Signed! The Cultural Politics of Heiner Muller by Dan Friedman (2007, ...

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“some scuffing and wear on DJ, inscribed by Dan Friedman on half title”
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Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección. Ver todas las definiciones de estadose abre en una nueva ventana o pestaña
Notas del vendedor
“some scuffing and wear on DJ, inscribed by Dan Friedman on half title”
ISBN
9781847183965
Book Title
The Cultural Politics of Heiner Müller
Signed
Yes
Features
Signed
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Product Identifiers

Publisher
Cambridge Scholars Publishing
ISBN-10
1847183964
ISBN-13
9781847183965
eBay Product ID (ePID)
70527447

Product Key Features

Number of Pages
145 Pages
Language
English
Publication Name
Cultural Politics of Heiner Müller
Subject
European / German, Theater / History & Criticism, Subjects & Themes / Politics
Publication Year
2007
Type
Textbook
Subject Area
Literary Criticism, Performing Arts
Author
Dan Friedman
Format
Hardcover

Dimensions

Item Weight
16.8 Oz

Additional Product Features

Intended Audience
College Audience
LCCN
2008-399034
TitleLeading
The
Reviews
Dan Friedman (editor) has been active in political and experimental theatre as actor, director, playwright and scholar for four decades. He is dramaturg of the Castillo Theatre in New York City and editor of Mller in America, journal dedicated to the study of Heiner Mller and his work in the United States and Canada. He is the co-editor, with Bruce McConachie, of Theatre for Working Class Audiences in the United States, 1830-1980 and editor of Still on the Corner and Other Postmodern Political Plays by Fred Newman., Dan Friedman (editor) has been active in political and experimental theatre as actor, director, playwright and scholar for four decades. He is dramaturg of the Castillo Theatre in New York City and editor of Müller in America, journal dedicated to the study of Heiner Müller and his work in the United States and Canada. He is the co-editor, with Bruce McConachie, of Theatre for Working Class Audiences in the United States, 1830-1980 and editor of Still on the Corner and Other Postmodern Political Plays by Fred Newman.
Dewey Edition
20
Dewey Decimal
832.914
Synopsis
Heiner Muller was perhaps the most politically and artistically sophisticated and provocative of Europe's post-World War II playwrights. He was a communist whose work was banned for years by the Communist government of the German Democratic Republic where he lived and worked. Muller offended the bureaucrats and political thugs who ran East Germany with his brutal, beautiful and honest dissection of the culture and politics in Eastern Europe. At the same time, Muller infuriated (or at least annoyed) the anti-communists and liberals of the West because he refused to leave the GDR or become a dissident. Starting as a protege of Bertolt Brecht, Muller evolved into one of the great innovative poets of the 20th century, writing texts for the stage that seem to defy the limitations of the theater. Not only do his later texts have no plot, they are often devoid of specific characters and even dialogue. His work is a bridge between modernism and postmodernism in the theatre as well as between the East-West conflicts that defined the Cold War and the North-South conflicts are emerging in the post-communist world. In this unique collection, the first to focus on his cultural politics, some of the world's leading Muller scholars and directors grapple with the political, artistic and ethical implications of Muller's life and work at the start of the 21st Century.
LC Classification Number
PT2673.U29Z55 2007

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