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Ray Johnson by Ray Johnson (2015, Hardcover) RARE Like New

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Libro en perfecto estado y poco leído. La tapa no tiene desperfectos y si procede, con sobrecubierta para las tapas duras. Incluye todas las páginas sin arrugas ni roturas. El texto no está subrayado ni resaltado de forma alguna, y no hay anotaciones en los márgenes. Puede presentar marcas de identificación mínimas en la contraportada o las guardas. Muy poco usado. Consulta el anuncio del vendedor para obtener más información y la descripción de cualquier posible imperfección. Ver todas las definiciones de estadose abre en una nueva ventana o pestaña
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“Excellent, like new”
ISBN
9781938560828

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Product Identifiers

Publisher
Karma
ISBN-10
1938560825
ISBN-13
9781938560828
eBay Product ID (ePID)
222191677

Product Key Features

Book Title
Ray Johnson
Number of Pages
296 Pages
Language
English
Topic
Conceptual, Individual Artists / Monographs
Publication Year
2015
Illustrator
Johnson, Ray, Yes
Genre
Art
Author
Ray Johnson
Format
Hardcover

Dimensions

Item Height
1.1 in
Item Weight
42.3 Oz
Item Length
12.2 in
Item Width
9.8 in

Additional Product Features

Intended Audience
Trade
Reviews
In this compendium, which brings together scores of Johnson's witty collages and drawings, often incorporating iconic figures from the 20th century, as well as other ephemera from Johnson's estate, the artist is revealed to be a pioneer of both Pop and Fluxus aesthetics.--David Ebony "Art in America ", In this compendium, which brings together scores of Johnson's witty collages and drawings, often incorporating iconic figures from the 20th century, as well as other ephemera from Johnson's estate, the artist is revealed to be a pioneer of both Pop and Fluxus aesthetics.
Synopsis
Pioneer of mail art and an early participant in both the Pop and Fluxus movements, Ray Johnson created complex, punning works that ingeniously combine text and image, celebrity culture and art history, wit and melancholy. Figures such as Mickey Mouse, Elvis Presley, James Dean, Michael Jackson and Calvin Klein models populate his many collages--a candid foreshadowing of current societal obsession. In the 20 years since his death, Johnson's work has become an increasingly accurate depiction of our fragmented and overstimulated society and includes some of the most recognizable imagery from the twentieth and twenty-first centuries. Beautifully designed, this massive compendium includes 296 color reproductions of collages, drawings, interventions and other ephemera from Johnson's estate. Born in Detroit, Michigan, Ray Johnson (1927-1995) studied under Josef Albers and Robert Motherwell at Black Mountain College in North Carolina, and worked as a painter early in his career, exhibiting alongside Ad Reinhardt and Charmion von Wiegand before embracing pop imagery, collage and mail art, producing thousands of collages and other works on paper. His life and death (by suicide, jumping from a bridge in Sag Harbor, Long Island) were the subject of the award-winning documentary How to Draw a Bunny (2002)., Pioneer of mail art and an early participant in both the Pop and Fluxus movements, Ray Johnson created complex, punning works that ingeniously combine text and image, celebrity culture and art history, wit and melancholy. Figures such as Mickey Mouse, Elvis Presley, James Dean, Michael Jackson and Calvin Klein models populate his many collages-a candid foreshadowing of current societal obsession. In the 20 years since his death, Johnson's work has become an increasingly accurate depiction of our fragmented and overstimulated society and includes some of the most recognizable imagery from the twentieth and twenty-first centuries. Beautifully designed, this massive compendium includes 296 color reproductions of collages, drawings, interventions and other ephemera from Johnson's estate. Born in Detroit, Michigan, Ray Johnson (1927-1995) studied under Josef Albers and Robert Motherwell at Black Mountain College in North Carolina, and worked as a painter early in his career, exhibiting alongside Ad Reinhardt and Charmion von Wiegand before embracing pop imagery, collage and mail art, producing thousands of collages and other works on paper. His life and death (by suicide, jumping from a bridge in Sag Harbor, Long Island) were the subject of the award-winning documentary "How to Draw a Bunny" (2002).

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