Paul Mccarthy : Central Symmetrical Rotation Movement Hardcover Book

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Características del artículo

Estado
En muy buen estado: Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un ...
Publication Name
Yale University Press
Special Attributes
EX-LIBRARY
ISBN
9780300141382

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Product Identifiers

Publisher
Yale University Press
ISBN-10
0300141386
ISBN-13
9780300141382
eBay Product ID (ePID)
65955566

Product Key Features

Book Title
Paul Mccarthy : Central Symmetrical Rotation Movement: Three Installations, Two Films
Number of Pages
72 Pages
Language
English
Topic
Sculpture & Installation, Individual Artists / General, Collections, Catalogs, Exhibitions / General, American / General, Film & Video
Publication Year
2008
Illustrator
Yes
Genre
Art
Author
Chrissie Iles
Format
Hardcover

Dimensions

Item Height
0.1 in
Item Weight
18.4 Oz
Item Length
1 in
Item Width
0.9 in

Additional Product Features

Intended Audience
Trade
LCCN
2008-020238
Dewey Edition
22
Dewey Decimal
778.59
Synopsis
This is the first publication to explore the role of mirrors, spinning, and "neurotic" architecture--a feeling of psychological breakdown--in the work of one of America's most important contemporary artists, Paul McCarthy (b. 1945). The book is published in conjunction with a major exhibition at the Whitney, for which McCarthy is creating two new installations to appear alongside his Bang Bang Room (1992) and two recently rediscovered film loops (1966, 1971). Each work involves a room structure that the viewer can step into and experience-often becoming disoriented as either the floor or entire structure spins, or as walls fold inward and outward. By comparing McCarthy's use of rotational movement and visual effects to that of other artists of the 1960s and 1970s, the author seeks a new understanding of this bold innovator. An interview with McCarthy himself offers an unprecedented discussion of the influences on his art-including experimental filmmakers Stan Brakhage, Stan Vanderbeek, and Bruce Conner. The book not only raises new points but also recovers information and images from films once lost. Distributed for the Whitney Museum of American Art Exhibition Schedule: Whitney Museum of American Art (June 26 - October 12, 2008), This is the first publication to explore the role of mirrors, spinning, and "neurotic" architecture--a feeling of psychological breakdown--in the work of one of America's most important contemporary artists, Paul McCarthy (b. 1945). The book is published in conjunction with a major exhibition at the Whitney, for which McCarthy is creating two new installations to appear alongside his Bang Bang Room (1992) and two recently rediscovered film loops (1966, 1971). Each work involves a room structure that the viewer can step into and experience--often becoming disoriented as either the floor or entire structure spins, or as walls fold inward and outward. By comparing McCarthy's use of rotational movement and visual effects to that of other artists of the 1960s and 1970s, the author seeks a new understanding of this bold innovator. An interview with McCarthy himself offers an unprecedented discussion of the influences on his art--including experimental filmmakers Stan Brakhage, Stan Vanderbeek, and Bruce Conner. The book not only raises new points but also recovers information and images from films once lost.
LC Classification Number
N6537.M39626A4 2008

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