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Drugs Are Nice; A Post-Punk Memoir - Lisa Crystal Carver B5
USD18,00
Aproximadamente15,33 EUR
Estado:
“Please refer to pics for general condition.”
En buen estado
Libro que se ha leído pero que está en buen estado. Daños mínimos en la tapa, incluidas rozaduras, pero sin roturas ni agujeros. Es posible que no incluya sobrecubierta para tapas duras. Tapa muy poco desgastada. La mayoría de las páginas están en buen estado con muy pocas arrugas o roturas. El texto subrayado a lápiz es prácticamente inexistente, no hay texto resaltado ni anotaciones en los márgenes. No faltan páginas. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Envío:
Gratis USPS Ground Advantage®.
Ubicado en: Warwick, Rhode Island, Estados Unidos
Entrega:
Entrega prevista entre el mié. 30 jul. y el mar. 5 ago.
Devoluciones:
No se aceptan devoluciones.
Pagos:
Compra con confianza
El vendedor asume toda la responsabilidad de este anuncio.
N.º de artículo de eBay:186939871321
Características del artículo
- Estado
- En buen estado
- Notas del vendedor
- “Please refer to pics for general condition.”
- Book Series
- Perennial Classics Ser.
- Narrative Type
- Fiction
- Type
- Novel
- Features
- Revised
- ISBN
- 9781932360943
Acerca de este producto
Product Identifiers
Publisher
Counterpoint Press
ISBN-10
1932360948
ISBN-13
9781932360943
eBay Product ID (ePID)
45592342
Product Key Features
Book Title
Drugs Are Nice : a Post-Punk Memoir
Number of Pages
272 Pages
Language
English
Publication Year
2005
Topic
Women, Genres & Styles / Punk, Sociology / General, Composers & Musicians, General, Popular Culture, Entertainment & Performing Arts
Illustrator
Yes
Genre
Music, Social Science, Biography & Autobiography
Format
Perfect
Dimensions
Item Height
0.7 in
Item Weight
9.4 Oz
Item Length
8 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2005-003355
Reviews
"Carver's observations are dead-on and she tackles everything with a sharp, clean honesty. -- Chicago Reader "The 31-year-old married mother from Dover may well be the country's supreme cultural anthropologist: part literary provocateur, part social analyst. She's been called everything from this decade's ultimate underground Renaissance woman to America's horniest optimist. Hunter S. Thompson in a miniskirt." -- Boston Magazine "When Newt Gingrich wakes up sweating in the middle of the night with a hard-on and a sense of nameless dread, the face that he sees might be Lisa Carver's." -- Time Out New York "With her tart writing and unswerving devotion to lowbrow culture, Carver sound like Camille Paglia channeling both Tonya Harding and Liz Phair." --Dwight Garner, Details "Shock-performance artist Carver offers a spunky, well-fashioned memoir devoid of self-pity but heavy on moral-of-the-story hindsight. Carver grew up in Dover, N.H., with a sickly mother, but spent her 15th year with her father in California, when he got out of prison for murder. His hard-knock lessons "shame and shock [her] out of everything [she] knew to be and think," so that when she returned to Dover, she was transformed and fearless. Meeting "scum-rocker" GG Allin inspired her and a friend to start a "band," Suckdog, and join the wave of atonal, angry prankster gigs then in vogue (it was the late 1980s). Connected to the DIY underground, a cassette-trading society that eliminates the need for producers, seed money, even talent, Carver met and married French music rebel Jean Louis Costes; together they achieved notoriety with their outlandish performances (one act involved her peeing in a litter box). Other jobs include publishing the early zine Rollerderby , which segues into an infatuation with the troubled neo-Nazi Boyd Rice. Carver had Rice's child, born genetically disabled, and the family collapsed when Rice revealed himself to be an abusive alcoholic. Carver slides into a chirpy concluding regeneration, while the overall ride of this iconoclast is surprisingly tame. -- Publishers Weekly
Dewey Edition
22
Dewey Decimal
306/.092 B
Synopsis
In this eye-opening memoir, Lisa Crystal Carver recalls her extraordinary youth and charts the late-80s, early-90s punk subculture that she helped shape. She recounts how her band Suckdog was born in 1987 and the wild events that followed: leaving small-town New Hampshire to tour Europe at 18, becoming a teen publisher of fanzines, a teen bride, and a teen prostitute. Spin has called Suckdog's album Drugs Are Nice one of the best of the '90s, and the book includes photos of infamous European shows. Yet the book also tells of how Lisa saw the need for change in 1994, when her baby was born with a chromosomal deletion and his father became violent. With lasting lightness and surprising gravity, Drugs Are Nice is a definitive account of the generation that wanted to break every rule, but also a story of an artist and a mother becoming an adult on her own terms., In this eye-opening memoir, Lisa Crystal Carver recalls her extraordinary youth and charts the late-80s, early-90s punk subculture that she helped shape. She recounts how her band Suckdog was born in 1987 and the wild events that followed: leaving small-town New Hampshire to tour Europe at 18, becoming a teen publisher of fanzines, a teen bride, and a teen prostitute. "Spin has called Suckdog's album "Drugs Are Nice one of the best of the '90s, and the book includes photos of infamous European shows. Yet the book also tells of how Lisa saw the need for change in 1994, when her baby was born with a chromosomal deletion and his father became violent. With lasting lightness and surprising gravity, "Drugs Are Nice is a definitive account of the generation that wanted to break every rule, but also a story of an artist and a mother becoming an adult on her own terms., In this eye-opening memoir, Lisa Crystal Carver recalls her extraordinary youth and charts the late-80s, early-90s punk subculture that she helped shape. She recounts how her band Suckdog was born in 1987 and the wild events that followed: leaving small-town New Hampshire to tour Europe at 18, becoming a teen publisher of fanzines, a teen bride, and a teen prostitute. "Spin" has called Suckdog's album "Drugs Are Nice" one of the best of the '90s, and the book includes photos of infamous European shows. Yet the book also tells of how Lisa saw the need for change in 1994, when her baby was born with a chromosomal deletion and his father became violent. With lasting lightness and surprising gravity, "Drugs Are Nice" is a definitive account of the generation that wanted to break every rule, but also a story of an artist and a mother becoming an adult on her own terms.
LC Classification Number
CT275.C3415A3 2005
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