Apocalypse and Millennium in English Romantic Poetry [Hardcover] Paley, Morton..

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ISBN
9780198185000
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Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0198185006
ISBN-13
9780198185000
eBay Product ID (ePID)
377682

Product Key Features

Number of Pages
334 Pages
Publication Name
Apocalypse and Millennium in English Romantic Poetry
Language
English
Subject
Poetry, European / English, Irish, Scottish, Welsh
Publication Year
1999
Type
Textbook
Subject Area
Literary Criticism
Author
Morton D. Paley
Format
Hardcover

Dimensions

Item Height
0.9 in
Item Weight
18.7 Oz
Item Length
8.5 in
Item Width
5.4 in

Additional Product Features

Intended Audience
College Audience
LCCN
99-015283
Reviews
Scholarly ... Paley deftly illustrates how various poetic narratives of apocalypse and millennium fail to unite the two moments and are thus devoid of closure ... the study reveals a near-comprehensive grasp of the religious, literary and political manifestations of the millennial in the period., 'there is much that is familiar in these analyses, yet much that is new, subtle, and unsettling. It provides an admirable example of what careful scholarship, untainted by tendentious purposes, can unveil both in the poems and in previous schemes of their interpretation ... Paley ... has encyclopedic knowledge of the particulars of literary and political history; and he has the imagination to arrange them in revealing patterns. Anyone interested in thehistorical location of these works, in their responsiveness to and echos of the discourses of their day, and in their answerability must mine this book.'Paul Magnuson'impressive mastery of recent research. ... The overall process indicated in Professor Paley's study, by which the imagery of Revelation dissolved over a few years from an organized biblical pattern for the understanding of current events to a range of images for less coherent subsequent interpretations emerges as a fascinating phenomenon, for which he has provided the first - and definitive - guide.'John Beer, March 2001'Paley writes in a clear jargon-free style.'Choice May 2000, 'there is much that is familiar in these analyses, yet much that is new, subtle, and unsettling. It provides an admirable example of what careful scholarship, untainted by tendentious purposes, can unveil both in the poems and in previous schemes of their interpretation ... Paley ... hasencyclopedic knowledge of the particulars of literary and political history; and he has the imagination to arrange them in revealing patterns. Anyone interested in the historical location of these works, in their responsiveness to and echos of the discourses of their day, and in their answerabilitymust mine this book.'Paul Magnuson, 'impressive mastery of recent research. ... The overall process indicated in Professor Paley's study, by which the imagery of Revelation dissolved over a few years from an organized biblical pattern for the understanding of current events to a range of images for less coherent subsequentinterpretations emerges as a fascinating phenomenon, for which he has provided the first - and definitive - guide.'John Beer, March 2001, His close reading elucidates echoes of and allusions to biblical sources which saturate the poems. Paley is also concerned with the ways in which the unstable linkages between apocalypse, millennium and contemporary history provided conceptual structures for the imagination. Some of these are startingly appropriate to our own time., "The overall process indicated in professor Paley's study, by which the imaginary of Revelation dissolved over a few years from an organized biblical pattern of the understanding of current events to a range of images for less coherent subsequent interpretations emerges as a fascinating phenomenon, for which he has provided the first- and definitive -guide." -- Notes and Queries" is a seminar that challenges students of the period to wrestle with a genre of Romantic poetry that has often seemed inscrutable."--European Romantic Review"An informative introductory overview setting out biblical sources of apocalypse and millennium, seventeenth-century millenarianism in the English Revolution, catastrophist theory in writers like Thomas Burnet, and the gathering millennial excitement among eighteenth-century Illuminati and the Swedenborgians...Paley reveals for the first time and in impressive detail the extraordinary diversity of millennarianism in English Romantic poetry. He commands the full range of biblical references to apocalypse and millennium, and his close reading elucidates echoes of and allusions to biblical sources which saturate the poems." --Nicholas Roe, The Times Literary Supplement"This book makes a major and timely contribution to Romantic studies...Political philosophy and aesthetics are both given a hearing: connecting apocalypse and millennium is a matter of success or (mostly) failure for these poets, but Paley is careful to distinguish between the kind of failed philosophical endeavor that produces great poetry and the failure of imagination that produces second rate work." Christianity and Literature"There is much that is familiar in these analyses, yet much that is new, subtle, and unsettling. It provides an admirable example of what careful schlarship, untainted by tendentious purposes, can unveil both in the poems and in previous schemes of their interpretation.... Paley has encyclopedic knowledge of the particulars of literary and political history; and he has imagination to arrange them in revealing patterns. Anyone interested in the historical location of these works, in their responsivenes to and echoes of the discourses of their day, and in their answerability must mine this book."--The Wordsworth Circle"Paley...is at his best in his thorough documentation of the radical apocalyptic and millennial environment constructed by Biblical and political English Enthusiasts for the French Revolution.... The anxiety of apocalypse constellated and sustained is the subject of Paley's elegantly argued intertextual analysis."--Studies in Romanticism, "The overall process indicated in professor Paley's study, by which the imaginary of Revelation dissolved over a few years from an organized biblical pattern of the understanding of current events to a range of images for less coherent subsequent interpretations emerges as a fascinating phenomenon, for which he has provided the first- and definitive -guide." --Notes and Queries" is a seminar that challenges students of the period to wrestle with a genre of Romantic poetry that has often seemed inscrutable."--European Romantic Review "An informative introductory overview setting out biblical sources of apocalypse and millennium, seventeenth-century millenarianism in the English Revolution, catastrophist theory in writers like Thomas Burnet, and the gathering millennial excitement among eighteenth-century Illuminati and the Swedenborgians...Paley reveals for the first time and in impressive detail the extraordinary diversity of millennarianism in English Romantic poetry. He commands the full range of biblical references to apocalypse and millennium, and his close reading elucidates echoes of and allusions to biblical sources which saturate the poems." --Nicholas Roe,The Times Literary Supplement "This book makes a major and timely contribution to Romantic studies...Political philosophy and aesthetics are both given a hearing: connecting apocalypse and millennium is a matter of success or (mostly) failure for these poets, but Paley is careful to distinguish between the kind of failed philosophical endeavor that produces great poetry and the failure of imagination that produces second rate work."Christianity and Literature "There is much that is familiar in these analyses, yet much that is new, subtle, and unsettling. It provides an admirable example of what careful schlarship, untainted by tendentious purposes, can unveil both in the poems and in previous schemes of their interpretation.... Paley has encyclopedic knowledge of the particulars of literary and political history; and he has imagination to arrange them in revealing patterns. Anyone interested in the historical location of these works, in their responsivenes to and echoes of the discourses of their day, and in their answerability must mine this book."--The Wordsworth Circle "Paley...is at his best in his thorough documentation of the radical apocalyptic and millennial environment constructed by Biblical and political English Enthusiasts for the French Revolution.... The anxiety of apocalypse constellated and sustained is the subject of Paley's elegantly argued intertextual analysis."--Studies in Romanticism, "The overall process indicated in professor Paley's study, by which the imaginary of Revelation dissolved over a few years from an organized biblical pattern of the understanding of current events to a range of images for less coherent subsequent interpretations emerges as a fascinating phenomenon, for which he has provided the first- and definitive -guide." -- Notes and Queries" is a seminar that challenges students of the period to wrestle with a genre of Romantic poetry that has often seemed inscrutable."--European Romantic Review "An informative introductory overview setting out biblical sources of apocalypse and millennium, seventeenth-century millenarianism in the English Revolution, catastrophist theory in writers like Thomas Burnet, and the gathering millennial excitement among eighteenth-century Illuminati and the Swedenborgians...Paley reveals for the first time and in impressive detail the extraordinary diversity of millennarianism in English Romantic poetry. He commands the full range of biblical references to apocalypse and millennium, and his close reading elucidates echoes of and allusions to biblical sources which saturate the poems." --Nicholas Roe, The Times Literary Supplement "This book makes a major and timely contribution to Romantic studies...Political philosophy and aesthetics are both given a hearing: connecting apocalypse and millennium is a matter of success or (mostly) failure for these poets, but Paley is careful to distinguish between the kind of failed philosophical endeavor that produces great poetry and the failure of imagination that produces second rate work." Christianity and Literature "There is much that is familiar in these analyses, yet much that is new, subtle, and unsettling. It provides an admirable example of what careful schlarship, untainted by tendentious purposes, can unveil both in the poems and in previous schemes of their interpretation.... Paley has encyclopedic knowledge of the particulars of literary and political history; and he has imagination to arrange them in revealing patterns. Anyone interested in the historical location of these works, in their responsivenes to and echoes of the discourses of their day, and in their answerability must mine this book."--The Wordsworth Circle "Paley...is at his best in his thorough documentation of the radical apocalyptic and millennial environment constructed by Biblical and political English Enthusiasts for the French Revolution.... The anxiety of apocalypse constellated and sustained is the subject of Paley's elegantly argued intertextual analysis."--Studies in Romanticism, Paley reveals for the first time and in impressive detail the extraordinary diversity and millenarianism in English Romantic poetry., "The overall process indicated in professor Paley's study, by which the imaginary of Revelation dissolved over a few years from an organized biblical pattern of the understanding of current events to a range of images for less coherent subsequent interpretations emerges as a fascinating phenomenon, for which he has provided the first- and definitive -guide." -- Notes and Queries" is a seminar that challenges students of the period to wrestle with a genre of Romantic poetry that has often seemed inscrutable."-- European Romantic Review "An informative introductory overview setting out biblical sources of apocalypse and millennium, seventeenth-century millenarianism in the English Revolution, catastrophist theory in writers like Thomas Burnet, and the gathering millennial excitement among eighteenth-century Illuminati and the Swedenborgians...Paley reveals for the first time and in impressive detail the extraordinary diversity of millennarianism in English Romantic poetry. He commands the full range of biblical references to apocalypse and millennium, and his close reading elucidates echoes of and allusions to biblical sources which saturate the poems." --Nicholas Roe, The Times Literary Supplement "This book makes a major and timely contribution to Romantic studies...Political philosophy and aesthetics are both given a hearing: connecting apocalypse and millennium is a matter of success or (mostly) failure for these poets, but Paley is careful to distinguish between the kind of failed philosophical endeavor that produces great poetry and the failure of imagination that produces second rate work." Christianity and Literature "There is much that is familiar in these analyses, yet much that is new, subtle, and unsettling. It provides an admirable example of what careful schlarship, untainted by tendentious purposes, can unveil both in the poems and in previous schemes of their interpretation.... Paley has encyclopedic knowledge of the particulars of literary and political history; and he has imagination to arrange them in revealing patterns. Anyone interested in the historical location of these works, in their responsivenes to and echoes of the discourses of their day, and in their answerability must mine this book."-- The Wordsworth Circle "Paley...is at his best in his thorough documentation of the radical apocalyptic and millennial environment constructed by Biblical and political English Enthusiasts for the French Revolution.... The anxiety of apocalypse constellated and sustained is the subject of Paley's elegantly argued intertextual analysis."-- Studies in Romanticism
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
821/.70938
Synopsis
The interrelationship of the ideas of apocalypse and millennium is a dominant concern of British Romanticism. The Book of Revelation provides a model of history in which apocalypse is followed by millennium, but in their various ways the major Romantic poets - Blake, Wordsworth, Coleridge, Byron, Keats, and Shelley - question and even at times undermine the possibility of a successful secularization of this model. No matter how confidently the sequence of apocalypse and millennium seems to be affirmed in some of the major works of the period, the issue is always in doubt: the fear that millennium may not ensue emerges as a significant, if often repressed, theme in the great works of the period. Related to it is the tension in Romantic poetry between conflicting models of history itself: history as teleology, developing towards end time and millennium, and history as purposeless cycle. This subject-matter is traced through a selection of works by the major poets, partly through an exposition of their underlying intellectual traditions, and partly through a close examination of the poems themselves., The interrelationship of apocalypse and millennium is a dominant concern in British Romanticism. The Book of Revelation provides a model of history in which apocalypse is followed by millennium, but the major Romantic poets - Blake, Wordsworth, Coleridge, Byron, Keats, and Shelley - question and even at times undermine the possibility of a successful secularization of this model. Is history developing towards end time and millennium, or is it cyclical and purposeless? The fear that millennium may not ensue on apocalypse emerges as a major, if often repressed, theme in the great works of the period., The interrelationship of apocalypse and millennium is a dominant concern in British Romanticism. The Book of Revelation provides a model of history in which apocalypse is followed by millennium, but the major Romantic poets question the possibility of a successful secularization of this model. Is history developing towards end time and millennium, or is it cyclical and purposeless?
LC Classification Number
PR585.A66P35 1999

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