Architectures of Time : Toward a Theory of the Event in Modernist Culture by Sanford Kwinter (2002, Trade Paperback)

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Your source for quality books at reduced prices. ISBN: 9780262611817. Publication Date: 8/23/2002. Condition Guide. Item Availability.

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Product Identifiers

PublisherMIT Press
ISBN-100262611813
ISBN-139780262611817
eBay Product ID (ePID)2364388

Product Key Features

Book TitleArchitectures of Time : Toward a Theory of the Event in Modernist Culture
Number of Pages252 Pages
LanguageEnglish
TopicHistory / Modern (Late 19th Century to 1945), Criticism, Modern / General, History / General
Publication Year2002
IllustratorYes
GenreArchitecture, History
AuthorSanford Kwinter
FormatTrade Paperback

Dimensions

Item Height0.6 in
Item Weight14.4 Oz
Item Length9.1 in
Item Width6.1 in

Additional Product Features

Intended AudienceTrade
Dewey Edition21
Reviews"Readers of Deleuze will be attracted to this book's complexity. Architectures of Time poses real problems for use in considering modern culture and our own: How shall we understand the pressure of events? What constitutes a grasp of nature? How does a historical example help us? In the course of Kwinter's case studies, both time and design come alive." -Molly Nesbit, Department of Art, Vassar College
Grade FromCollege Graduate Student
Dewey Decimal700.1/05
SynopsisAn exploration of twentieth-century conceptions of time and their relation to artistic form. In Architectures of Time , Sanford Kwinter offers a critical guide to the modern history of time and to the interplay between the physical sciences and the arts. Tracing the transformation of twentieth-century epistemology to the rise of thermodynamics and statistical mechanics, Kwinter explains how the demise of the concept of absolute time, and of the classical notion of space as a fixed background against which things occur, led to field theory and a physics of the "event." He suggests that the closed, controlled, and mechanical world of physics gave way to the approximate, active, and qualitative world of biology as a model of both scientific and metaphysical explanation. Kwinter examines theory of time and space in Einstein's theories of relativity and shows how these ideas were reflected in the writings of the sculptor Umberto Boccioni, the town planning schema of the Futurist architect Antonio Sant'Elia, the philosophy of Henri Bergson, and the writings of Franz Kafka. He argues that the writings of Boccioni and the visionary architecture of Sant'Elia represent the earliest and most profound deployments of the concepts of field and event. In discussing Kafka's work, he moves away from the thermodynamic model in favor of the closely related one of Bergsonian duree, or virtuality. He argues that Kafka's work manifests a coherent cosmology that can be understood only in relation to the constant temporal flux that underlies it., An exploration of twentieth-century conceptions of time and their relation to artistic form. In Architectures of Time , Sanford Kwinter offers a critical guide to the modern history of time and to the interplay between the physical sciences and the arts. Tracing the transformation of twentieth-century epistemology to the rise of thermodynamics and statistical mechanics, Kwinter explains how the demise of the concept of absolute time, and of the classical notion of space as a fixed background against which things occur, led to field theory and a physics of the event. He suggests that the closed, controlled, and mechanical world of physics gave way to the approximate, active, and qualitative world of biology as a model of both scientific and metaphysical explanation. Kwinter examines theory of time and space in Einstein's theories of relativity and shows how these ideas were reflected in the writings of the sculptor Umberto Boccioni, the town planning schema of the Futurist architect Antonio Sant'Elia, the philosophy of Henri Bergson, and the writings of Franz Kafka. He argues that the writings of Boccioni and the visionary architecture of Sant'Elia represent the earliest and most profound deployments of the concepts of field and event. In discussing Kafka's work, he moves away from the thermodynamic model in favor of the closely related one of Bergsonian duree, or virtuality. He argues that Kafka's work manifests a coherent cosmology that can be understood only in relation to the constant temporal flux that underlies it.
LC Classification NumberNA628.M63K89 2002

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