The Marshall Mathers LP2 by Eminem (Record, 2014)

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USD19,99
Aproximadamente17,15 EUR
Estado:
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Ubicado en: Mount Pleasant, Michigan, Estados Unidos
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Entrega prevista entre el vie. 10 oct. y el mié. 15 oct. a 94104
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N.º de artículo de eBay:167329370584
Última actualización el 04 jun 2025 21:16:05 H.EspVer todas las actualizacionesVer todas las actualizaciones

Características del artículo

Estado
Nuevo: Artículo que nunca se ha abierto y conserva el embalaje original del fabricante. Consulta el ...
LOCATION
yellow bin
UPC
0602537645879
Categoría

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Product Identifiers

Record Label
Interscope Records, ISC
UPC
0602537645879
eBay Product ID (ePID)
25046032995

Product Key Features

Format
Record
Release Year
2014
Genre
Rap/Hip Hop
Artist
Eminem
Release Title
The Marshall Mathers LP2

Dimensions

Item Height
0.19 in
Item Weight
1.05 lb
Item Length
12.42 in
Item Width
12.13 in

Additional Product Features

Number of Tracks
16
Country/Region of Manufacture
United States
Tracks
1.1 Bad Guy 1.2 Parking Lot (Skit) 1.3 Rhyme or Reason 1.4 So Much Better 1.5 Survival 1.6 Legacy 1.7 Asshole (Feat. Skylar Grey) 1.8 Berzerk 1.9 Rap God 1.10 Brainless 1.11 Stronger Than I Was 1.12 The Monster (Feat. Rihanna) 1.13 So Far 1.14 Love Game (Feat. Kendrick Lamar) 1.15 Headlights (Feat. Nate Ruess) 1.16 Evil Twin
Number of Discs
2
Notes
Recording information: Effigy Studios; Larrabee Studios, Universal City, CA; Shangri La Studios, Malibu, CA. Photographers: Jeremy Deputat; Kevin Mazur; Paul Rosenberg ; Jenny Risher. After centering himself with the confessional 2010 release Recovery, Eminem entered his forties while watching his beloved city of Detroit literally go bankrupt. The cover here displays this descent with an updated picture of the rapper's teenage home, first featured on the MM LP of 2000 but now boarded up, and yet this 8 Mile child cares much more about the present than the past, as this vicious, infectious, hilarious triumph is no nostalgia trip, just the 2013 version of Marshall the experienced maverick on a tear, dealing with the current state of events and kicking up dust with his trademark maniac attack while effortlessly juggling his over-40 wisdom with stuff you'd slap a teenager for saying. Key cut "Rap God" is the quintessential track as it blasts out homophobic cut-downs and other inexcusable lyrics, because Marshall's the "Dale Earnhardt of the trailer park," but "I still rap like I'm on my Pharoahe Monch grind," and suddenly his Stan Lee-like origin story begins to take shape. Marshall is a super villain so familiar with hate and depression, he's powered by all shades of anger. Be it pissing off the neighbors (rocking the house with a some Beastie Boys and Billy Squier samples on the Rick Rubin-produced party starter "Bezerk") or being threatened by critics (and his biggest ever, too, as "Bad Guy" revisits the MM LP character "Stan" via his revenge-obsessed brother Matthew), it all feeds into his super nova, and it's a unique spectacle when it explodes. Silly, manipulated voices and all, "The Monster" with Rihanna offers insight with it's "I get along with the voices inside my head" attitude, then "Headlights" ups the game and offers mom an apology, referencing his earlier hit "Cleaning Out My Closet" and explaining it as an angry and irresponsible moment. Funny thing is, most of the best moments on MM LP2 are just as angry, and just as irresponsible, but like "Closet," this is the tortured soul and self-reliance ninja known as Eminem at his very best. - David Jeffries.

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