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The Subaltern Ulysses by Duffy, Enda
by Duffy, Enda | PB | Good
USD6,17
Aproximadamente5,25 EUR
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N.º de artículo de eBay:197592548696
Última actualización el 30 sep 2025 14:52:42 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- En buen estado
- Notas del vendedor
- Binding
- Paperback
- Book Title
- The Subaltern Ulysses
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780816623297
Acerca de este producto
Product Identifiers
Publisher
University of Minnesota Press
ISBN-10
0816623295
ISBN-13
9780816623297
eBay Product ID (ePID)
785631
Product Key Features
Number of Pages
224 Pages
Publication Name
Subaltern Ulysses
Language
English
Subject
World / European, Subjects & Themes / Politics, Subjects & Themes / General, European / English, Irish, Scottish, Welsh
Publication Year
1994
Type
Textbook
Subject Area
Literary Criticism, Political Science
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
23.5 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
93-047083
TitleLeading
The
Dewey Edition
20
Illustrated
Yes
Dewey Decimal
823.912
Table Of Content
Introduction: post-colonialism and modernism: the case of "Ulysses"; Mimic beginnings: nationalism, ressentiment, and the imagined community in the opening of "Ulysses"; Traffic accidents: the modernist flaneur and post-colonial culture; "And I belong to a race . . .": the spectacle of the native and the politics of partition in "Cyclops"; "The whores will be busy": terrorism, prostitution and the abject woman in "Circe"; Molly alone: questioning community and closure in the Nostos.
Synopsis
The Subaltern Ulysses was first published in 1994. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. How might an IRA bomb and James Joyce's Ulysses have anything in common? Could this masterpiece of modernism, written at the violent moment of Ireland's national emergence, actually be the first postcolonial novel? Exploring the relation of Ulysses to the colony in which it is set, and to the nation being born as the book was written, Enda Duffy uncovers a postcolonial modernism and in so doing traces another unsuspected strain within the one-time critical monolith. In the years between 1914 and 1921, as Joyce was composing his text, Ireland became the first colony of the British Empire to gain its independence in this century after a violent anticolonial war. Duffy juxtaposes Ulysses with documents and photographs from the archives of both empire and insurgency, as well as with recent postcolonial literary texts, to analyze the political unconscious of subversive strategies, twists on class and gender, that render patriarchal colonialist culture unfamiliar. Ulysses, Duffy argues, is actually a guerrilla text, and here he shows how Joyce's novel pinpoints colonial regimes of surveillance, mocks imperial stereotypes of the "native," exposes nationalism and other chauvinistic ideologies of "imagined community" as throwbacks to the colonial ethos, and proposes versions of a postcolonial subject. A significant intervention in the massive "Joyce industry" founded on the rhetoric and aesthetics of high modernism, Duffy's insights show us not only Ulysses, but also the origins of postcolonial textuality, in a startling new way.Enda Duffy is assistant professor of English at the University of California at Santa Barbara., The Subaltern Ulysses was first published in 1994. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. How might an IRA bomb and James Joyce's Ulysses have anything in common? Could this masterpiece of modernism, written at the violent moment of Ireland's national emergence, actually be the first postcolonial novel? Exploring the relation of Ulysses to the colony in which it is set, and to the nation being born as the book was written, Enda Duffy uncovers a postcolonial modernism and in so doing traces another unsuspected strain within the one-time critical monolith. In the years between 1914 and 1921, as Joyce was composing his text, Ireland became the first colony of the British Empire to gain its independence in this century after a violent anticolonial war. Duffy juxtaposes Ulysses with documents and photographs from the archives of both empire and insurgency, as well as with recent postcolonial literary texts, to analyze the political unconscious of subversive strategies, twists on class and gender, that render patriarchal colonialist culture unfamiliar. Ulysses , Duffy argues, is actually a guerrilla text, and here he shows how Joyce's novel pinpoints colonial regimes of surveillance, mocks imperial stereotypes of the "native," exposes nationalism and other chauvinistic ideologies of "imagined community" as throwbacks to the colonial ethos, and proposes versions of a postcolonial subject. A significant intervention in the massive "Joyce industry" founded on the rhetoric and aesthetics of high modernism, Duffy's insights show us not only Ulysses , but also the origins of postcolonial textuality, in a startling new way. Enda Duffy is assistant professor of English at the University of California at Santa Barbara.
LC Classification Number
PR6019.O9U6383 1994
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