ReviewsSinclair's bad journeys and higher gossip and spiritual puns bring us not only to the end of the light but to the wild edges of beauty., Praise for American Smoke "One of Sinclair's greatest skills has always been his ability to take diverse if not chaotic source material and refashion it in a way that sometimes seems downright alchemical. Once Sinclair starts making connections he finds them everywhere . . . But what ultimately makes the book come together is Sinclair's tough but malleable sensibility, expressed through a prose style that's hard-edged, inventive, often wildly extravagant." -Geoff Nicholson, The Los Angeles Times "Sinclair's is a prolix poetics, an amassing of noun-hives whose compacted wit would make the most lexically dexterous rapper envious . . . his writing can be an imagistic seance-stream full of startling riffs, memory sifts, domino-effect associationism." -Sukhdev Sandhu, The Observer "Sinclair's bad journeys and higher gossip and spiritual puns bring us not only to the end of the light but to the wild edges of beauty." -Baynard Woods, Baltimore City Paper "Sinclair fans will love American Smoke 's rich mix, the blurred lines and outfield references." -Anthony Sattin, The Spectator "Taut, endlessly fertile prose . . . In American Smoke [Sinclair's] voice is still urgent; it still has things to tell us. Of we know what's good for us, we'll listen." -Jon Day, Financial Times "What Sinclair delivers is not just a stunning evocation of the landscapes of America . . . but a precise aetiology of what made him the writer he is. I would recommedn this book to every creative writing student in the country." -Stuart Kelly, The Scotsman Praise for Ghost Milk "Inventive, dazzling, arresting. A superb chronicle of an impossible dream that has descended to a nightmare." - New Statesman "Brilliant, superb. Sinclair has gone from cult author to national treasure." -Robert Macfarlane, The Guardian, Taut, endlessly fertile prose . . . In American Smoke [Sinclair's] voice is still urgent; it still has things to tell us. Of we know what's good for us, we'll listen., Praise for American Smoke "If you ever feel that plain E.B. White/George Orwell transparent style is-whisper it softly-really kind of flat and boring, try Sinclair. If you are drawn to English that doesn't just sing, but sings the blues and scats and rocks the joint, try Sinclair. His sentences deliver a rush like no one else's. American Smoke . . . is certainly a head trip worth taking." -Michael Dirda, The Washington Post "One of Sinclair's greatest skills has always been his ability to take diverse if not chaotic source material and refashion it in a way that sometimes seems downright alchemical. Once Sinclair starts making connections he finds them everywhere . . . But what ultimately makes the book come together is Sinclair's tough but malleable sensibility, expressed through a prose style that's hard-edged, inventive, often wildly extravagant." -Geoff Nicholson, The Los Angeles Times "Sinclair's is a prolix poetics, an amassing of noun-hives whose compacted wit would make the most lexically dexterous rapper envious . . . his writing can be an imagistic seance-stream full of startling riffs, memory sifts, domino-effect associationism." -Sukhdev Sandhu, The Observer "Sinclair's bad journeys and higher gossip and spiritual puns bring us not only to the end of the light but to the wild edges of beauty." -Baynard Woods, Baltimore City Paper "Sinclair fans will love American Smoke 's rich mix, the blurred lines and outfield references." -Anthony Sattin, The Spectator "Taut, endlessly fertile prose . . . In American Smoke [Sinclair's] voice is still urgent; it still has things to tell us. Of we know what's good for us, we'll listen." -Jon Day, Financial Times "What Sinclair delivers is not just a stunning evocation of the landscapes of America . . . but a precise aetiology of what made him the writer he is. I would recommedn this book to every creative writing student in the country." -Stuart Kelly, The Scotsman Praise for Ghost Milk "Inventive, dazzling, arresting. A superb chronicle of an impossible dream that has descended to a nightmare." - New Statesman "Brilliant, superb. Sinclair has gone from cult author to national treasure." -Robert Macfarlane, The Guardian, What Sinclair delivers is not just a stunning evocation of the landscapes of America . . . but a precise aetiology of what made him the writer he is. I would recommedn this book to every creative writing student in the country., Praise for Ghost Milk "Inventive, dazzling, arresting. A superb chronicle of an impossible dream that has descended to a nightmare." - New Statesman "Brilliant, superb. Sinclair has gone from cult author to national treasure." -Robert Macfarlane, The Guardian, "When I opened Iain Sinclair's American Smoke I felt something very different. Here is a style both measured and sumptuously wild-a beautiful, obsessive and individual style-and it's the right weapon for attacking a monumental task: visiting American towns and landscapes associated with the Beats and the writers and poets in their orbit." -Lawrence Osborne, The New York Times Book Review "If you ever feel that plain E.B. White/George Orwell transparent style is-whisper it softly-really kind of flat and boring, try Sinclair. If you are drawn to English that doesn't just sing, but sings the blues and scats and rocks the joint, try Sinclair. His sentences deliver a rush like no one else's. American Smoke . . . is certainly a head trip worth taking." -Michael Dirda, The Washington Post "One of Sinclair's greatest skills has always been his ability to take diverse if not chaotic source material and refashion it in a way that sometimes seems downright alchemical. Once Sinclair starts making connections he finds them everywhere . . . But what ultimately makes the book come together is Sinclair's tough but malleable sensibility, expressed through a prose style that's hard-edged, inventive, often wildly extravagant." -Geoff Nicholson, The Los Angeles Times " [ American Smoke ] is beguiling, full of sparkling prose and odd, unexpected detours ." - The New Yorker "Sinclair's is a prolix poetics, an amassing of noun-hives whose compacted wit would make the most lexically dexterous rapper envious . . . his writing can be an imagistic seance-stream full of startling riffs, memory sifts, domino-effect associationism." -Sukhdev Sandhu, The Observer "Sinclair's bad journeys and higher gossip and spiritual puns bring us not only to the end of the light but to the wild edges of beauty." -Baynard Woods, Baltimore City Paper "Sinclair fans will love American Smoke 's rich mix, the blurred lines and outfield references." -Anthony Sattin, The Spectator "Taut, endlessly fertile prose . . . In American Smoke [Sinclair's] voice is still urgent; it still has things to tell us. Of we know what's good for us, we'll listen." -Jon Day, Financial Times "What Sinclair delivers is not just a stunning evocation of the landscapes of America . . . but a precise aetiology of what made him the writer he is. I would recommedn this book to every creative writing student in the country." -Stuart Kelly, The Scotsman Praise for Ghost Milk "Inventive, dazzling, arresting. A superb chronicle of an impossible dream that has descended to a nightmare." - New Statesman "Brilliant, superb. Sinclair has gone from cult author to national treasure." -Robert Macfarlane, The Guardian, Praise for American Smoke "When I opened Iain Sinclair's American Smoke I felt something very different. Here is a style both measured and sumptuously wild-a beautiful, obsessive and individual style-and it's the right weapon for attacking a monumental task: visiting American towns and landscapes associated with the Beats and the writers and poets in their orbit." -Lawrence Osborne, The New York Times Book Review "If you ever feel that plain E.B. White/George Orwell transparent style is-whisper it softly-really kind of flat and boring, try Sinclair. If you are drawn to English that doesn't just sing, but sings the blues and scats and rocks the joint, try Sinclair. His sentences deliver a rush like no one else's. American Smoke . . . is certainly a head trip worth taking." -Michael Dirda, The Washington Post "One of Sinclair's greatest skills has always been his ability to take diverse if not chaotic source material and refashion it in a way that sometimes seems downright alchemical. Once Sinclair starts making connections he finds them everywhere . . . But what ultimately makes the book come together is Sinclair's tough but malleable sensibility, expressed through a prose style that's hard-edged, inventive, often wildly extravagant." -Geoff Nicholson, The Los Angeles Times " [ American Smoke ] is beguiling, full of sparkling prose and odd, unexpected detours ." - The New Yorker "Sinclair's is a prolix poetics, an amassing of noun-hives whose compacted wit would make the most lexically dexterous rapper envious . . . his writing can be an imagistic seance-stream full of startling riffs, memory sifts, domino-effect associationism." -Sukhdev Sandhu, The Observer "Sinclair's bad journeys and higher gossip and spiritual puns bring us not only to the end of the light but to the wild edges of beauty." -Baynard Woods, Baltimore City Paper "Sinclair fans will love American Smoke 's rich mix, the blurred lines and outfield references." -Anthony Sattin, The Spectator "Taut, endlessly fertile prose . . . In American Smoke [Sinclair's] voice is still urgent; it still has things to tell us. Of we know what's good for us, we'll listen." -Jon Day, Financial Times "What Sinclair delivers is not just a stunning evocation of the landscapes of America . . . but a precise aetiology of what made him the writer he is. I would recommedn this book to every creative writing student in the country." -Stuart Kelly, The Scotsman Praise for Ghost Milk "Inventive, dazzling, arresting. A superb chronicle of an impossible dream that has descended to a nightmare." - New Statesman "Brilliant, superb. Sinclair has gone from cult author to national treasure." -Robert Macfarlane, The Guardian, Praise for American Smoke "Sinclair's is a prolix poetics, an amassing of noun-hives whose compacted wit would make the most lexically dexterous rapper envious . . . his writing can be an imagistic seance-stream full of startling riffs, memory sifts, domino-effect associationism." -Sukhdev Sandhu, The Observer "Sinclair's bad journeys and higher gossip and spiritual puns bring us not only to the end of the light but to the wild edges of beauty." -Baynard Woods, Baltimore City Paper "Sinclair fans will love American Smoke 's rich mix, the blurred lines and outfield references." -Anthony Sattin, The Spectator "Taut, endlessly fertile prose . . . In American Smoke [Sinclair's] voice is still urgent; it still has things to tell us. Of we know what's good for us, we'll listen." -Jon Day, Financial Times "What Sinclair delivers is not just a stunning evocation of the landscapes of America . . . but a precise aetiology of what made him the writer he is. I would recommedn this book to every creative writing student in the country." -Stuart Kelly, The Scotsman Praise for Ghost Milk "Inventive, dazzling, arresting. A superb chronicle of an impossible dream that has descended to a nightmare." - New Statesman "Brilliant, superb. Sinclair has gone from cult author to national treasure." -Robert Macfarlane, The Guardian, If you ever feel that plain E.B. White/George Orwell transparent style is--whisper it softly--really kind of flat and boring, try Sinclair. If you are drawn to English that doesn't just sing, but sings the blues and scats and rocks the joint, try Sinclair. His sentences deliver a rush like no one else's. American Smoke . . . is certainly a head trip worth taking., When I opened Iain Sinclair's American Smoke I felt something very different. Here is a style both measured and sumptuously wild--a beautiful, obsessive and individual style--and it's the right weapon for attacking a monumental task: visiting American towns and landscapes associated with the Beats and the writers and poets in their orbit., Praise for American Smoke "Sinclair's is a prolix poetics, an amassing of noun-hives whose compacted wit would make the most lexically dexterous rapper envious . . . his writing can be an imagistic seance-stream full of startling riffs, memory sifts, domino-effect associationism." -Sukhdev Sandhu, The Observer "Sinclair fans will love American Smoke 's rich mix, the blurred lines and outfield references." -Anthony Sattin, The Spectator "Taut, endlessly fertile prose . . . In American Smoke [Sinclair's] voice is still urgent; it still has things to tell us. Of we know what's good for us, we'll listen." -Jon Day, Financial Times "What Sinclair delivers is not just a stunning evocation of the landscapes of America . . . but a precise aetiology of what made him the writer he is. I would recommedn this book to every creative writing student in the country." -Stuart Kelly, The Scotsman Praise for Ghost Milk "Inventive, dazzling, arresting. A superb chronicle of an impossible dream that has descended to a nightmare." - New Statesman "Brilliant, superb. Sinclair has gone from cult author to national treasure." -Robert Macfarlane, The Guardian, One of Sinclair's greatest skills has always been his ability to take diverse if not chaotic source material and refashion it in a way that sometimes seems downright alchemical. Once Sinclair starts making connections he finds them everywhere . . . But what ultimately makes the book come together is Sinclair's tough but malleable sensibility, expressed through a prose style that's hard-edged, inventive, often wildly extravagant., Inventive, dazzling, arresting. A superb chronicle of an impossible dream that has descended to a nightmare., Sinclair's is a prolix poetics, an amassing of noun-hives whose compacted wit would make the most lexically dexterous rapper envious . . . his writing can be an imagistic seance-stream full of startling riffs, memory sifts, domino-effect associationism., "When I opened Iain Sinclair's American Smoke I felt something very different. Here is a style both measured and sumptuously wild--a beautiful, obsessive and individual style--and it's the right weapon for attacking a monumental task: visiting American towns and landscapes associated with the Beats and the writers and poets in their orbit." -- Lawrence Osborne, The New York Times Book Review "If you ever feel that plain E.B. White/George Orwell transparent style is--whisper it softly--really kind of flat and boring, try Sinclair. If you are drawn to English that doesn't just sing, but sings the blues and scats and rocks the joint, try Sinclair. His sentences deliver a rush like no one else's. American Smoke . . . is certainly a head trip worth taking." -- Michael Dirda, The Washington Post "One of Sinclair's greatest skills has always been his ability to take diverse if not chaotic source material and refashion it in a way that sometimes seems downright alchemical. Once Sinclair starts making connections he finds them everywhere . . . But what ultimately makes the book come together is Sinclair's tough but malleable sensibility, expressed through a prose style that's hard-edged, inventive, often wildly extravagant." -- Geoff Nicholson, The Los Angeles Times "[ American Smoke ] is beguiling, full of sparkling prose and odd, unexpected detours . " -- The New Yorker "Sinclair's is a prolix poetics, an amassing of noun-hives whose compacted wit would make the most lexically dexterous rapper envious . . . his writing can be an imagistic seance-stream full of startling riffs, memory sifts, domino-effect associationism." -- Sukhdev Sandhu, The Observer "Sinclair's bad journeys and higher gossip and spiritual puns bring us not only to the end of the light but to the wild edges of beauty." -- Baynard Woods, Baltimore City Paper "Sinclair fans will love American Smoke 's rich mix, the blurred lines and outfield references." -- Anthony Sattin, The Spectator "Taut, endlessly fertile prose . . . In American Smoke [Sinclair's] voice is still urgent; it still has things to tell us. Of we know what's good for us, we'll listen." -- Jon Day, Financial Times "What Sinclair delivers is not just a stunning evocation of the landscapes of America . . . but a precise aetiology of what made him the writer he is. I would recommedn this book to every creative writing student in the country." -- Stuart Kelly, The Scotsman
Dewey Edition23