in pastel. The author reconsiders the use of natural and fabricated drawing sticks as tools, firmly locating their use in the context of historical function. 'Artistic techniques have a social history; they are signs endowed with cultural meaning by society.'The visual, documentary and etymological evidence does not support the concept of a narrative history of pastel gradually progressing from a 'simple' original state in the drawings of Leonardo da Vinci, Jean and Francois Clouet and the Dumonstiers to an increasingly richly coloured and technically complex visual record in the paintings of Robert Nanteuil, Joseph Vivien and Rosalba Carriera, and then continuing to evolve through the nineteenth century.In considering the history of chalk and pastel, the author argues that the change is aesthetic, not formal, and is grounded in social function and technical response. She has drawn not only on artists' letters and accounts, documents, critical and theoretical writings, and, broadly, the secondary literature, but also on close visual examination and scientific analysis of selected chalk drawings and paintings in pastel, particularly those created between 1500 and 1750., Chalks and pastels are particularly appropriate materials for portraits because they appear effortlessly to convey the warm tones and soft, matte velvety surface of skin. Portraits and head studies therefore figure prominently in histories of pastel. The Invention of Pastel Painting describes the relatively sudden emergence in the later seventeenth century of sets of friable pastel sticks and a new artistic practice of painting in pastel. The author reconsiders the use of natural and fabricated drawing sticks as tools, firmly locating their use in the context of historical function. 'Artistic techniques have a social history; they are signs endowed with cultural meaning by society.' The visual, documentary and etymological evidence does not support the concept of a narrative history of pastel gradually progressing from a 'simple' original state in the drawings of Leonardo da Vinci, Jean and Francois Clouet and the Dumonstiers to an increasingly richly coloured and technically complex visual record in the paintings of Robert Nanteuil, Joseph Vivien and Rosalba Carriera, and then continuing to evolve through the nineteenth century. In considering the history of chalk and pastel, the author argues that the change is aesthetic, not formal, and is grounded in social function and technical response. She has drawn not only on artists' letters and accounts, documents, critical and theoretical writings, and, broadly, the secondary literature, but also on close visual examination and scientific analysis of selected chalk drawings and paintings in pastel, particularly those created between 1500 and 1750.
LC Classification Number
NC880
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