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Connected Viewing Selling, Streaming, and Sharing Media in the Digital Age Holt
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Aproximadamente7,71 EUR
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Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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USD5,75 (aprox. 4,93 EUR) USPS Media MailTM.
Ubicado en: Chandler Heights, Arizona, Estados Unidos
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Entrega prevista entre el mar. 21 oct. y el vie. 24 oct. a 94104
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N.º de artículo de eBay:186324336095
Última actualización el 29 dic 2024 12:46:47 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- ISBN
- 9780415813600
Acerca de este producto
Product Identifiers
Publisher
Taylor & Francis Group
ISBN-10
0415813603
ISBN-13
9780415813600
eBay Product ID (ePID)
167559319
Product Key Features
Number of Pages
266 Pages
Language
English
Publication Name
Connected Viewing : Selling, Streaming, and Sharing Media in the Digital Age
Publication Year
2013
Subject
Media Studies, Television / History & Criticism, Television & Video, Interactive & Multimedia, Film / History & Criticism
Type
Textbook
Subject Area
Computers, Performing Arts, Technology & Engineering, Social Science
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
13.5 Oz
Item Length
9 in
Item Width
6.1 in
Additional Product Features
Intended Audience
College Audience
LCCN
2013-028644
Reviews
"What counts as media entertainmente"the modes of accessing it, the cultural routines around it, and the new ways to profit from ite"is fast outstripping our critical frames of reference. The exhilarating challenge to throw an explanatory net over this refractory field has been taken up with relish by Connected Viewing ." e"Stuart Cunningham, Queensland University of Technology, "The book pitches itself as an introductory text for use in courses dealing with contemporary media studies and as such is a strong work. This makes it an excellent snapshot of the world of media technologies from 2010 to 2013. Summing Up: Highly recommended. Upper-division undergraduates through professionals/practitioners." --P. L. Kantor, formerly, Southern Vermont College, in CHOICE "What counts as media entertainment--the modes of accessing it, the cultural routines around it, and the new ways to profit from it--is fast outstripping our critical frames of reference. The exhilarating challenge to throw an explanatory net over this refractory field has been taken up with relish by Connected Viewing ." --Stuart Cunningham, Queensland University of Technology "Jennifer Holt and Kevin Sanson provide a compelling and wide-ranging examination of the contemporary media environment that presents issues ripe for new types of research, while also giving scholars, students, and industry executives alike a multifaceted understanding of how--and why--people participate in viewing and sharing activities the way they do." --Sam Ford, co-author of Spreadable Media, "What counts as media entertainment--the modes of accessing it, the cultural routines around it, and the new ways to profit from it--is fast outstripping our critical frames of reference. The exhilarating challenge to throw an explanatory net over this refractory field has been taken up with relish by Connected Viewing ." --Stuart Cunningham, Queensland University of Technology "Jennifer Holt and Kevin Sanson provide a compelling and wide-ranging examination of the contemporary media environment that presents issues ripe for new types of research, while also giving scholars, students, and industry executives alike a multifaceted understanding of how--and why--people participate in viewing and sharing activities the way they do." --Sam Ford, co-author of Spreadable Media, "What counts as media entertainment--the modes of accessing it, the cultural routines around it, and the new ways to profit from it--is fast outstripping our critical frames of reference. The exhilarating challenge to throw an explanatory net over this refractory field has been taken up with relish by Connected Viewing ." --Stuart Cunningham, Queensland University of Technology, "What counts as media entertainmente"the modes of accessing it, the cultural routines around it, and the new ways to profit from ite"is fast outstripping our critical frames of reference. The exhilarating challenge to throw an explanatory net over this refractory field has been taken up with relish by Connected Viewing ." e"Stuart Cunningham, Queensland University of Technology "Jennifer Holt and Kevin Sanson provide a compelling and wide-ranging examination of the contemporary media environment that presents issues ripe for new types of research, while also giving scholars, students, and industry executives alike a multifaceted understanding of howe"and whye"people participate in viewing and sharing activities the way they do." e"Sam Ford, co-author of Spreadable Media, "The book pitches itself as an introductory text for use in courses dealing with contemporary media studies and as such is a strong work. This makes it an excellent snapshot of the world of media technologies from 2010 to 2013. Summing Up: Highly recommended. Upper-division undergraduates through professionals/practitioners." --P. L. Kantor, formerly, Southern Vermont College, in CHOICE "What counts as media entertainment--the modes of accessing it, the cultural routines around it, and the new ways to profit from it--is fast outstripping our critical frames of reference. The exhilarating challenge to throw an explanatory net over this refractory field has been taken up with relish by Connected Viewing ." --Stuart Cunningham, Queensland University of Technology "Jennifer Holt and Kevin Sanson provide a compelling and wide-ranging examination of the contemporary media environment that presents issues ripe for new types of research, while also giving scholars, students, and industry executives alike a multifaceted understanding of how--and why--people participate in viewing and sharing activities the way they do." --Sam Ford, co-author of Spreadable Media s ripe for new types of research, while also giving scholars, students, and industry executives alike a multifaceted understanding of how--and why--people participate in viewing and sharing activities the way they do." --Sam Ford, co-author of Spreadable Media
Illustrated
Yes
Table Of Content
"Introduction: Mapping Connections" - Jennifer Holt and Kevin Sanson I: Industry Structure and Strategies 1. "Regulating Connected Viewing: Media Pipelines and Cloud Policy" - Jennifer Holt 2. "Second-Screen Theory: From the Democratic Surround to the Digital Enclosure" - Hye-Jin Lee and Mark Andrejevic 3. "Windows into the Digital World: Distributor Strategies and Consumer Choice in an Era of Connected Viewing" - Elissa Nelson 4. "The Personal Media Collection in an Era of Connected Viewing" - Gregory Steirer II: Technology and Platforms 5. "Beyond Piracy: Understanding Digital Markets" - Patrick Vonderau 6. "Transparent Intermediaries: Building the Infrastructures of Connected Viewing" - Joshua Braun 7. "American Media Behind the Great Fire Wall: Chinese Social Media and Hollywood Film Distribution in the PRC" - Aynne Kokas 8. "Online Distribution of Film and Television in the UK: Behavior, Taste and Value" - Elizabeth Evans and Paul McDonald III: Content and Engagement 9. "Connected Viewing, Connected Capital: Fostering Gameplay Across Screens" - Matthew Thomas Payne 10. "Connected Viewing on the Second Screen: The Limitations of the Living Room" - Ethan Tussey 11. "Streaming U: College Students and Connected Viewing" - Max Dawson and Chuck Tryon 12. "The Contours of On-Demand Viewing" - Sharon Strover and William Moner
Synopsis
As patterns of media use become more integrated with mobile technologies and multiple screens, a new mode of viewer engagement has emerged in the form of connected viewing, which allows for an array of new relationships between audiences and media texts in the digital space. This exciting new collection brings together twelve original essays that critically engage with the socially-networked, multi-platform, and cloud-based world of today, examining the connected viewing phenomenon across television, film, video games, and social media. The result is a wide-ranging analysis of shifting business models, policy matters, technological infrastructure, new forms of user engagement, and other key trends affecting screen media in the digital era. Connected Viewing contextualizes the dramatic transformations taking place across both media industries and national contexts, and offers students and scholars alike a diverse set of methods and perspectives for studying this critical moment in media culture. Jennifer Holt is Associate Professor of Film and Media Studies at the University of California, Santa Barbara. Kevin Sanson is Research Director of the Carsey-Wolf Center's Media Industries Project at the University of California, Santa Barbara., As patterns of media use become more integrated with mobile technologies and multiple screens, a new mode of viewer engagement has emerged in the form of connected viewing, which allows for an array of new relationships between audiences and media texts in the digital space. This exciting new collection brings together twelve original essays that critically engage with the socially-networked, multi-platform, and cloud-based world of today, examining the connected viewing phenomenon across television, film, video games, and social media. The result is a wide-ranging analysis of shifting business models, policy matters, technological infrastructure, new forms of user engagement, and other key trends affecting screen media in the digital era. Connected Viewing contextualizes the dramatic transformations taking place across both media industries and national contexts, and offers students and scholars alike a diverse set of methods and perspectives for studying this critical moment in media culture.
LC Classification Number
HM1206
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lexdure
100% de votos positivos•5,9 mil artículos vendidos
Registrado como vendedor particularPor tanto, no se aplican los derechos de los consumidores derivados de las leyes de protección de los consumidores de la UE. La Garantía al cliente de eBay sigue aplicando a la mayoría de compras. Más informaciónMás información
Votos de vendedor (3.607)
- _***_ (59)- Votos emitidos por el comprador.Mes pasadoCompra verificadaShipping, packaging, as described, and value? All good. Item is in great condition with map. I am happy. Would do business with seller again :)
- i***e (1170)- Votos emitidos por el comprador.Mes pasadoCompra verificadaExcellent seller; item is exactly as described with fast shipping and good packing!
- g***g (1018)- Votos emitidos por el comprador.Últimos 6 mesesCompra verificadaGreat seller! Fast shipping, Items as described! Great communication!