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✨️Black Caesars and Foxy Cleopatras: A History of Blaxploitation Cinema✨️
USD9,96
Aproximadamente8,50 EUR
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Estado:
En muy buen estado
Libro que se ha leído y que no tiene un aspecto nuevo, pero que está en un estado excelente. No hay desperfectos visibles en la tapa y se incluye sobrecubierta, si procede, para las tapas duras. Todas las páginas están en perfecto estado, sin arrugas ni roturas y no falta ninguna. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección.
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Envío:
USD5,22 (aprox. 4,46 EUR) USPS Media MailTM.
Ubicado en: Hot Springs National Park, Arkansas, Estados Unidos
Entrega:
Entrega prevista entre el sáb. 11 oct. y el sáb. 18 oct. a 94104
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No se aceptan devoluciones.
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N.º de artículo de eBay:167626279292
Última actualización el 06 jul 2025 01:30:05 H.EspVer todas las actualizacionesVer todas las actualizaciones
Características del artículo
- Estado
- ISBN
- 9781419758416
Acerca de este producto
Product Identifiers
Publisher
Abrams, Inc.
ISBN-10
1419758411
ISBN-13
9781419758416
eBay Product ID (ePID)
25058792711
Product Key Features
Book Title
Black Caesars and Foxy Cleopatras : a History of Blaxploitation Cinema
Number of Pages
304 Pages
Language
English
Publication Year
2024
Topic
United States / 20th Century, Film / History & Criticism, African American, Ethnic Studies / African American Studies
Genre
Performing Arts, Social Science, History
Format
Hardcover
Dimensions
Item Height
1.3 in
Item Weight
17.1 Oz
Item Length
9.3 in
Item Width
6.4 in
Additional Product Features
Intended Audience
Trade
LCCN
2023-933930
Reviews
Plenty of ink has been spilled and words have been said about the Blaxploitation era, but Black Caesars and Foxy Cleopatras is perhaps the most sweeping (and fun) exploration of the subject yet. Whether he's discussing stone-cold classics or regrettable trash, Odie Henderson tells it like it is; he approaches these films and their creators with a palpable affection for the genre, without sacrificing his keen critical and analytical sensibilities., "Delightful ... Author Odie Henderson has a gift -- he conveys social history and economic theory and diagrams the parallel histories of Hollywood with an incisive eye and the timing of a peerless comedian working blue at the late show."-- Nashville Scene, This exuberant debut from Boston Globe film critic Henderson provides commentary on and social context for 1970s Blaxploitation films . . . a thoughtful and loving ode to the genre., Delightful ... Author Odie Henderson has a gift -- he conveys social history and economic theory and diagrams the parallel histories of Hollywood with an incisive eye and the timing of a peerless comedian working blue at the late show., With his critical recording of Blaxploitation cinema, Odie Henderson champions the moment when Hollywood anointed Black stories as king. A delightful guide to the major heroes and lesser-known creatives who've influenced Black culture and cinema for decades, Henderson provides a personal, hilarious, informative, spontaneous, and brazen point of view that stands as a bible for the era.
Synopsis
In 1971, two films grabbed the movie business, shook it up, and launched a genre that would help define the decade. Melvin Van Peebles's Sweet Sweetback's Baadasssss Song , an independently produced film about a male prostitute who beats up cops and gets away, and Gordon Parks's Shaft , a studio-financed film with a killer soundtrack, were huge hits, making millions of dollars. Sweetback upended cultural expectations by having its Black rebel win in the end, and Shaft saved MGM from bankruptcy. Not for the last time did Hollywood discover that Black people went to movies too. The Blaxploitation era was born., The definitive account of Blaxploitation cinema--the freewheeling, often shameless, and wildly influential genre--from a distinctive voice in film history and criticism In 1971, two films grabbed the movie business, shook it up, and launched a genre that would help define the decade. Melvin Van Peebles's Sweet Sweetback's Baadasssss Song , an independently produced film about a male sex worker who beats up cops and gets away, and Gordon Parks's Shaft , a studio-financed film with a killer soundtrack, were huge hits, making millions of dollars. Sweetback upended cultural expectations by having its Black rebel win in the end, and Shaft saved MGM from bankruptcy. Not for the last time did Hollywood discover that Black people went to movies too. The Blaxploitation era was born. Written by film critic Odie Henderson, Black Caesars and Foxy Cleopatras is a spirited history of a genre and the movies that he grew up watching, which he loves without irony (but with plenty of self-awareness and humor). Blaxploitation was a major trend, but it was never simple. The films mixed self-empowerment with exploitation, base stereotypes with essential representation that spoke to the lives and fantasies of Black viewers. The time is right for a reappraisal, understanding these films in the context of the time, and exploring their lasting influence.
LC Classification Number
PN1995.9.B585
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