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Play and the Picaresque Gordana Yovanovich HC
USD45,00
Aproximadamente38,66 EUR
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“University of Toronto Press; Toronto, 1999. Hardcover. A Fine, grey cloth binding with black ”... Más informaciónacerca del estado
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Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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USD5,00 (aprox. 4,30 EUR) USPS Media MailTM.
Ubicado en: Foster, Rhode Island, Estados Unidos
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Entrega prevista entre el jue. 14 ago. y el mar. 19 ago. a 94104
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N.º de artículo de eBay:186448961184
Características del artículo
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- Como nuevo
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- ISBN
- 9780802047045
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Product Identifiers
Publisher
University of Toronto Press
ISBN-10
0802047041
ISBN-13
9780802047045
eBay Product ID (ePID)
1775187
Product Key Features
Number of Pages
277 Pages
Publication Name
Play and the Picaresque : Lazarillo De Tormes, Libro De Manuel and Match Ball
Language
English
Publication Year
1999
Subject
Caribbean & Latin American, Developmental / Child, Gothic & Romance, Latin America / South America
Type
Textbook
Subject Area
Literary Criticism, Psychology, History
Series
University of Toronto Romance Ser.
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
14.9 Oz
Item Length
9.3 in
Item Width
6.3 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
00-698576
Grade From
College Graduate Student
Synopsis
This study takes a fresh look at the picaresque genre as seen in three important contemporary Latin American novels, Cortázar's Libro de Manuel , Skármeta's Match Ball , and the first picaresque novel, Lazarillo de Tormes . Gordana Yovanovich considers the genre in relation to the concept of play and shows how the traditional picaresque genre has been replaced by a distinctly modern version. Play and the Picaresque contends that within Latin American culture humour and play serve as forms of empowerment and means of survival for those who are marginalized in society. Like the pícaros of sixteenth-century Spanish novels, the proletarian characters in the Latin American fiction known as Magical Realism embody a playful and spontaneous approach to life and literature. The relationship of the magical to the real in Latin American fiction is, the book argues, comparable to the 'let's pretend' world and toys in play. The act of playing and living in these novels is a re-creative experience - a concept which has not been adequately explored in contemporary criticism., Analyses three important Latin American novels in an attempt to redefine the nature of the picaresque, especially in regard to the roles of spontaneous play and carnivalesque laughter., This study takes a fresh look at the picaresque genre as seen in three important contemporary Latin American novels, Cortázar's Libro de Manuel, Skármeta's Match Ball, and the first picaresque novel, Lazarillo de Tormes. Gordana Yovanovich considers the genre in relation to the concept of play and shows how the traditional picaresque genre has been replaced by a distinctly modern version. Play and the Picaresque contends that within Latin American culture humour and play serve as forms of empowerment and means of survival for those who are marginalized in society. Like the pícaros of sixteenth-century Spanish novels, the proletarian characters in the Latin American fiction known as Magical Realism embody a playful and spontaneous approach to life and literature. The relationship of the magical to the real in Latin American fiction is, the book argues, comparable to the 'let's pretend' world and toys in play. The act of playing and living in these novels is a re-creative experience - a concept which has not been adequately explored in contemporary criticism., This study takes a fresh look at the picaresque genre as seen in three important contemporary Latin American novels, Cort zar's Libro de Manuel , Sk rmeta's Match Ball , and the first picaresque novel, Lazarillo de Tormes . Gordana Yovanovich considers the genre in relation to the concept of play and shows how the traditional picaresque genre has been replaced by a distinctly modern version. Play and the Picaresque contends that within Latin American culture humour and play serve as forms of empowerment and means of survival for those who are marginalized in society. Like the p caros of sixteenth-century Spanish novels, the proletarian characters in the Latin American fiction known as Magical Realism embody a playful and spontaneous approach to life and literature. The relationship of the magical to the real in Latin American fiction is, the book argues, comparable to the 'let's pretend' world and toys in play. The act of playing and living in these novels is a re-creative experience - a concept which has not been adequately explored in contemporary criticism.
LC Classification Number
PQ6147.P5Y69 1999
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