Art, Perception, and Reality (Thalheimer Lectures)

by Sir E. H. Gombrich; Professor... | HC | Acceptable
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Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ... Más informaciónacerca del estado
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Estado
Aceptable
Libro con un desgaste evidente. La tapa puede tener algunos desperfectos, pero el libro está entero. La encuadernación puede estar ligeramente deteriorada, pero mantiene su integridad. Es posible que tenga anotaciones en los márgenes, texto subrayado o resaltado, pero conserva todas las páginas y no tiene ningún desperfecto que dificulte su lectura o comprensión. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección. Ver todas las definiciones de estadose abre en una nueva ventana o pestaña
Notas del vendedor
“Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ...
Binding
Hardcover
Book Title
Art, Perception, and Reality (Thalheimer Lectures)
Weight
0 lbs
Product Group
Book
IsTextBook
No
ISBN
9780801813542
Categoría

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Product Identifiers

Publisher
Johns Hopkins University Press
ISBN-10
0801813549
ISBN-13
9780801813542
eBay Product ID (ePID)
4620223

Product Key Features

Number of Pages
142 Pages
Publication Name
Art, Perception, and Reality
Language
English
Publication Year
1972
Subject
General, Cognitive Psychology & Cognition
Type
Textbook
Author
Max Black, E. H. Gombrich, Julian Hochberg
Subject Area
Art, Psychology
Series
Thalheimer Lectures
Format
Hardcover

Dimensions

Item Weight
23.5 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
76-186514
Dewey Edition
20
Reviews
"Stimulating and erudite. It considers the problem of likeness between a portrait and the sitter, and the role of empathy, a much neglected aspect in the nature of creating art."--J.B.Deregowski, New Society, "The great achievement of this book is that it broadens the reader's perspective on the problems of representation, whatever disipline the reader considers his own. From that broadened perspective is likely to come more fruitful consideration of this set of problems."--Lorraine A. Ozar, The Modern Schoolman, "The approach of the book is very original because it presents itself as the interdisiplinary convergance of three adopted points of view, respectively, the history of art, the psychology, and the philosophy."--Pierre Somville, Revue Philosophique, "This useful book contains three significant essays on the subject by an art historian, a psychologist, and a philosopher. Hochberg's theoretical demolition of the theory of empathy in relation to viewing art objects is of exceptional value."--Peter Fuller, Arts Review, "Bringing together essays by an art historian, a psychologist, and a philosopher, is an important event, for it marks a growing interest in the suggestive but very problematic relation between our experience of art and our perception of the visual world."--Mark Sagoff, Journal of Aesthetics and Art Criticism
Series Volume Number
Vol. 1970
Illustrated
Yes
Dewey Decimal
701/.17
Synopsis
A meteor crash lands in Boston, bringing with it a creature hellbent on carnage. It makes its way towards young, tender flesh, leaving behind it a trail of blood. But all may not be lost... At the crater made by the creature, a special crystal is discovered by scientists, which may well be a key to salvation from the monstrous alien. But can it be stopped before it devours the students at the nearby girls dormitory?, "Three informed opinions on the classical question of representation... . Provocative."--Art Journal.Softshell Books.
LC Classification Number
N71

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