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Whirligigs: The Art of Peter Gelker, , Gamwell, Lynn, Excellent, 2015-01-01,
USD12,62
Aproximadamente10,85 EUR
Estado:
“Brand New! Sealed in publisher's shrinkwrap. Never opened! No signs of wear.”
Como nuevo
Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Gratis Economy Shipping.
Ubicado en: Simi Valley, California, Estados Unidos
Entrega:
Entrega prevista entre el sáb. 11 oct. y el mié. 15 oct. a 94104
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N.º de artículo de eBay:196397062484
Última actualización el 19 sep 2025 21:13:39 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Como nuevo
- Notas del vendedor
- “Brand New! Sealed in publisher's shrinkwrap. Never opened! No signs of wear.”
- Languages
- English
- ISBN
- 9780935314946
Acerca de este producto
Product Identifiers
Publisher
Grand Central Art Center
ISBN-10
0935314946
ISBN-13
9780935314946
eBay Product ID (ePID)
210230121
Product Key Features
Book Title
Whirligigs : the Art of Peter Gelker
Number of Pages
84 Pages
Language
English
Topic
Folk & Outsider Art, Collections, Catalogs, Exhibitions / General
Publication Year
2015
Illustrator
Yes
Genre
Art
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
16 Oz
Item Length
8 in
Item Width
10 in
Additional Product Features
Intended Audience
Trade
LCCN
2014-958905
Reviews
"Gamwell's curatorial background makes her well suited to comment upon Gelker's oeuvre, and the distinguished folklore scholar Simon Bronner brings to the project his expertise about the connection between folklore and psychology." - Mike McGee, " Gelker's whirligigs retain old-fashioned, toylike charm and captivating motion, but in place of traditional sentimental subject matter he has substituted mythical dramas that offer insight into the human condition." - Lynn Gamwell, " Psychoanalysis and folklore have not allowed themselves to be deterred from transgressing these prohibitions and have been able as a result to teach us all kinds of things that are indispensable for an understanding of human nature." - Sigmund Freud
Synopsis
A breeze blows, a wheel turns, a soldier springs to life and spears a giant spider. Such fanciful woodcarvings are in the American Folk Art tradition of whirligigs, which is continued today by Peter Gelker in his twirling figures in the throws of myths, dreams, and nightmares. Gelker was introduced to whirligigs by his father, a machinist, who learned to carve growing up in the Depression-era Midwest near the Ozarks. Gelker left rural life and manual labor for an academic life in California, where he enrolled in medical school and studied psychiatry. But his rural roots kept sprouting and flowering in his passion for crafting metaphors for the human mindand its neurological substratewhich he encountered on his day-job. Thus Gelker senior passed a Folk Art tradition on to his son, who makes serious toys for a mad-cap world. Whirligigs have a place in the history of psychiatry, in which Gelker holds an M.D., and psychoanalysis, in which he is certified. Sigmund Freud recognized that people use jokes to inflict pain (he collected "Jewish jokes"), but Freud also stressed the healing power of humor (The Joke and its Relation to the Unconscious, 1905). While being careful not to trivialize suffering, the creator of a comic antic encourages us to not take our troubles too seriously, makes us laugh, and helps us to see through to a brighter day. The role of toys and games in child development began being studied in the 1930s-40s by the Austrian analyst Melanie Klein, and after World War II, her student, the British pediatrician Donald Winnicott, expanded her work to include toys for adults (sports cars, designer clothes), in so-called object relations psychotherapy. Following this lead, today mental health professionals ask: Why do we collect certain objects? How do games of make-believe help us navigate our way through the labyrinth of life? Why do so many people find comfort in Folk Art? Why do Peter Gelker's whirligigs make us smile?, A breeze blows, a wheel turns, a soldier springs to life and spears a giant spider. Such fanciful woodcarvings are in the American Folk Art tradition of whirligigs, which is continued today by Peter Gelker in his twirling figures in the throws of myths, dreams, and nightmares. Gelker was introduced to whirligigs by his father, a machinist, who learned to carve growing up in the Depression-era Midwest near the Ozarks. Gelker left rural life and manual labor for an academic life in California, where he enrolled in medical school and studied psychiatry. But his rural roots kept sprouting and flowering in his passion for crafting metaphors for the human mind-and its neurological substrate-which he encountered on his day-job. Thus Gelker senior passed a Folk Art tradition on to his son, who makes serious toys for a mad-cap world. Whirligigs have a place in the history of psychiatry, in which Gelker holds an M.D., and psychoanalysis, in which he is certified. Sigmund Freud recognized that people use jokes to inflict pain (he collected "Jewish jokes"), but Freud also stressed the healing power of humor (The Joke and its Relation to the Unconscious, 1905). While being careful not to trivialize suffering, the creator of a comic antic encourages us to not take our troubles too seriously, makes us laugh, and helps us to see through to a brighter day. The role of toys and games in child development began being studied in the 1930s-40s by the Austrian analyst Melanie Klein, and after World War II, her student, the British pediatrician Donald Winnicott, expanded her work to include toys for adults (sports cars, designer clothes), in so-called object relations psychotherapy. Following this lead, today mental health professionals ask: Why do we collect certain objects? How do games of make-believe help us navigate our way through the labyrinth of life? Why do so many people find comfort in Folk Art? Why do Peter Gelker's whirligigs make us smile?, A breeze blows, a wheel turns, a soldier springs to life and spears a giant spider. Such fanciful woodcarvings are in the American Folk Art tradition of whirligigs, which is continued today by Peter Gelker in his twirling figures in the throws of myths, dreams, and nightmares. Gelker was introduced to whirligigs by his father, a machinist, who learned to carve growing up in the Depression-era Midwest near the Ozarks. Gelker left rural life and manual labor for an academic life in California, where he enrolled in medical school and studied psychiatry. But his rural roots kept sprouting and flowering in his passion for crafting metaphors for the human mind "and its neurological substrate "which he encountered on his day-job. Thus Gelker senior passed a Folk Art tradition on to his son, who makes serious toys for a mad-cap world. Whirligigs have a place in the history of psychiatry, in which Gelker holds an M.D., and psychoanalysis, in which he is certified. Sigmund Freud recognized that people use jokes to inflict pain (he collected oeJewish jokes ), but Freud also stressed the healing power of humor (The Joke and its Relation to the Unconscious, 1905). While being careful not to trivialize suffering, the creator of a comic antic encourages us to not take our troubles too seriously, makes us laugh, and helps us to see through to a brighter day. The role of toys and games in child development began being studied in the 1930s-40s by the Austrian analyst Melanie Klein, and after World War II, her student, the British pediatrician Donald Winnicott, expanded her work to include toys for adults (sports cars, designer clothes), in so-called object relations psychotherapy. Following this lead, today mental health professionals ask: Why do we collect certain objects? How do games of make-believe help us navigate our way through the labyrinth of life? Why do so many people find comfort in Folk Art? Why do Peter Gelker (TM)s whirligigs make us smile?
LC Classification Number
NK9798.G44A4 2014
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CRN: 202013333
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