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Hallelujah Blackout by Lemon, Alex
by Lemon, Alex | PB | VeryGood
USD11,14
Aproximadamente9,51 EUR
Estado:
“Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ”... Más informaciónacerca del estado
En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Ubicado en: Aurora, Illinois, Estados Unidos
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Entrega prevista entre el vie. 10 oct. y el vie. 17 oct. a 94104
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N.º de artículo de eBay:197267773448
Última actualización el 07 sep 2025 13:18:26 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- En muy buen estado
- Notas del vendedor
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9781571314314
Acerca de este producto
Product Identifiers
Publisher
Milkweed Editions
ISBN-10
1571314318
ISBN-13
9781571314314
eBay Product ID (ePID)
63050764
Product Key Features
Book Title
Hallelujah Blackout
Number of Pages
168 Pages
Language
English
Publication Year
2008
Topic
General, American / General
Genre
Poetry
Format
Perfect
Dimensions
Item Height
0.5 in
Item Weight
8.1 Oz
Item Length
8.5 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2007-046469
Dewey Edition
22
Reviews
A Chaplinesque vaudeville, both mirthful and moving; a pure-gospel shout to the vaulted heavens; a hatful of abracadabras with a wink and a smile:Hallelujah Blackoutis a muscular, vibrant book. Painful without being pitying ("I have little time to let mere ailments worry me"), inventive without being showy, this is an astonishing, masterful collection of poems. -D. A. PowellAlex Lemon's poetry is "a downpour that lets you see through all the gristle to our real faces." These poems charm us with their kinetic, near boisterous spunk, but they sting us too with their ever-present currents of contemplation and despair. Here amid "a jukeboxed moon" and the "sweet, sweet boogaloo of light," the only thing more remarkable than Lemon's linguistic muscle is the blood singing up from his gut. -Terrance HayesAlex Lemon is an unstoppable phenom. He gets so much into a poem: so much world, such rich human voice, and he gets so terrifyingly close to both the self and the overwhelming Everything Else. He does this while making us look at the smallest, loveliest, worst, or plainest details at the oddest moments. Readers experience the wearing of shirts and the eating of apples and beans; a split second later we're by turns divine, genius, ravaging, and prayerful. Then we're hurt again. Then we're in love. It's as if we have been granted extra lives. Lemon's art is transformative, staggering, and in the end, compassionate. He's one of us, letting us know: we're in trouble but we're okay. -Brenda Shaughnessy, A Chaplinesque vaudeville, both mirthful and moving; a pure-gospel shout to the vaulted heavens; a hatful of abracadabras with a wink and a smile:Hallelujah Blackoutis a muscular, vibrant book. Painful without being pitying ("I have little time to let mere ailments worry me"), inventive without being showy, this is an astonishing, masterful collection of poems. -D. A. Powell Alex Lemon's poetry is "a downpour that lets you see through all the gristle to our real faces." These poems charm us with their kinetic, near boisterous spunk, but they sting us too with their ever-present currents of contemplation and despair. Here amid "a jukeboxed moon" and the "sweet, sweet booglaoo of light," the only thing more remarkable than Lemon's linguistic muscle is the blood singing up from his gut. -Terrance Hayes Alex Lemon is an unstoppable phenom. He gets so much into a poem: so much world, such rich human voice, and he gets so terrifyingly close to both the self and the overwhelming Everything Else. He does this while making us look at the smallest, loveliest, worst, or plainest details at the oddest moments. Readers experience the wearing of shirts and the eating of apples and beans; a split second later we're by turns divine, genius, ravaging, and prayerful. Then we're hurt again. Then we're in love. It's as if we have been granted extra lives. Lemon's art is transformative, staggering, and in the end, compassionate. He's one of us, letting us know: we're in trouble but we're okay. -Brenda Shaughnessy, A Chaplinesque vaudeville, both mirthful and moving; a pure-gospel shout to the vaulted heavens; a hatful of abracadabras with a wink and a smile: Hallelujah Blackout is a muscular, vibrant book. Painful without being pitying ("I have little time to let mere ailments worry me"), inventive without being showy, this is an astonishing, masterful collection of poems. -- D. A. Powell Alex Lemon's poetry is "a downpour that lets you see through all the gristle to our real faces." These poems charm us with their kinetic, near boisterous spunk, but they sting us too with their ever-present currents of contemplation and despair. Here amid "a jukeboxed moon" and the "sweet, sweet boogaloo of light," the only thing more remarkable than Lemon's linguistic muscle is the blood singing up from his gut. -- Terrance Hayes Alex Lemon is an unstoppable phenom. He gets so much into a poem: so much world, such rich human voice, and he gets so terrifyingly close to both the self and the overwhelming Everything Else. He does this while making us look at the smallest, loveliest, worst, or plainest details at the oddest moments. Readers experience the wearing of shirts and the eating of apples and beans; a split second later we're by turns divine, genius, ravaging, and prayerful. Then we're hurt again. Then we're in love. It's as if we have been granted extra lives. Lemon's art is transformative, staggering, and in the end, compassionate. He's one of us, letting us know: we're in trouble but we're okay. -- Brenda Shaughnessy, A Chaplinesque vaudeville, both mirthful and moving; a pure-gospel shout to the vaulted heavens; a hatful of abracadabras with a wink and a smile: Hallelujah Blackout is a muscular, vibrant book. Painful without being pitying ("I have little time to let mere ailments worry me"), inventive without being showy, this is an astonishing, masterful collection of poems. — D. A. Powell Alex Lemon's poetry is "a downpour that lets you see through all the gristle to our real faces." These poems charm us with their kinetic, near boisterous spunk, but they sting us too with their ever-present currents of contemplation and despair. Here amid "a jukeboxed moon" and the "sweet, sweet boogaloo of light," the only thing more remarkable than Lemon's linguistic muscle is the blood singing up from his gut. — Terrance Hayes Alex Lemon is an unstoppable phenom. He gets so much into a poem: so much world, such rich human voice, and he gets so terrifyingly close to both the self and the overwhelming Everything Else. He does this while making us look at the smallest, loveliest, worst, or plainest details at the oddest moments. Readers experience the wearing of shirts and the eating of apples and beans; a split second later we're by turns divine, genius, ravaging, and prayerful. Then we're hurt again. Then we're in love. It's as if we have been granted extra lives. Lemon's art is transformative, staggering, and in the end, compassionate. He's one of us, letting us know: we're in trouble but we're okay. — Brenda Shaughnessy, A Chaplinesque vaudeville, both mirthful and moving; a pure-gospel shout to the vaulted heavens; a hatful of abracadabras with a wink and a smile: "Hallelujah Blackout" is a muscular, vibrant book. Painful without being pitying ("I have little time to let mere ailments worry me"), inventive without being showy, this is an astonishing, masterful collection of poems. -- D. A. Powell Alex Lemon's poetry is "a downpour that lets you see through all the gristle to our real faces." These poems charm us with their kinetic, near boisterous spunk, but they sting us too with their ever-present currents of contemplation and despair. Here amid "a jukeboxed moon" and the "sweet, sweet boogaloo of light," the only thing more remarkable than Lemon's linguistic muscle is the blood singing up from his gut. -- Terrance Hayes Alex Lemon is an unstoppable phenom. He gets so much into a poem: so much world, such rich human voice, and he gets so terrifyingly close to both the self and the overwhelming Everything Else. He does this while making us look at the smallest, loveliest, worst, or plainest details at the oddest moments. Readers experience the wearing of shirts and the eating of apples and beans; a split second later we're by turns divine, genius, ravaging, and prayerful. Then we're hurt again. Then we're in love. It's as if we have been granted extra lives. Lemon's art is transformative, staggering, and in the end, compassionate. He's one of us, letting us know: we're in trouble but we're okay. -- Brenda Shaughnessy
Dewey Decimal
811/.6
Synopsis
Alex Lemon's work defies categorization. Stark juxtaposition of images evokes the New York School, verbal collages suggest the associative method of the postmodernists, and his playful attention to sound recalls elements of Language School poetry. While these elements surface in Lemon's work, his poetry remains profoundly original, his voice remarkably distinct. Lemon is also, like Frank O'Hara, an autobiographical poet, using the materials of life for inspiration. At 29, he is already a survivor of brain surgery. Still coping with the surgery's effects, including a gradual loss of vision, he invokes, proclaims, decries, and serenades the world that results after the violation of identity. When the membranes that divide mind and body rupture, the result is not a void, but a strange sensory landscape where all stimuli exist on the same level. Avoiding the easy temptations of both despair and consolation, "Hallelujah Blackout" embraces the full range of the human experience., Alex Lemon's work defies categorization. Stark juxtaposition of images evokes the New York School, verbal collages suggest the associative method of the postmodernists, and his playful attention to sound recalls elements of Language School poetry. While these elements surface in Lemon's work, his poetry remains profoundly original, his voice remarkably distinct. Lemon is also, like Frank O'Hara, an autobiographical poet, using the materials of life for inspiration. At 29, he is already a survivor of brain surgery. Still coping with the surgery's effects, including a gradual loss of vision, he invokes, proclaims, decries, and serenades the world that results after the violation of identity. When the membranes that divide mind and body rupture, the result is not a void, but a strange sensory landscape where all stimuli exist on the same level. Avoiding the easy temptations of both despair and consolation, Hallelujah Blackout embraces the full range of the human experience., "Astonishing . . . A pure-gospel shout to the vaulted heavens." --D. A. POWELL Written in the aftermath of brain trauma, this astonishing collection takes us through a glittering underworld of illness and recovery, on a confrontational, explosive trip that is at once euphoric and brutal. Through the painful process of rehabilitation and the lingering effects of illness, including a gradual loss of vision, Alex Lemon undergoes a forced metamorphosis that shatters the divide between pain and joy. These poems invoke, proclaim, decry, and serenade the world that results after the violation of identity. From the taste of blood to a glimpse into the opening heavens, the hallucinatory poems of Hallelujah Blackout are an expedition of self made foreign: when the membranes that divide mind and body rupture and the space between them is made, visible, radiant, alien. It is a rapturous reclamation of the body and a mournful ode to what has been lost. Without relying on familiar narratives of despair and pity, this collection serves as a tender hymn to the decay, crimes, and promise of human life., Alex Lemon's work defies categorization. Stark juxtaposition of images evokes the New York School, verbal collages suggest the associative method of the postmodernists, and his playful attention to sound recalls elements of Language School poetry. While these elements surface in Lemon's work, his poetry remains profoundly original, his voice remarkably distinct. Lemon is also, like Frank O'Hara, an autobiographical poet, using the materials of life for inspiration. At 29, he is already a survivor of brain surgery. Still coping with the surgery's effects, including a gradual loss of vision, he invokes, proclaims, decries, and serenades the world that results after the violation of identity. When the membranes that divide mind and body rupture, the result is not a void, but a strange sensory landscape where all stimuli exist on the same level. Avoiding the easy temptations of both despair and consolation,Hallelujah Blackoutembraces the full range of the human experience.
LC Classification Number
PS3612.E468H35 2008
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