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Seurat And The Avante - Garde Paul Smith hardcover
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Estado:
“Used, pre-owned, very good "like new" condition. Binding intact. Pages: no rips, tears, wrinkles, ”... Más informaciónacerca del estado
En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Envío:
USD5,97 (aprox. 5,11 EUR) USPS Media MailTM.
Ubicado en: Vernon, Michigan, Estados Unidos
Entrega:
Entrega prevista entre el vie. 25 jul. y el mié. 30 jul.
Devoluciones:
30 días para devoluciones. El vendedor paga el envío de la devolución.
Pagos:
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N.º de artículo de eBay:204317255541
Última actualización el 13 ene 2024 23:55:36 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- En muy buen estado
- Notas del vendedor
- Series
- N/A
- Subject Area
- Art History
- Educational Level
- Adult & Further Education, High School, Middle School, Vocational School
- Personalized
- No
- Level
- N/A
- Features
- Illustrated
- MPN
- N/A
- Country/Region of Manufacture
- United States
- Subject
- Art, History
- California Prop 65 Warning
- Does Not Apply
- ISBN
- 9780300070026
Acerca de este producto
Product Identifiers
Publisher
Yale University Press
ISBN-10
0300070020
ISBN-13
9780300070026
eBay Product ID (ePID)
299379
Product Key Features
Number of Pages
224 Pages
Publication Name
Seurat and the Avantgarde
Language
English
Subject
Individual Artists / General, Aesthetics, History / General
Publication Year
1997
Type
Textbook
Subject Area
Art, Philosophy
Format
Hardcover
Dimensions
Item Height
0.1 in
Item Weight
51.3 Oz
Item Length
1.1 in
Item Width
1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
96-034527
Dewey Edition
20
Illustrated
Yes
Dewey Decimal
759.4
Synopsis
Georges Seurat, one of the most popular and admired of post-Impressionist painters, has been the focus of much attention in recent years. This book by Paul Smith views the artist in a new context and explodes some of the myths that have grown up about him. Challenging the assumption that Seurat's work was scientific or that it expressed a serious commitment to anarchism, Smith instead traces the painters involvement with the various factions of the avant-garde and shows that he was perhaps the earliest exponent of Idealism in modern art. Smith studies contemporary interpretations of Impressionism and analyzes how the groups surrounding Seurat constructed meaning from his art. From this investigation he creates a portrait of Seurat as one who was willing to accept, even encourage, interpretations of his art that he may not have intended. Smith shows, for example, that the "scientific" account of Seurat's color first developed by Félix Fénéon actually represents the theory and practice of Pissaro. He examines Seurat's involvement with anarchist critics and concludes that he merely posed as a painter with left-wing sympathies in order to benefit from the publicity these writers gave him. He explains that Seurat was sympathetic to Symbolism from its very inception and that he and his early Symbolist critics developed a theory of his art that was founded on Schopenhauer and Wagner's ideas on art. And he explores the ways that Seurat focused on the musicality of art and on incorporating certain "musical" features in his work. Beautifully illustrated and engagingly written, this book presents a convincing new interpretation of the work of a major artist., Georges Seurat, one of the most popular and admired of post-Impressionist painters, has been the focus of much attention in recent years. This book by Paul Smith views the artist in a new context and explodes some of the myths that have grown up about him. Challenging the assumption that Seurat's work was scientific or that it expressed a serious commitment to anarchism, Smith instead traces the painters involvement with the various factions of the avant-garde and shows that he was perhaps the earliest exponent of Idealism in modern art. Smith studies contemporary interpretations of Impressionism and analyzes how the groups surrounding Seurat constructed meaning from his art. From this investigation he creates a portrait of Seurat as one who was willing to accept, even encourage, interpretations of his art that he may not have intended. Smith shows, for example, that the "scientific" account of Seurat's color first developed by F lix F n on actually represents the theory and practice of Pissaro. He examines Seurat's involvement with anarchist critics and concludes that he merely posed as a painter with left-wing sympathies in order to benefit from the publicity these writers gave him. He explains that Seurat was sympathetic to Symbolism from its very inception and that he and his early Symbolist critics developed a theory of his art that was founded on Schopenhauer and Wagner's ideas on art. And he explores the ways that Seurat focused on the musicality of art and on incorporating certain "musical" features in his work. Beautifully illustrated and engagingly written, this book presents a convincing new interpretation of the work of a major artist.
LC Classification Number
ND553.S52S65 1997
Descripción del artículo del vendedor
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Vernonstudio
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