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Chris Ofili Devil's Pie by Klaus Kertess Sealed (2008, Hardcover)
USD135,00
Aproximadamente117,60 EUR
Costaba USD150,00 (10% de descuento)
Estado:
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Libro nuevo, sin usar y sin leer, que está en perfecto estado; incluye todas las páginas sin defectos. Consulta el anuncio del vendedor para obtener más información.
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Ubicado en: Brooklyn, New York, Estados Unidos
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Variable
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N.º de artículo de eBay:175168644915
Última actualización el 27 ene 2025 01:47:56 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- Ex Libris
- No
- Narrative Type
- Nonfiction
- Country/Region of Manufacture
- Unknown
- Custom Bundle
- No
- Personalize
- No
- Inscribed
- No
- Type
- Art
- Features
- 1st Edition
- Vintage
- No
- Personalized
- No
- Intended Audience
- Adults
- Signed
- No
- Era
- 2000s
- CHRIS OFILI, DAVID ZWIRNER, BOOK
- CHRIS OFILI, DAVID ZWIRNER, BOOK
- ISBN
- 9783865216298
Acerca de este producto
Product Identifiers
Publisher
Steidl Gmbh & Co. Ohg
ISBN-10
3865216293
ISBN-13
9783865216298
eBay Product ID (ePID)
65670506
Product Key Features
Book Title
Devil's Pie
Number of Pages
168 Pages
Language
English
Publication Year
2008
Topic
Individual Artists / General, History / Contemporary (1945-), Collections, Catalogs, Exhibitions / General, European, History / General
Illustrator
Yes, Ofili, Chris
Genre
Art
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
46.6 Oz
Item Length
12 in
Item Width
10 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
22
Dewey Decimal
709.2
Synopsis
Few artists' names can connote such diverse associations as the Virgin Mary, Rudolph Giuliani and elephant dung. (Put thus, it seems rather an achievement.) Controversy tends to dog the art of Chris Ofili, and former New York Mayor Giuliani's suspension of funding for the Brooklyn Museum upon its exhibition of his 1996 painting "The Holy Virgin Mary" in 1999 was but one instance of the ire Ofili routinely arouses. When these occasional media commotions subside, one sees that the work is actually pleasing in more familiar ways: Ofili's surfaces sparkle with smears of glitter and bright veneer, resembling nothing so much as African icons. But Ofili has always been political, specifically in his confrontations with racial cliché, and in his insistent incorporation of materials from popular black culture. Devil's Pie derives its title from singer-songwriter D'Angelo's 1998 lyric meditation on temptation and retribution. According to the song, the ingredients of a devil's pie include "materialistic, greed and lust, jealousy, envious / bread and dough, cheddar cheese, flash and stash, cash and cream." Similarly diverse in its references and dichotomies, Ofili's work contains contradictions. This catalogue collects his work in sculpture, painting, printmaking and graphite drawing for the first time and includes texts by art writer and curator Klaus Kertess and writer Cameron Shaw., Few artists' names can connote such diverse associations as the Virgin Mary, Rudolph Giuliani and elephant dung. (Put thus, it seems rather an achievement.) Controversy tends to dog the art of Chris Ofili, and former New York Mayor Giuliani's suspension of funding for the Brooklyn Museum upon its exhibition of his 1996 painting "The Holy Virgin Mary" in 1999 was but one instance of the ire Ofili routinely arouses. When these occasional media commotions subside, one sees that the work is actually pleasing in more familiar ways: Ofili's surfaces sparkle with smears of glitter and bright veneer, resembling nothing so much as African icons. But Ofili has always been political, specifically in his confrontations with racial clich , and in his insistent incorporation of materials from popular black culture. Devil's Pie derives its title from singer-songwriter D'Angelo's 1998 lyric meditation on temptation and retribution. According to the song, the ingredients of a devil's pie include "materialistic, greed and lust, jealousy, envious / bread and dough, cheddar cheese, flash and stash, cash and cream." Similarly diverse in its references and dichotomies, Ofili's work contains contradictions. This catalogue collects his work in sculpture, painting, printmaking and graphite drawing for the first time and includes texts by art writer and curator Klaus Kertess and writer Cameron Shaw.
LC Classification Number
N6768
Text by
Shaw, Cameron
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