ZOFLOYA: OR THE MOOR (OXFORD WORLD'S CLASSICS) By Charlotte Dacre & Kim Ian

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Como nuevo
Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección. Ver todas las definiciones de estadose abre en una nueva ventana o pestaña
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“Book is in Like New / near Mint Condition. Will include dust jacket if it originally came with ...
ISBN-10
0192839349
Publication Name
Oxford University Press
Type
Paperback
ISBN
9780192839343

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Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0192839349
ISBN-13
9780192839343
eBay Product ID (ePID)
115970724

Product Key Features

Book Title
Zofloya : or the Moor
Number of Pages
320 Pages
Language
English
Publication Year
2000
Topic
General, Literary
Illustrator
Yes
Genre
Literary Criticism, Fiction
Author
Charlotte Dacre
Book Series
Oxford World's Classics Ser.
Format
Uk-Trade Paper

Dimensions

Item Height
0.6 in
Item Weight
10.6 Oz
Item Length
7.7 in
Item Width
5.1 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
22
Dewey Decimal
823/.7
Table Of Content
Introduction; Note on the Text; Select Bibliography; A Chronology of Charlotte Dacre; Engraving of Charlotte Dacre as Rosa Matilda; ZOFLOYA, OR THE MOOR; Appendix; A Note on Names; Explanatory Notes
Synopsis
This is the first edition for nearly 200 years of an unduly neglected work, originally published in 1806, by an intriguing and unconventional woman writer. A Gothic tale of lust, betrayal, and multiple murder set in fifteenth-century Venice, the novel's most daring aspect is its anatomy of the central character, Victoria's, intense sexual attraction to her Moorish servant Zofloya. A minor scandal on its first publication, and a significant influence on Byron and Shelley, it contradicts idealized stereotypes in women's writing and challenges the received idea of the Gothic genre's representation of passive, victimized women., A tale of lust, betrayal, and multiple murder set in Venice in the last days of the 15th century. The novel follows Victoria's progress from spoilt daughter of indulgent aristocrats, through a period of abuse and captivity, to a career of deepening criminality conducted under Satan's watchful eye. Charlotte Dacre's narrative deftly displays her heroine's movement from the vitalized position of Ann Radcliffe's heroines to a fully conscious commitment to vice that goes beyond that of Monk Lewis's deluded Ambrosio. The novel's most daring aspect is its anatomy of Victoria's intense sexual attraction to her Moorish servant Zofloya that transgresses taboos both of class and race., 'Few venture as thou hast in the alarming paths of sin.' This is the final judgement of Satan on Victoria di Loredani, the heroine of Zofloya, or The Moor (1806), a tale of lust, betrayal, and multiple murder set in Venice in the last days of the fifteenth century. The novel follows Victoria's progress from spoilt daughter of indulgent aristocrats, through a period of abuse and captivity, to a career of deepening criminality conducted under Satan's watchful eye. Charlotte Dacre's narrative deftly displays her heroine's movement from the vitalized position of Ann Radcliffe's heroines to a fully conscious commitment to vice that goes beyond that of 'Monk' Lewis's deluded Ambrosio. The novel's most daring aspect is its anatomy of Victoria's intense sexual attraction to her Moorish servant Zofloya that transgresses taboos both of class and race. A minor scandal on its first publication, and a significant influence on Byron and Shelley, Zofloya has been unduly neglected. Contradicting idealized stereotypes of women's writing, the novel's portrait of indulged desire, gratuitous cruelty, and monumental self-absorption retains considerable power to disturb. The introduction to this edition, the first for nearly 200 years, examines why Zofloya deserves to be read alongside established Gothic classics as the highly original work of an intriguing and unconventional writer.

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