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Ben Di Tosti - Solo Jazz Piano Volume 1 - Superb Like New Condition - Awesome

KellyBlueNote
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Aproximadamente10,50 EUR
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Ubicado en: Bailey, Colorado, Estados Unidos
Entrega:
Entrega prevista entre el mar. 5 ago. y el lun. 11 ago. a 94104
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N.º de artículo de eBay:203876672643
Última actualización el 21 dic 2022 21:08:20 H.EspVer todas las actualizacionesVer todas las actualizaciones

Características del artículo

Estado
Como nuevo: Artículo se ha abierto y si procede, conserva su embalaje original en buen estado. El ...
CD Grading
Near Mint (NM or M-)
Case Type
Jewel Case: Standard
Custom Bundle
No
Case Condition
Near Mint (NM or M-)
Inlay Condition
Near Mint (NM or M-)
Type
Album
Instrument
Piano
UPC
0791022145427

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Product Identifiers

Record Label
CD Baby, Cdb
UPC
0791022145427
eBay Product ID (ePID)
4046061429

Product Key Features

Format
CD
Release Year
2004
Genre
Jazz
Artist
Ben Ditosti
Release Title
Solo Jazz Piano 1

Dimensions

Item Height
0.40 in
Item Weight
0.25 lb
Item Length
5.60 in
Item Width
4.90 in

Additional Product Features

Number of Tracks
14
Number of Discs
1
Tracks
S'wonderful, Straight No Chaser, Poinciana, All the Things You Are, Doxy, The Way You Look Tonight, Midnight Sun, Billie's Bounce, Fur Elise, The Days of Wine and Roses, My Secret Love, Con Te Partiro, Easy Living, Encore: S'wonderful - Ver 2
Notes
BEN DI TOSTI It is obvious from the first notes of the first song, 'S' Wonderful,' that Ben Di Tosti has a very different approach to playing piano than one usually hears. For instance, while most jazz pianists improvise off of a song's chord structure, leaving the theme behind after a chorus or two, Di Tosti instead uses the melody as the ongoing basis for his solo. No matter how adventurous his playing becomes on Solo Jazz Piano - Vol. 1, one can always hear the theme of each piece just beneath the surface. The 14 songs on this disc are all standards, but Di Tosti gives every song it's own character, making even the most familiar theme sound fresh and new. The last song is an encore of the first-heard in a very different version. =============== Di Tosti explains: 'I treat each individual piece as unique and try to create a new mood each time I perform it. It is similar to the slightly differing moods that result when different conductors interpret the same piece of classical music. The techniques I use I've borrowed from classical, romantic, and some contemporary periods. Sometimes I use 'theme and variation' as with 'Straight No Chaser' and 'Secret Love.' I try for continuity in my improvising by using character development of both melodic and rhythm motifs as in 'Billie's Bounce' and 'Doxy.' One can do a full improvisation on just the syncopations of 'Billie's Bounce.' One of my favorite tools is left-hand development of imitative and counter themes as in 'All The Things You Are' and 'The Way You Look Tonight.' I love exploring the individual mood and atmosphere of great songs, each of which has a unique hook, sometimes quite sublime as with the seventh to ninth measure of the song 'Con Te Partirò,' and most of 'Easy Living' and 'Days Of Wine And Roses.' This allows for extended manipulation and sequential treatment. I also try to de-emphasize the conventional use of jazz harmonic formulas as well as overused melodic ornaments. I have been trying out this mostly unused approach for over forty years. The real fun, of course, is applying all of this in a swinging jazz idiom.' ===============Each of the selections on Solo Jazz Piano - Vol. 1 contain plenty of subtle surprises and grow in interest with each listen including a colorful exploration of Beethoven's famous 'Für Elise' which is turned into a jazz waltz. The emphasis on melody makes the music accessible yet never predictable, and the interplay (and constant conversation) between Di Tosti's two hands (with the left often functioning as an equal voice) keeps the music continually intriguing and exciting. 'My playing is very spontaneous, as one can hear from the two takes of 'S' Wonderful,' in that case using different moods and different tempos. After graduating from high school, Di Tosti studied with Lennie Tristano for a year. 'I remember waiting for my lesson and sometimes hearing Lee Konitz or Warne Marsh during their lesson. The most important thing that I learned from Lennie was the idea of spinning out melodies from chord voicings. It was a fresh approach, quite different than bebop. Sometimes it was atonal and it involved the use of sonorities and unusual voicings of chords, very daring. It opened me up to new possibilities and the idea of going as far as I can in developing melodies.' After serving in the Air Force, he attended the University of Texas and earned a Bachelor's degree in composition. In 1957 he moved to Los Angeles and went to USC where he gained his Masters. 'I thought that I'd become a composer but I soon found myself getting involved in the commercial side of music, playing casuals and parties. I've done some studio work along the way but basically I'm a freelance jazz pianist.' He recorded two trio albums in the early 1960s: Ben Di Tosti Plays The Music From The Broadway Hit Carnival (Pacific Jazz) and Out Of This World (Everest). 'Both records show that I was into my melodic style that early-although not on the same le

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KellyBlueNote

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